X-Men Poster

X-Men (2000)

Action | SciFi 
Rayting:   7.4/10 573.6K votes
Country: USA
Language: English
Release date: 28 September 2000

In a world where mutants (evolved super powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X Men.

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RJC-4 16 July 2000

Was "The Usual Suspects" a fluke? Bryan Singer turns in a decidedly B-movie job directing this flat, predictable comics adaptation. It's almost too faithful to its original medium, with 2-d performances from all the principals except for Hugh Jackman (as the grouchy Wolverine, he displays the closest thing to personality among these cardboard cut-outs). Patrick Stewart is lifeless. Ian McKellen, who was believably dark in Singer's "Apt Pupil," here only looks very drowsy. And the X-Men themselves look like the cast of "Dawson's Creek" in drag.

This film has endless problems. The action sequences, and in particular the climactic battle in and on the Statue of Liberty, look terribly staged: just as on the comics page, the characters halt to strike dramatic poses, or dotingly brandish their "super powers" (one of them, hilariously, even utters at one point: "Storm, use your power!"). It simply doesn't work any more than if Singer had put speech bubbles above the characters' heads. Compare these silly little fights to the superb sequences in Jet Li's "Black Mask," (1996), a film shot for a fraction of this one's budget but obviously with much greater talent and vision.

For a comic with a rich graphical past, the movie's art direction delivers a strangely bland, sterile look, both for Professor X's school and for the Liberty set. Both look low-budget, but neither is quite as bad as the villain's secret seaside hideout, which Singer shot in such darkness that nary a detail can be seen.

Oddly, "X-Men" looks like two different movies. The first 15 minutes are lavishly designed and shot, from the opening flashback of Jews herded into a concentration camp to the discovery of a Wolverine slumming in a moody northern logging camp. Then, abruptly, the flair is gone, and for the remaining 90 minutes we get a film that looks like one of the Star Trek TV franchise vehicles. (Except for Storm's look: it's pure Penthouse Magazine, ca. 1975, with Halle Barry's vapid expression rounding out the bill.) The villains are half-comically done, but even that is a blunder by Singer -- we don't really get any comic relief from them, and we can hardly worry too much about the X-men if they're beset by the likes of a villain called Toad, and even less when they remind us of the far wittier and better-looking send-up of all this nonsense, last year's "Mystery Men."

Apart from the inanities, there is also a true sin: it's unforgivably trite when a pulp fiction like this one hijacks the Holocaust to inflate its meagre storyline and insincere theme. "X-Men" isn't really an allegory of genocide, or even merely of racism. That stuff is just tacked on to what is really an exercise in big fights and big boobs -- the old Marvel formula. Fights and boobs aren't bad in their own right, but they're done much better elsewhere without the pretensions to social justice.

melissa3 5 March 2001

Fmovies: I've always been a fan of the X-Men, since the Animated Series aired (I'd never really read any of the comics though... ^_^). So when I heard they were making a movie about them, I was counting the days until it was released. Maybe that affected how I viewed the movie, but I was a bit disappointed. Director Brian Singer (Usual Suspects) did a good job with what he's got... the multiple characters, etc. The whole project seems a bit "safe," though, as if the producers wanted to make sure this big production didn't flop. It's a good movie, but not a great one. Fans of the X-Men might be especially disappointed if their favorite characters do not include either Wolverine or Rogue. Mine personally is Cyclops, but he had a minor role. James Marsden, who played Cyclops, was a bit on the stiff side, but I forgive him because I like him as an actor. On that note, all the actors did an excellent job, especially Patrick Stewart and Ian McKellan, as the forces of good and evil. It brought an endearing humanistic side to a story I had thought was dominated by sci-fi. If you're an X-Men fan, I would definitely recommend this film--but you probably have already seen it! What X-Men fan would miss out? If you're not a fan, maybe this movie can be a starting point for a new obsession... :o)

thedotimp 6 September 2000

"X-men" is a well done sci-fi action film for all action fans: especially for those who as kids dreamed of having special powers themselves. Each of the main mutant characters has a special ability and during the film I sometimes found myself thinking about which of those abilities I would choose if I were given the chance. Of course all of those special abilities are visible in the film's spectacular special effects. But the special effects were not the only thing that made watching this film fun. There is also plenty of action and character interaction besides shooting and beating and using special powers. As each mutant character is given a past (to give him a motivation) and a weakness, the film's plot never got boring because I also wanted to know how things developed between the mutants themselves.

And I won't even talk about the ending. It actually surprised me. But go see for yourself

Chiron1987 17 July 2000

X-Men fmovies. The film version of Stan Lee and Jack "The King" Kirby's best-selling comic book creation, X-Men, has finally succeeded where more than twenty years of four-color, superhero movies have failed. They have finally got it right...

It is a stunning cinematic experience, faithfully adapting nearly 40 years of continuity into a stream-lined, fast-paced, wonderfully exciting trip into the legendary Marvel Universe. X-Men features incredible portrayals of much of the classic mutant cast, especially virtual unknown (at least here in the States) Hugh Jackman as Logan, the Canadian wildman we all know and love as Wolverine. Jackman seems born to play this coveted role with every bit of gruff and grim gusto; his Wolverine looks as if he simply stepped off one of Chris Claremont and John Byrne's exquisitely crafted pages. The rest of the cast was also pleasantly well-casted and well-suited for their roles, including the handsomely chisled James Marsden as the stoic field commander Cyclops and the gorgeous Anna Paquin as the can-never-touch-but-wish-we-all-could Rogue. Famke Janssen and Halle Berry are beautiful and bold as Jean Grey and Storm, respectively, not just appearing as fleeting shards of eye candy, but actually adding depth and strength to the flow of the film. Patrick Stewart's excellent Professor Charles Xavier is in fine Stewart fashion, extrapolating on his Jean-Luc Picard character, and adding genuine compassion and warmth.

Ian McKellan is superb as the tortured master of magnetism, Magneto, playing the part with malicious glee, tempered with an extreme form of jingoism for his cause of the militant uprising of mutants over "normal" people. His Brotherhood of (Evil) Mutants is composed of Sabretooth, viciously and animalistically portrayed Tyler Mane, The Phanton Menace's Ray Park is the wickedly amusing Toad, and the stunning Rebecca Romaijn-Stamos is the shape-shifter Mystique. Park actually had the most to say of Magneto's henchmen, but it was appropriate as these three comprise an awesomely evil team of muscle and not philosophy like their leader.

The productions values were spectacular, as were the settings, taking us from a stark, malign concentration camp in Poland to the wilds of the Canadian north to the serenity of Westchester, New York to a mind-bending climax on Liberty Island. The action sequences were well-paced and action-packed, and much more smoother and better choreographed than any of the Batman films. The special effects, especially Wolverine's legendary adamantium claws, were truly awe-inspiring.

X-Men was meticulously directed by Bryan Singer, who along with 20th Century Fox, actually listened to and cared about what X-Fans thought and wished to see on screen. Although we would have all liked to have stayed in that theater for another 95 minutes, there are many more stories to tell, and God willing, Fox will let it happen.

Most importantly, X-Men finally gives Marvel Entertainment Group a firm footing on film, a foundation that was never fully in its grasp until the surprise hit of two years ago, Blade. Now that Marvel has discovered that it can succeed with its top-tier characters, the sky is truly the limit for its varied cast of great characters. I hope that Warner Bros. will sit up and take notice at what X-Men has accomplished. Maybe this will be a wake-up call to those studio executives in charge of Superman and Batman, and make them realize that the fans' input really does count in the end...

cherry2x 29 November 2000

The answer to that question can be found in this movie with a resounding YES. Being a fan of X-Men comics and cartoons, I watched this movie with great skepticism. It was wonderful how the characters remained true to the comics.

The special powers that our mutant heros and villains possess are displayed exceptionally. It made me wish that I could have a special power of my own.

Enough can not be said of the phenomenal cast of actors that were selected for their roles. Not only did they fit their parts perfectly, but they made you believe. Bravo to Patrick Stewart, Hugh Jackman, Ian McKellen and a host of actors who were lucky enough to take part in this adventure.

Bryan Singer does a fantastic job of bringing it all together. The special effects in this movie, only enhance the great script and acting. After seeing the DVD with the outtakes, the editing was quite effective.

The true battle of good versus evil can always make for a great story but when a comic book is adapted to film and you feel that what you see is really possible, it is a true stroke of genius.

MinorityReporter 11 December 2005

If this film had been given to the wrong director it could have been incredibly cheesy. Being a reader of the comics I know that there are a few things that works on the page of a comic book but not in a film and let me say that the costumes is one of these things that in all probability wouldn't work. Singer chose to go with black leather outfits and I, for one, am very thankful for this choice. There are many things in this film that works but unfortunately there are a few things as well that prevent the film from being truly great.

Lets start with the things that work. Acting wise the film is very good. This is above all attributed to some excellent casting. Hugh Jackman is simply perfect as Wolverine and brings out the duality of the character in a very satisfactory manner. Also the scenes were we see a glimpse of the rage in the character work remarkably well. The only thing that could be said about him is that he is too tall but it seems most people, including myself, have accepted this fact. I think also that it was a wise choice to let a relatively unknown actor play the part because in that way we have no preconceived notions about him. As for Professor X no other man than Patrick Stewart could/should play him. Stewart simply becomes Xavier both in presence, voice and looks. An example of perfect casting. Ian McKellen is brilliant as Magneto and succeeds in creating a human villain rather than the usual cliché like villains we see in Hollywood productions. The acting aside from the ones mentioned above is pretty good. Not spectacular but good. The only one who does not look and act like the character we know from the comics is Anna Paquin who plays Rogue. The character is nothing like in the comics and Paquin's performance doesn't help the character.

When it comes to music and sound effects in general the film is a notch above average. The musical score has a very grand, even epic, feel to it and this suits the film very well. The score is not as memorable as the score from Batman (1989) but it is very adequate. As for the general sound effects they are both very fitting and believable adding to the overall credibility of the film which is considerable. The sound Wolverine's claws make when they come out is exactly as I imagined it. Very well done. The effects in general are also very well made. Not as good as in Spider-Man but still very good. A lot of care has been taken to make the effects seem as believable as possible and from where I'm standing they work. The only character whose powers I did not fully believe in was Toad's. Ray Park is an excellent athlete but many of his stunts look like obvious wire work. This is a pretty general complaint I have as some of the action look rehearsed. There is, however, some interesting action scenes and overall the action is acceptable.

The story is pretty well written and the dialog is both witty and sharp. Especially much of the dialog between Wolverine and Cyclops (James Marsden) is very entertaining and true to the comic books. Where I feel the story is lacking is in the climax which I am afraid to say is a little silly. Magneto's plan for world domination is actually pretty stupid when you think about it and that is a shame because much of the exposition is very well done. Generally, however, the first film is all about setting the stage for the films to come and it does do that in a satisfactory manner.

All in all X-Men is definitely one of the better super hero movies out there and although it was surpassed by th

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