White Sands Poster

White Sands (1992)

Action | Drama 
Rayting:   6.0/10 7K votes
Country: USA
Language: English
Release date: 14 August 1992

A small southwestern town Sheriff finds a body in the desert with a suitcase and five hundred thousand dollars. He impersonates the man and stumbles into an F.B.I. investigation.

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User Reviews

merklekranz 17 February 2008

Trying to figure out "White Sands" is like trying to put together a jigsaw puzzle with quite a few missing pieces. This overcomplicated movie challenges the viewer's understanding way too much, and eventually you will lose interest. It really is a shame because the cast gives their best effort with what is a severely disjointed script. Mary Elizabeth Mastrantonio and the blue Corvette are easy on the eyes, but it's not enough to maintain momentum, and the whole thing derails twenty minutes in and never recovers. True there are a few strong scenes, but a plethora of dead material is unfortunately connecting them. Not recommended. - MERK

GOWBTW 6 January 2013

Fmovies: This is one of the most action packed movies ever. Great cast, great plot, great storyline to boot. "White Sands"is awesome. And it's a blast. Here you have a small town sheriff (Willem Dafoe) who uncovers a big mystery. An undercover FBI Agent, and suitcase with half a million dollars. That to him is a big break from the small town life. He goes out to the motel where the victim was staying at. Gets more information, decides to fill in the role of the dead-man, and find himself way over his head. He later meets fellow agent Meeker(Samuel L. Jackson), CIA Lennox(Mickey Rourke) , and Lane Bodine (Mary Elizabeth Mastrantonio), a woman of means join in on the fun. The question is simple, Who to trust? Well, we know it's not Lennox. He's violently murderous. He had the two internal affairs men killed in the desert. And Meeker is no good. He is bound by greed. Big money equals big ego. If I was a Fed, I would stave off temptations. Only Lane was the one he could trust. During the shower scene, she was the one who could return Dolezal back to his regular life. But when convince him that she's very helpful, he had to live it up! And does he ever. Lane's persuasive actions makes Dolezal more intrigued than ever. For the record, Meeker's greed got the best of him. That made him the dirtiest FBI Agent ever. For the sheriff deputy, I think he had enough fun in his life. As long as he doesn't mention this whole scenario with his family. Awesome, totally awesome, what more can I say? 4 out of 5 stars!

NateWatchesCoolMovies 13 September 2015

Roger Donaldson's White Sands is a nice, picturesque piece of early 90's noir escapism. It's set in the vast expanse of the white gypsum deserts of New Mexico, where it gets its title from. The film makes use of numerous chopper shots to illustrate the landscape nicely, set to an appropriately synthy, ambient score. Willem Dafoe, in a rare lead role, is excellent as small town sheriff Ray Dolezal, who stumbles upon a murdered FBI agent in the back end of nowhere, impulsively propelling him down a well of black market intrigue and dangerous circumstances. He unwisely poses as the fed, and gets himself way in over his head with the wrong kind of people. Mickey Rourke plays a high mannered, low life arms dealer with his usual brand of slick, Mach pizazz, and Mary Elizabeth Mastrantonio uses her unmistakably sultry presence to great effect as a mysterious, sexy financial backer to their operation. Samuel L. Jackson struts his stuff before big screen fame as a conniving FBI big cheese, and the colourful supporting troupe include M. Emmett Walsh, Mimi Rogers, Maura Tierney, James Rebhorn, Miguel Sandoval, Fred Dalton Thompson and John P. Ryan. When the slightly over convoluted plot threatens to mire us in bewilderment, like the characters get mired in the white deserts of their own morally questionable actions, the solid work from the actors brings us back on track. Even when we don't know exactly what is going on and it's over complicated for complexities sake, we're still intrigued by the lone star, almost Cormac McCarthy like nature of the story, and the cast who are more than willing to commit. Dafoe soars when given the right material and he's on fire here, giving Dolezal a borderline reckless personality and thirst for exodus from the mundane deputy's life that he sells just by being present in every scene. Rourke plays up his bad boy persona with spectacularly coiffed hair and a belligerent, laid back violent streak. It's got a lonely, desolate air to it, perfect for a contemplative yet not too heavy thinking night of cinema.

DJAkin 9 February 2002

White Sands fmovies. I have seen this movie on the racks at video stores for years. I have never been tempted to view it. Since I saw it on Cinemax, I say that I like it. Willem DeFoe plays a cop who becomes wrapped up in this undercover scheme involving half a million dollars. He pretends like he is this man who was found dead in the desert. The great thing about this movie is that it takes turn after turn and twist after twist. All the characters, played by Sam Jackson (a great actor) and Mickey Rork are not who you really think they are. The scenary is great to. The entire film was shot in New Mexico. Scenes of Taos and Santa Fe are plentiful. This is a must see movie for Willem Defoe fans. I rate this movie a hefty 7 out of ten stars.

MrPink-11 7 April 1999

Mickey Rourke is truly one of America's finest actors. He has been dismissed because of his irrational behavior, however, that takes nothing away from his talent and penetrable screen prescene. White Sands has wonderful atmosphere, capturing the desert with splendid cinematograpy. Willem Dafoe makes for an excellent protagonist to journey with through the maze that is the plot. A bonus in watching White Sands now is the post-Jungle Fever but pre-Pulp Fiction Samuel L. Jackson. He makes for a slimy antagonist. All of this and M. Emmet Walsh, in an autopsy scene to die for, make for an enjoyable movie experience.

gridoon 12 May 2001

This interesting cop thriller has a convoluted plot that gets a bit out of hand in the second half, with improbable, needless twists added only to provoke a surprised response on the audience's part (consider, for example, Mickey Rourke's true identity), but it has been stylishly directed by Roger Donaldson (who has already shown his competence with the first-rate "No Way Out") and acted with restraint by the three leads; Rourke is particularly magnetic. Samuel Jackson also has an amusing supporting role. (**1/2)

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