Vengeance Is Mine (1979)

Vengeance Is Mine marked Shôhei Imamura's return to fiction filmmaking after a decade spent working on documentaries. It is based on the true case of Nishiguchi, a Japanese criminal who eluded police for 78 days while committing five murders. The novel from which the screenplay was taken changed the name of the anti-hero to Iwao Enokizu and fictionalized real events. By providing a 'halfway house' between complete invention and real crime reporting, the source thus gave Imamura an ideal stepping-stone back into feature films: retaining the support of documentary inspiration whilst allowing the director to bring his personal vision and structuring to the events unfolding on screen.

Modern viewers are long used to a diet of slaughterer cinema, whether it be the Eileen Wuornos depicted in Monster, Albert Fish of The Grey Man, or much less illustrious fodder as Bundy, and Ed Gein. But even after 25 years, Vengeance Is Mine remains one of the few outstanding mass-murderer screen biographies. Told through a series of flashbacks, Imamura's film suggests by its structure both the disassociations of a killer's mind as well as reducing any empathy between creator and lead figure.

Thus we see Enokizu's story in five different time periods or points of view: first, during his final arrest and in police custody; then during the police investigation itself; while the killer is committing his crimes and escaping from the law; fourthly, his life before his crimes. Finally there's a scene or two occurring after the execution.

By recounting the various stages in a killer's life in non-linear fashion, interesting juxtapositions are possible, all the while dramatic tension between crimes is disrupted. We know that the murderer will have his way and the opening shows us he has been caught. The script's treatment of the material means suspense is removed from events, instead placed at a psychological level, i.e. not on how Enokizu builds to a killing and, presumably, hopes to get away with it, but why he does.

But as critic Alex Cox has said: "there are no easy answers" found in a movie much more oblique in its presentation than Hollywood might attempt. Indeed, for the most part, Enokizu's crimes seem to have no overwhelming motive at all (apart from the need for survival money), although deep at the heart of his compulsive behaviour is his bitter relationship with his father. And as Cox further observes, although Vengeance Is Mine headlines a biblical source, ("vengeance is mine, I shall repay sayeth the Lord") it is not absolutely clear in the film on who, or what, Enoziku is wreaking vengeance on.

If providence is interested in exacting justice by turn, bringing a necessary come-uppance, its mainly represented by two or three shots over the course of a film, suggestive of a hangman's noose - much more man's law than heavenly retribution. This, while Enokizu is caught and punished, such critical moments (commonplace set pieces in such western killer-centered films such as In Cold Blood) are not even shown. Vengeance Is Mine leaves precise moments of apprehension and execution to our imagination. Instead it shifts focus onto a fractured criminal career of mayhem, familial confusion, and casual sex.

Enoziku's father, Shizuo, is a complicated figure who stands as much at the centre of the narrative as does his son. Shamed during the war by refusing to stand up to the requisitioning authorities (a traumatic event witnessed by his son

Fmovies: This movie recounts the many unsavory exploits and pointless wanderings of a murderous criminal. Ken Ogata plays a man with absolutely no redeeming qualities and without a shred of nuance. Although I admired Ogata's vigorous performance and found the other actors quite capable, this movie became grating rather quickly. At a certain point I looked at my watch and was very surprised to see that only one hour had passed -- despite being "action packed" this film actually drags on and on and on.

The essential problem is that whenever Ogata is on screen his mode is almost always full-on viciousness. The audience gets beaten over the head relentlessly with the obvious message that this guy is absolutely no good. Fair enough, but it's hard to sit through 2.5 hours of that atmosphere without feeling cramped, oppressed and a little (or even more than a little) bored by it all. This movie could definitely have used some serious editing.

My favorite scene involves a very fraught and intimate conversation between the murderer's wife and his father. It is played with remarkable finesse and restraint by the two actors involved and offers a welcome respite from the constant drumbeat of murders, robberies, jailhouse interviews, etc.

I'd say this thing is worthwhile if you keep your expectations well in check and don't have anything too pressing to do. Your patience will be rewarded at certain times and severely tested at others. All in all, "Vengeance is Mine" is a very mixed bag.

Jesus, the things people will say in comments. You'd think this film was some kind of tour de force of violence and depravity. Let me tell you what you are actually getting if you sit down to watch this.

Sociopath guy gets arrested, then we have a flashback to his messed up childhood, then fast forward to shortly before he gets arrested, where the majority of the story takes place. During this time, he moves from one place to another to evade police, meets people, scams them, kills them, moves on. When he's not doing that, he is crawling in awkward positions around small indoor spaces.

The rest of the time is spent watching characters display entirely inappropriate reactions to the things taking place. For example, the police discuss his crimes with him in the interrogation room without so much as batting an eyelid at his confessions. His ex-wife is in love with the guy's father who is old enough you hardly believe he can get it up.

If you can buy all that, and if you think this kind of thing deserves a whopping two and a half hours of your time, enjoy. Otherwise, go see "Henry: Portrait of a Serial Killer."

My God, the things people will say here... Look, whoever is in awe of this film is probably some kind of aficionado of Japanese cinema. If you do not fall in that category and are instead someone looking for some entertainment that will keep your interest throughout two hours and twenty minutes, do yourself a favor and leave this film be.

Vengeance Is Mine fmovies. The movie show us the story of a japanese serial killer. We watch, in alternating flashbacks, sequences of his childhood, his cruel murders, the failure of his marriage, the destructive relation with his father, his escape through the country. The characters of the film, the murder, the murder´s father, the murder´s wife, a prostitute met during the escape and her old mother, are deeply delineated, realistic and human. There are many memorable sequences along the movie. A sex scene in a japanese sauna environment, an awfully realistic multiple killing in a truck, a subliminal and sinister persecution in a park with pools full of eels, and the marvellous and enigmatic end sequence. This is one of the best movie I have ever seen.

Shohei Imamura's multi award winning film Vengeance is Mine follows after the dismal performance of The Profound Desire of the Gods, this time being a film that is more accessible. Based on a novel which follows the life of crime of real-life criminal Iwao Enokizu (played by Ken Ogata), at one time the most wanted man in Japan for his series of murders, this was probably my favourite movie today, until I watched Imamura's Palme d'Or winner Ballad of Narayama.

It's no surprise that this is something more conventional, given that it plays out narratively in retrospect, and that audiences sure like something that is based on real life. I thought it unfurled similarly to Catch Me If You Can, except that while Frank Abignale Jr was once a conman, defrauding banking institutions and adopting various identities, Iwao Enokizu was a killer first, and conman second, assuming identities to obtain cash for basic necessities, and for pleasurable moments to satisfy his lust for flesh.

The story seeks to discover his motivation and rationale for a life in crime, and goes way back to when Enokizu was a child, and hating his father for being weak in standing up against oppressors (in truth, there is little he can actually do except to lose his life if he doesn't comply). Hatred also bred deeper when his father is a religious hypocrite, obviously sinning against Enokizu with the lust for his wife Kazuko (Mitsuko Baisho, who's a dead ringer for Hong Kong actress Cherie Chung), and strangely enough, for Kazuko to fall heads over heals for the old man too. This father-son dynamics, like in Catch Me If You Can, pops up now and then through the story to remind you of the beginnings of the feud, except that there is absolutely no love between the two of them.

I thought Ken Ogata is enigmatic on screen, with his crazed antics as the killer on the loose, and his suave demeanour when posing as a professor and a lawyer. There's this mean streak within that glint in the eye, and surely, this is one man you definitely would not want to cross. For the most parts of the story, it deals with the love between his Enokizu and an inn manager Haru (Mayumi Ogawa), who falls in love with devotion of blind faith, and the happenings within the confines of that inn. What I thought was a bit difficult to sit through though, was the violence against women in the movie, with the constant slapping across the cheek (and I notice this too in the other Imamura films), and some included rape.

But the theme that took the cake was the one on religious hypocrisy as personified by Enokizu's father Shizuo (Rentaro Mikuni), and really, this is the kind of dads, or persons that you'll love to hate. Preaching something and practicing another, you wonder whether Enokizu would seek him out for revenge, since it seemed like Shizuo was indeed Iwao's most hated person on earth, rather than work on his victims by chance.

Vengeance of Mine is full of nudity, sex and gratuitous violence, which gave it an R21 rating for today's uncut screening. Simple to follow, and definitely enjoyable by fans who have a preference for true life crime stories. Some of the actors here become familiar faces when they get casted again in the next movie, Ballad of Narayama, and I thought Vengeance was a nice way of introducing those actors to us first.

This dark masterpiece pushes to the limits of my toleration for violence and sex. We get to watch the "how", "when", "where" of the story of the murderous sociopath (brilliantly portrayed by Ken Ogata) but are denied any convincing "why" by Imamura. This film seemed to have echoes of Poe -- another master at combining humor with the horrific and macabre. When it comes to cinema, though, there is no other master anything like Imamura.

No aspect of this film (acting, cinematography, script) is less than impressive. A recent 2 DVD set from Panorama (a Hong Kong company) provides English subtitles and is technically adequate (albeit far from superlative).