The Yakuza (1974)

Fascinating moody thriller reminiscent of Blade Runner in a variety of aspects from the score, to sound design, and the fashion in which setting/architecture almost plays a character in the film. Infrequent but intense action scenes punctuate the film. Would make a fascinating double billing with Blade Runner. Mitchum and cast deliver solid performances. Though I doubt the film will reveal as many layers as BR does upon repeated viewings, it is still quite worth seeing and seems to have gone unnoticed or underrated. Still not available on DVD. Mitchum fans, noir junkies. and BR fans are bound to find this a rewarding experience. Highly recommended.

Fmovies: This is just so good I can't believe that not only had I not seen it but not even heard of it. Screenplay by Paul Schrader (and his brother) just before he did Taxi Driver should have drawn attention but then maybe the Scorsese film took all the attention. Sydney Pollack's direction is assured and he gets great performances from everyone, but I reckon it is the script thats the thing. Moreover it is the only US film I have ever seen that seems to have the vaguest notion of Japan and it culture. So much of this rings true that it tingles with the excitement. The 70s streets of Tokyo and Kyoto are something to behold and the believable interaction between the main characters quite fabulous. There is bloody action here but for a film with such a title nothing like as much as expected, and all the better for it. Love, memory, betrayal, loyalty and repayment of debts both financial and emotional are all here - oh and Robert Mitchum and ken Takakura are great.

Your not likely to see a more somber and serious gangster film. I find myself hardpressed to find another film like this with the exception of In Cold Blood that approaches the world of crime in such a somber manner that takes into account all the facets with tone that is 100% not a comedy. This film takes itself extremely seriously. This isn't any Scareface, Goodfellas, or even The Godfather. This is crime told in the same manner as a European character drama. Only the body count suggest the films actiony and possibly exploitative intentions.

The film follows our main character revisiting his old-WW2 roots in Japan, half revisiting loved ones and half going on a mission to rescue his old friend's daughter, who was kidnapped by a Yakuza crime lord. So, we get reconciliation and ponderings about their life in addition to a thickening plot filled with violent set pieces. The characters are extremely thoughtful, and much of the film is based around the choices people choose to make as pertaining to what they see to be their duty and debts.

We also get a very interesting look at Japanese culture and a sizable amount of gore. But still, though, even with today's inhibition about showing violence and fascination with Japan, they wouldn't make mob movies like this anymore.

If you enjoy action with slow-paced character-drama, this is definitely for you.

The Yakuza fmovies. The Yakuza introduced we occidentals to the term the Japanese use for their various crime families. Probably after the wide acceptance of both the Godfather films, the American public was ready to see what organized crime looked like in another culture.

La Cosa Nostra, the Mafia, all those phrases we use for Italian organized crime certainly had their rituals and traditions. But as we learn in watching this film they have nothing on the Yakuza.

Robert Mitchum plays a private detective who works both sides of the law back in the states and he's hired by crime boss Brian Keith to rescue his daughter who was kidnapped by one of the Yakuza crime families in lieu of a shipment of weapons Keith was supposed to deliver. Coming along with him is young Richard Jordan whose father was a friend of both Mitchum and Keith as backup.

The mission is accomplished, but Mitchum and Jordan find the situation is a whole lot more complex than they were led to believe. In addition Mitchum gets involved with an old girl friend from the days when he was a military policeman during the postwar American occupation. She's the key to getting help from a former Yakuza member in their quest.

The American actors perform well here and oriental players James Shigeta and Japanese film star Takakura Ken are well cast as feuding Yakuza brothers. You will not question why Takakura Ken is known as the Japanese Clint Eastwood after seeing The Yakuza.

Director Sydney Pollack shows a real reverence and respect for the traditions of another culture. The Yakuza is both entertaining and informative and should not be missed.

Superb East-meets-West movie, I suspect largely due to Schrader's insight. Takakura Ken's performance really steals the show, though all actors are more than capable; Mitchum gives a great performance again. Not a martial arts movie, but contains a katana showdown that I can watch over and over again without finding fault [more believable than anything you'll see in 'Kill Bill'].

The story is gorgeously convoluted, keeping it's secrets to the very end, in a fitting Japanese manner. Action scenes are relatively restrained, and the story tells how Mitchum's character finally comes to understand Takakura Ken's character, and his apparently icy antagonism. When can we see a DVD copy?!

Not only is this a good 70's gangster/action flick, it is also one of the few movies about Japan ever produced in the States that does not make too many mistakes about Japanese culture.

Ken Takakura puts in a great performance which is no surprise since he first became famous in Japan for acting in yakuza (gangster) movies.

Anyone who has ever tried to understand or explain the concept of "giri" should see this movie!