The Stepfather (2009)

David Harris (Dylan Walsh) has tried to make his family work, but it just wasn't going to happen. So he kills them and starts over in a new town. But it's never that simple, is it? Will this new family work or will the killing have to start all over again? Like many other recent horror films (at least a dozen in the past year), this is a remake. And I loved the original, a powerhouse lead by the undefeatable Terry O'Quinn ("Lost") with 1980s scream queen Jill Schoelen ("Popcorn"). So, needless to say, I liked the original better... but the remake still has something to offer.

Dylan Walsh does a fine job and is more than good enough trying to be creepy and comforting at the same time. Sela Ward, his wife, seemed lacking and was probably the weakest character in the story. The son, Michael (Miley Cyrus' crush, Penn Badgley), was respectable and a strong supporting lead (though not Jill Schoelen). And his girlfriend (Amber Heard)... well, someone needs to tell me why she was always in a bikini or her underwear. That chick needs to eat a sandwich.

For being PG-13, the suspense and thrills were very nice. There was a cat fake-out, and even with one scene cut (it contains a buzzsaw... watch for it on DVD) there was some good, old-fashioned butt-kicking. And, like any modern horror film, they had to take technology into account -- cell phones and the Internet were utilized as part of the plot. I don't happen to think the "America's Most Wanted" sketch looked like David Harris, but that's forgivable.

I don't know what to make of the lesbian subplot... that requires a second viewing or a commentary track to explain.

You must see the original, but this isn't a bad film, either. And if you're younger and maybe not ready for full blown horror (although I don't think any age is too young), this is a good stepping stone. Just turn off your ears before the horrifyingly bad remake of The Turtles' "Happy Together" in the closing credits. I like Filter, but this song fails.

Fmovies: Though a lot of the elements were typical and expected in this movie, it still held interest and had a few good 'gotcha' moments. However, as it neared the end, it seemed that the editor just hacked together an ending to shorten the movie down because it was in danger of actually being two hours long. In fact, one of the coolest terror scenes in the trailer was when the circular saw falls from the attic and dangles over the girlfriend, (like Vincent Price's Pit and the Pendulum) but guess what? It's NOT in the movie. I was ticked off. Now, I know some scenes are in a trailer and don't make it to the final cut, but come on! It's the last shots in the trailer and the most terrifyingly memorable! It's false advertising at it's worst! Oh well, hopefully it will be in the DVD release, making that a good reason to skip seeing it in the theaters.

Sadly the popularity of this film hinges on the reality that way too many men marry into a family and think they can have everything go their way without regard for how the children have been raised before they came along. Kids love to push boundaries and rarely ever accept the 'new dad' as anything more than an ATM, so the guy let's his frustration build to the point where he explodes on them, losing all credibility and respect. Obviously they don't all become psycho killers, but the abuses run rampant in today's society, so it's no surprise why so many teens are eager to see this film.

Maybe people are expecting more and more from films-its just a movie-its not your life. I thought as something to sit down and watch for a bit it was fair game. I have a technical mind and I always think about how many times they did a certain scene or how many scenes were left on the cutting floor for the finished product. Longer than usual, it was not very bloody which was kind of a relief, and it probably had more in common with the thrillers made in the 1950s, than something out of the modern age. In real life stepfather's can be an unwelcome event, so in that sense this movie taps a vein of something unsettling in the real world. Above average acting helped.

The Stepfather fmovies. A meek-looking guy man named David Harris (Dylan Wash)marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots who will march unquestioningly to his tune, his dreams of domestic bliss begin to crumble, and he murders them. Then he alters his appearance, assumes a new identity, and skips to another town to begin the deadly ritual all over again. He attempts to marry Susan Harding (Sela Ward) , who sees him as the ideal surrogate father for his sons , and he is soon up to his old tricks when she proves to be too much of a troublesome young son Michael (Penn Badgley) to handle. As Michael goes back home from military school to find his mother falling in love and living with her new love interest . As both of them get to know each other, he along with his father (Jon Tenney) become more and more suspicious of the person who is always there with a helpful hand .

Exciting thriller has well-cast Dylan Walsh who manages to deliver a good performance as a family-values man in search of the perfect little family but he results to be a psycho who eventually erupts into violence. But Amber Heard steals the spectacle showing a breathtaking bikini playing as son's girlfriend . The film turns out to be an inferior remake from successful original ¨The stepfather¨ (1987) by Joseph Ruben with Terry O'Quinn , Jill Schoelen, and Shelley Hack that was followed by other two follow-up as ¨ Stepfather 2¨ (1989) by Jeff Burr again with Terry O' Quinn , along with Meg Foster and Jonathan Brandis and ¨Stepfather 3¨ . Rating : 5,5 ; acceptable and passable .

After killing the whole family in Salt Lake City, the psychopath David Harris (Dylan Walsh) moves to Portland where he approaches to the divorced Susan Harding (Sela Ward) with her son Sean (Braeden Lemasters) and her daughter Beth (Skyler Samuels) in a supermarket. Six months later, David is living with Susan in her suburban house and the couple is planning to get married. When her rebel son Michael (Penn Badgley) returns home from military school, David welcomes Michael and supports him to stay home. But sooner Michael observes that the past of David is absolutely unknown and he suspects that his stepfather might be the missing killer. But neither her girlfriend Kelly Porter (Amber Heard) nor his mother see anything wrong with the stranger.

The 1987 "The Stepfather" is a classic B-thriller, with Terry "John Locke" O'Quinn very convincing in the role of the deranged psychopath. This poor remake is terrible, beginning with the cast of the weirdo Dylan Walsh in the lead role. The transposition of the story from the late 80's to 2009 is absurd since with the present means of communication, the identity of David Harris would never remain unknown with the facility to retrieve his social security number or use of the Internet and software like Photoshop to check his face without beard, especially considering that he is among the ten most wanted criminals in America. The exaggerated use of clichés and the conclusion are awful, and I would like to ask the writers who would survive to a stab in the neck with such piece of glass. My vote is four.

Title (Brazil): "O Padrasto" ("The Stepfather")

I have to give this movie a favorable review only because it delivered something it didn't promise and that took me by surprise. The Stepfather, as I'm sure you all know, is a remake (reboot?) of the 80's slasher series that set the tone for every darn Lifetime movie starring Valerie Bertinelli or Nancy McKeon. A desperate divorcée falls for a mysterious guy who, despite telegraphing to the audience how evil he secretly is, manages to fool his fiancée and her family into thinking that he's a swell guy....that is, until the body count starts. The plot isn't worth discussing. There's nothing here that we haven't seen before. What IS worth discussing is the director's obvious decision to exploit Amber Heard's lovely figure in one long never ending cheesecake sequence. You could make the argument that the ONLY reason this film was even made in the first place was to launch Amber into the stratosphere of blogworthy sex symbols (not unlike what Michael Bay managed to do with Megan Fox). You'll see Amber in her underwear lounging in bed, Amber in her itsy bitsy teeny weeny bikini, gratuitous close-ups of her splendid anatomy, etc. This exploitation becomes so flagrant that it distracts from the story itself, which is probably a good thing. In a way the Stepfather 2009 comes off more like a 70's Drive-In flick; the kind teenagers would flock to in hopes of seeing a little skin. Maybe that was the point after all? I sure hope it was. The movie certainly doesn't deliver much else.