The Far Country (1954)

Mann photographs the Alberta Rocky Mountains in a superb fashion, and Jimmy Stewart and Walter Brennan give enjoyable performances as they always seem to do.

But come on Hollywood - a Mountie telling the people of Dawson City, Yukon to elect themselves a marshal (yes a marshal!) and to enforce the law themselves, then gunfighters battling it out on the streets for control of the town?

Nothing even remotely resembling that happened on the Canadian side of the border during the Klondike gold rush. Mr. Mann and company appear to have mistaken Dawson City for Deadwood, the Canadian North for the American Wild West.

Canadian viewers be prepared for a Reefer Madness type of enjoyable howl with this ludicrous plot, or, to shake your head in disgust.

Fmovies: Classic drama/action western with incredible cinematography that is well ahead of it's time(1954). The production is very good and you can tell that it was done with pride and love.Unique peek into the American NORTHT WEST pioneers is very educational and entertaining.This movie is very under rated because most people do not like to see the reality that many "lawmen" during this particular time and place were very crooked/corrupt much like most developing countries today.The action sequences could have been more realistic though but still,this movie really covers most of the essentials.Not for an audience who wants only pure testoterone type westerns for this movie is more for those who have a sense of history and philosophy.......

The five or so really good westerns that Mann made are unequaled as an ensemble in Hollywood. Even John Ford never made that many with so much quality. The curious thing about them all is how uneven they are. Ford's My Darling Clementine is worth about two and a half of any of them. Or at least two.

The real hero of them besides Mann and Stewart is Chase. Chase being responsible for the brilliant Red River. Chase wrote far country, bend of the river, and probably some others. But none of them are as finished as My Darling Clementine, but then very few films, western or otherwise are.

Each of the five films of Mann have huge gaps, or is it six, lets see. Bend, Far, Man of the West, Furies, Winchester 73, and yep, six, Naked Spur. Each have magnificent scene after magnificent scene, with fairly glaring lapses. Yet so does Red River, which is still the single greatest western ever made. So perfection isn't everything.

But The Far Country has huge, huge holes. It's mawkish, and really comes alive only when Stewart and Mc Entire are locking horns. The rest is pretty pedestrian, with the usual exception of Mann's camera. Mann's camera is a one man course in cinematography. It is about as good an eye as anybody who ever got behind a strip of moving film. It is almost never in the wrong place, never.

The Far Country has one amazing moment. And as usual it comes from Stewart. Nobody in the history of cinema ever received physical punishment with the authority of that man. He is absolutely amazing: look at him in Bend, Far, Winchester, and Man from Laramie: in Bend has been beaten up and is hanging by a thread so believably and with such boiling hatred he looks like somebody displaced from Dachau, in Far he is shot off a raft with such violence, it looks so convincing that you wince, and of course when he is dragged through the fire in Man, well you find yourself looking for the burn marks. What an actor. Not to mention the moment in Winchester when he is beaten up early in the hotel room, also as well as anybody ever did it.

But that was Mann's territory: look at Gary Cooper fighting with Jack Lord in Man of the West. As painful as any fight scene ever recorded. Cooper while not being quite as convincing as Stewart, nevertheless is somehow his equal in looking exhausted at the end of the fight. In short, nobody but nobody but nobody ever showed the human being in extremis as well as Mann.

What a great, great director.

See every western he ever made. They are his real monuments, even if all are scetchy. But so what. When he gets roaring with his great scenes they are as good as anybody, including Ford. And his six westerns as an ensemble are the best ever done by anyone, period.

Thanks, Anthony.

The Far Country fmovies. A good film with--for its time--an intense, sprawling, rather dark story somewhat reminiscent of John Ford's "The Searchers" though not so brutal. The story starts fast and doesn't let up, with several scenes of really good dialog between (Stewart's) Jeff Webster, Ronda Castle and Sheriff Gannon. This film is in some ways reminiscent of "Bend of the River" (1952), also a Mann-Stewart work, but I found it far less sentimental and more interesting. There are a few caveats: a too-quickly wrapped up (and rather sentimental) ending; 24-year-old Corrine Calvert is not very convincing as a naive French teenager, and of course the film takes place in the Mythic West, a land of fable where the real laws of nations and physics don't apply. But these are trivial concerns. James Stewart is surprisingly good as a dark, disengaged man who thinks he cares for no one but himself, and the mountain scenery can't be beat. A fine Western costume drama.

From Universal-international a breathtaking as well as rip-snorting Western that shows the greatness , the glory , the fury of the untamed Northwest frontier . Stars a tough , hardened adventurer guide who leads his herd challenging the gold-rich glory that was the Yukon full of white with snow , scarlet with sin , yellow with the dust that lured him on . As a self-minded , haunted cowboy (Jeff Webster) leads his herd to the Yukón , through Seattle , Scagway , Alaska , in hopes of huge profits accompanied by veterans Ben Tatum (Walter Brennan) and Rube (J.C.Flippen) transport cows by boat when they arrive in Scagway , subsequently to sell it them in Dawson City . While driving cattle to Dawson and in Scagway they have to escape from nasty land baron/judge Gannon (John McIntire) who carries out his peculiar justice acting as judge , jury and executioner . Jeff and his colleagues end up having herd back from the villain lawman . At last , they arrive in Dawson City , a bustling little town fiiled with prospectors and usual saloons : ¨Hash house¨ run by Grits (Kathleen Freeman) and ¨Hudson castle¨ run by Ronda Castle (Ruth Roman) . There takes place strong confrontations and Jeff , ultimately , avenging the deaths of his partners .

One of a series made by star Stewart with director Anthony Mann , it features splendid Western vistas , fierce gun-play and fist-play , impressively busy crowd sequences and many other things . Adventure western movie in which a two-fisted cowboy leads his herd through Seattle , Scagway to Dawson , Yukón territory , pitting himself against the wilderness , bandits , mean prospectors , and an ambitious , corrupt lawman . The film is divided in two parts , the first one describes on rout to destination , Yukón , and second part dealing with the little town Dawson city . Set late XIX Century , 1898, it shows the moral obligation to build a civilized community and need to a collective effort , joining individuals against corrupt and selfish people . Interesting and stirring screenplay based on the novel by Ernest Haycox titled ¨Alder Gulch¨. Sympathetic as well as brave acting by the great James Stewart as the stubborn Webster who must fight frontier lawlessness and locks horns with a crooked judge , a top-hatted nasty , magnificently played by John McIntire . Stewart has top grade character written all over it . Nice Ruth Roman as the good-bad girl who must be forgiven in the end . Support cast is frankly extraordinary with a large plethora of illustrious names , such as : Chubby Johnson , Harry Morgan , Robert J. Wilke , Royal Dano , John Doucette , Steve Brodie , Jack Elam , Kathleen Freeman and special mention for Jay C. Flippen as the grizzled westerner and a show-stealing acting by the always great Walter Brennan.

Lyric and moving musical score by Hans J. Salter , Frank Skinner , Henry Mancini , and Herman Stein , all of them uncredited . Colorful cinematography in Technicolor William H. Daniels , Greta Garbo's usual cameraman , and the Yukón sets takes it out of the ordinary Western scenarios , being shot in Canada , mostly in Jasper National Park . The motion picture was stunningly directed by Anthony Mann and premiered Febrery 1 , 1955 . Being made during Mann's best period of work . The film forms a stunning diptych along with ¨Bend the river¨ by the awesome quartet : Anthony Mann , screenwriter Borden Chase , producer Aaron Rosenberg and James Stewart who made a great number of top-drawer films . This is another superbly powerful triumph from Anthony Mann who real

Cowboys James Stewart and Walter Brennan take their herd from Seattle to Alaska and on into Canada to stake a claim. Once there, they have to contend with seductive, shifty businesswoman Ruth Roman and ice-cold, happy-go-lucky villain James McIntire.

John Wayne may get talked about more, but his good pal Stewart made some excellent, hard-edged westerns too, some with the great director Anthony Mann. Frankly, I'd take this, with it's sturdy action sequences and fine melodrama, over North To Alaska any day!

The Far Country features some breathtaking scenery and cinematography that should definitely have been shot in widescreen.

Also, there's some strong support by the always reliable Brennan, Roman (who's great), the incredibly cute Corrine Calvet, and James McIntire, who plays one of my favorite types of bad guy, the kind that doesn't take himself too seriously.

This would make a great double-bill with another highly recommended Mann/Stewart northwest-set western, Bend Of The River.