The Enemy Below (1957)

"Das Boot," "Run Silent, Run Deep," "The Hunt for Red October," submarine movies are a favorite sub-genre of war movies, and, among these undersea films, "The Enemy Below" ranks with the best. Tautly directed by actor-director Dick Powell, the film depicts a strategic cat-and-mouse maneuver between the captain of a German U-boat and the captain of an American destroyer escort in the South Atlantic during World War II. The two captains engage in a war of strategy, which leads to growing mutual respect, although neither has ever laid eyes on the other. Torpedoes, depth charges, and zig-zag evasion are deployed in a deadly game of marine warfare, and the film's special effects won an Oscar, although they are unimpressive by contemporary standards. The fine screenplay by Wendell Mayes, adapted from a novel by D. A. Rayner, the crisp editing by Stuart Gilmore, and Curt Jurgens's sensitive performance as the German captain all merited Academy attention, but were overlooked.

The two captains engaged in a battle of wits to the death are seasoned veterans and carry baggage from their pasts. The American captain, well played by Robert Mitchum, helmed a freighter that was torpedoed and sank with his new bride aboard; he spent days adrift on a raft and only recently returned to active duty aboard the escort ship, which has largely avoided action until now. Curt Jurgens displays considerable depth as the war weary German captain, who disillusioned by the new German order. Both captains have sounding boards nearby to verbally express their inner thoughts. Mitchum talks with the ship's doctor, played by Russell Collins, while Jurgens bares his soul to his shipboard friend, Theodore Bikel.

The drama moves back and forth between the surface ship and the submarine below as each captain tracks the movements of his foe, attempts to anticipate his next move, and out maneuver him; they play a high risk game of chess with the loss of their ships and the lives of their crew if checkmated. "The Enemy Below" is engrossing throughout its relatively short running time; the tension builds both above and below the surface; suspense mounts, and viewers will be drawn into the drama until the end. For fans of submarine films and of Robert Mitchum, "The Enemy Below" is essential viewing, and all viewers will likely come away with a new appreciation of the talents of Curt Jurgens.

Fmovies: This was a Great WWII DE versus Sub movie. One of the few movies that actually used proper Navy voice procedure and a radar with no sound.

I liked it better than "Run Silent, Run Deep" and "Dos Boot", though I liked both.

An almost perfect Navy movie with the one exception of always returning to course 140. If one as ever navigated or plotted via radar, you know that if you've vectored off course , e.g. zigzagged for any length of time, to get back on your original course, it would not be the same exact 140 as it started.

I can't wait for this movie to be released on DVD and in Wide Screen.

Inexorable duel of great stars into a submarine and a destroyer . During World War II, an American destroyer escort 'USS Haynes' (it was played by the real 'USS Whitehurst') captained by a tough skipper (Robert Mitchum) meets a German U-Boat commanded by an intelligent captain (Curt Jurgens) . Both captains are good ones, and the engagement lasts for a considerable time . Both of them pursuit one another and square off in the South Atlantic . This movie's closing epilogue states: "Twentieth Century-Fox wishes to thank the Department of Defense and the United States Navy for their assistance in the production of this motion picture."

Thrilling as well as exciting battle of wits between two skippers who gradually come to respect each other . Both of whom are a compellingly balanced match as two clever as well astute captains . This nail-biter is a tightly-knit drama centered on the relentless sea maneuvers of a destroyer going after a submarine and vice versa . The film is famous as one of the best WWII submarine movies, though some scenes at sea, however, suffer from the utilization of obvious models in a just as obvious studio tank . Interesting screenplay , being based on the novel by D.A. Rayner and the book and it's dust-jacket can be seen at the beginning of one of this movie's trailers . German player Curt Jurgens made his major mark on the international scene and it was American movie debut for German actor . The cast spent about a month filming on board this vessel. Many of the crew of the 'USS Whitehurst' appeared in this movie. Secondary cast is frankly good such as Theodor Bikel , Frank Albertson , Russell Collins , and this picture marks the feature film movie debuts for David Hedison -as Al Hedison- and Doug McClure . 20th Century-Fox production notes for this movie from the AMPAS Library declare that the 'USS Whitehurst' was a battle-hardened veteran from the Second World War which had during World War II been stationed at Pearl Harbor, Hawaii. Harold Rosson's colorful and vivid cinematography , including spectacular maritime scenes , though set in the South Atlantic Ocean of World War II, this movie's ocean scenes were filmed in the Pacific Ocean. . The motion picture was stunningly directed by former movie star Dick Powell who efficiently captures the claustrophobic up and undersea tension ,; this was one of the final theatrically released movies of director Dick Powell who soon after worked exclusively in television.

This suspenseful sea epic represents one of a select group of a few World War II submarine movies which have won the one single Academy Award in a technical category, that's just only the one Oscar in either special effects or sound editing. These movies include ¨Crash Dive¨ ; ¨Torpedo Run¨ and ¨U-571¨. The non-WW II sub-movie, ¨The Hunt for Red October¨ also won just the one Oscar as did the WW 2 part sub-movie 49th Parallel , but for Best Original Story . Furthermore , other important films about submarine are ¨Run Silent Run Deep¨, ¨Crimson tide¨ by Tony Scott with Denzel Washington and Gene Hackman; ¨K19¨ with Harrison Ford and Liam Neeson and the best ¨Das Boot¨ (1982) by Wolfgang Petersen with Jurgen Prochnow .

The Enemy Below fmovies. USS HAYNES, real name, WHITEHURST DE-634, in the opening scene as the credits roll has weighed anchor and stood out from Trinidad that morning and is well out to sea. Which means she's operating in the Caribbean Sea Frontier Area.

A sailor heaves two buckets of garbage over the stern. If it was a "real" war situation let's just hope that there's nothing amongst the potato peelings, bottles, cans, etc, with USA stamped all over them. A U-boat captain on surface patrol would love nothing better than to scoop up garbage intelligence. A tip-off that allied ships maybe not far ahead? It's surprising what information can be gleaned from garbage.

There's curiosity among some crew members about the new captain, Murrell (Robert Mitchum). In the officer's wardroom someone stated that the XO, Lt Ware (David Hedison) should have been promoted to CO of HAYNES. Ware's only experience was sailing a yawl in the Miami yacht races in peacetime. Similar peacetime experience as Sub Lt Lockhart aboard COMPASS ROSE in "The Cruel Sea".

A possible U-boat contact appears on the radar screen. Murrel orders the bridge watch to get on the sub's tail and watch every course change he makes, and follow at the same speed. Camera shots now cutting between the pursuer and the pursued become interesting.

The U-boat captain, Von Stolberg (Curt Jergens), reminisces with Heinie Schaffer (Theodore Bikel), his second in command and old friend. "...but now it's, be a good warrior and never think, Heinie." They may be fighting for the New Germany; the Master Race. But there is a feeling of unease in Von Stolberg's heart and mind about the system. "Nothing good will come out of this war, win or lose. There's no honour in it. Memories will be ugly. We will die without God." Only Heinie is within earshot of the captain's opinions. He would probably not voice these opinions in front of Lt. Kunz, the officer aboard who struts and responds to orders, Nazi fashion. Von Stolberg shows silent contempt for the Master Race when on leaving the control room he drapes an oil-soaked towel over the Fuhrer's name which is stencilled on the overhead air conditioning trunk suspended over the chart table.

Captain Murrel again shows he's no slouch when he correctly calculates the time it will take for the submarine to dive, level to periscope depth, launch torpedoes, and running time to target. There are tense looking expressions on some of the crew's faces as Murrell presents HAYNES broadside on to the submarine at reduced speed. The tempting target suddenly turns hard to port; and shocked amazement is on the destroyer men's faces, all heads swivelling from left to right and eyes glued on the two torpedoes as they gurgle along the destroyer's starboard side and close aboard. Murrell proves his ability. He's as capable as the submerged opponent he's trying to destroy.

The U-boat goes deep after the depth charge attack and rests quietly on the sea bed. HAYNES heaves too right above her. Silence all round. A chess game is in progress in the sub's control room and Von Stolberg looks on with faintly amused contempt as Kunz buries his nose in a copy of Adolf Hitler's "Mein Kampf". Aboard HAYNES a studious naval rating, probably a bookworm, is reading Gibbon's "Decline and Fall of the Roman Empire". Heavier reading than "Mein Kampf", and about an empire that lasted a lot longer. The camera pans

Since WWI, most people thought of the submarine as the hunter. Hitler called them his "wolves." But towards the middle of WWII, with the use of sonars, air reconnaissance and fast destroyers, the U-boat's mastery of sea warfare came to an end. For comments and statistics on the survival chances of German U-boat crews, watch Das Boot and The Eagle Has Landed.

I always thought Run Silent, Run Deep (1958), with Clark Gable and Burt Lancaster), was the older movie because it was in black and white while this was in color. Aside from the color, Enemy was also better technically crafted overall. But for me what puts Enemy well over Run Silent is the very effective characterization of the enemy U-boat Commander (portrayed by Curd Jurgens). In Run Silent, the captain and the crew of the Japanese destroyer hunting the American sub were practically faceless unknowns.

I notice that the U-boat commander has a "von" in his name indicating a noble lineage. Same as George Ritter von Trapp (of the famous singing family)a baron who commanded a U-boat in WWI. I understand the Kriegsmarine attracted a better class of educated and highly cultured people which is why the infamous Heydrich was cashiered from the German navy under the Weimar Republic. Incidentally, the US Navy was led to victory in the Pacific by another descendant of the Prussian junkers class, the petty nobility whose members usually made a career of the military. That would be Chester von Nimitz although his immediate ancestors gave up the "von" when they settled in the New World.

Dick Powell, singer and light comedy actor did a fantastic job writing the screenplay and directing this movie.

A US Destroyer plays a deadly game of cat and mouse with a German U-Boat in the South Atlantic during World War Two.

Despite this film getting fairly regular screenings on UK TV over the years, I saw it for the first time in its entirity over the weekend. Considering the era in which it was made, I was pleasantly surprised by its straightforward story and solid production. Rather than have some superfluous romantic sub-plot dragging it down, it instead concentrates on the professionalism of those involved on both sides. Robert Mitchum and Curt Jurgens portray the opposing Captains impressively as men who take no pleasure in the prospect of killing, but carry out their jobs to the best of their considerable abilities. The supporting cast include Theodore Bikel, David Hedison and a very young looking Doug McClure.

A combination of good technical credits, sure handed direction, good acting and a sympathetic depiction of the German crew ensure that the film holds up very well today. It may not be 'Das Boot' but its certainly entertaining.