The Dogs of War (1980)

John Irvin directed this film, starring Christopher Walken as war veteran mercenary who gets a job by government to travel to Africa and inform the situation that is pretty hot in there. He does it, and sees the violence that takes place there, and when he returns to US and tells about the evil dictator that dominates there, the new job for him is to travel there again and wipe out the incarnation of evil..

This film isn't any action film as many seem to have expected - me included - but this is pretty sophisticated, but still also little slow moving (dir. cut. 15mins longer than the US version) portrait about the state of some countries in the world, and what these dictators can do to people and country. I'm mostly fascinated by the film's atmosphere and calmness as there isn't stupid gunplay or other usual flaws often found in these films. Walken acts greatly in his role of retired war veteran who takes the job only because of money offered to him. At the end, a twist in plot is coming and all the greediness and betrayal in the film gets a new face.

The end is little stupid as it tries to imitate Apocalypse Now a little, by depicting Walken's face and "the horror" as Francis Ford Coppola did, and the gun fights at the end are also little unnecessary, especially when the film managed to be without them for so long. Still the result is satisfying, yet little too long and occasionally may make the viewer feel little tired, but this film isn't meant to be watched when tired. The US distributor cut the original version by over ten minutes, and I saw the original director's cut which includes many important bits of dialogue and things that add to the film. So I recommend the director's cut of the film as it is the directors original version.

Dogs of War is pretty intelligent and interesting depiction of power and dictatorship, and also very nostalgic in its atmosphere and scenery. The gun battle at the end of the film is great looking and also gripping, but as mentioned, also little unnecessary and too traditional finale. 7/10

Fmovies: Sent to checkout the political situation in the Africian nation of Zangaro, Shannon (Christopher Walken in a solid performance), a tireless and money-hungry American mercenary, get caught spying by the president's secret police and nearly beaten to death before sent back to the States. Determined to strike back, Walken urges a few of his friends (Tom Berenger and Ed O'Neill being a few of them) to join in the mission and get the necessary weapons. Director John Irvin ("Hamburger Hill", "When Trumpets Fade") plays his cards right in saving the best stuff, which is the raid and how the scenery is displayed by veteran cinematographer Jack Cardiff is also great. The film was based on a novel by Frederick Forstyh ("The Day of the Jackal").

The best of the "hired killers takes out a bassackwards third world African nation in ten minutes or less" genre. Christopher Walken fans will love this one as he occupies the camera for about 98% of the film and does an admirable job playing ringleader to a small band of mercenaries hired by London's Enron branch to take down some dude with a Gucci sword named Kimba, the benevolent ruler of Okka Bokka Boo. The pace is a little slow for my tastes but they threw in my favorite girl next door, JoBeth Williams, as Walkens ex-wife just to keep me occupied while the guns were being shipped in from Switzerland or somewhere. All I can tell you is the climax is worth waiting for. It's outstanding actually. The DVD is a little disappointing. 2ch sound and no widescreen. See if you can spot Ed O'Neill from Married With Children fame. 7 hand grenades/10

The Dogs of War fmovies. This movie is the most realistic treatment I've seen of what real mercenary operations and business travels are like. Any who have traveled to third world hell holes like "Zangaro" feel as though they must have had a camera following them around to get the background for this movie, the airport arrival, the hotel holding passports, the "tour guide" and the bar toast are as realistic as you can get. If you like movies that show the real nitty gritty, the backdoor politics, the backstabbing and intrigue that is international diplomacy catch this one the next time it's on cable.

The great thing about reading a Fredirick Forsyth novel is that you're educated while being entertained . He gives you facts and details on everything from modern jet fighters to Ukrainian history . The problem with this though is that the info tend to hold up the narrative which makes a Forsyth novel difficult to successfully translate to screen and to be honest the original THE DOGS OF WAR novel isn't really a book that will appeal to a cinema goer who's into no brain action shoot them ups . I can forgive this since I know what to expect from a Forsyth story but would Mr action fan ? I can just imagine a disappointed Arnie/Bruce/Sly fan slagging the movie off for having only two battle scenes , one at the start of the movie and one at the end , so let me point out that if you're expecting to see DIE HARD IN AFRICA it's maybe not you're kind of movie

If there's a problem with the movie it's mainly down to the structure of the novel with much of the running time taken up with planning the coup , getting the equipment , hiring the boat etc . I also noticed the dialogue was a bit iffy " Which one of your men do I kill to make way for mine ? " . Things like structure and dialogue don't matter too much on the written page but tend to leap out at you on the silver screen , but as many of the commentators on this page have pointed out it's an action film/political thriller with a brain . It's perhaps not as enjoyable as say THE DARK OF THE SUN or THE WILD GEESE but there's certainly entertainment to be had trying to spot the actor before they were a well known face

Lean, pared down to action, efficiently told story of a mercenary band with a code of honor worthy of Hemingway's life maxim "grace under pressure." Walken's performance is truly riveting, simply acting the truth without embellishment, this is professional soldier whose purpose --- loyalty to his fellow soldiers and dedication to his task --- is clean and spare: get in, win, get out, come home has been rarely topped in movies. A modern day samurai with fatalistic existential details all pass with utter credibility and uncluttered and unremarked on. Chillingly well told. Once it grips you, you will not be released until the end credits. Cuts to the bone. Jack Cardiff's cinematography is a textbook of low budget, maximum effect visuals. Walken seems skinned by combat; you never doubt this is a peak experience for him, there are no alternatives.