Revenge (1990)

This is a movie that I always enjoy watching, no matter how many times I've seen it previously. Kevin Costner stars in what is one of his better roles as the veteran pilot J. Cochran who retires from his job in the navy and goes to Mexico to visit his old friend Tiburon "Tibey" Mendez, played excellently by Anthony Quinn in what is one of his last powerful performances. Madeleine Stowe plays Mendez' much younger wife who catches Cochran's eye from the first moment. A passionate love affair ensues, but with tragic consequences.

The theme of love, forbidden love, vs friendship/loyalty is worked out here in a striking way and it makes this a powerful and highly emotional film. Here we see the effect a betrayal can have on a man like Tiburon Mendez. Once the bridge is burned, there is no way back to his grace. Despite the fact that Cochran saved his life, he shows no mercy for him. When you break that old Mexican code, nothing else matters.

This film has a great photography with some visually stunning scenes, specially sunsets and sunrises and Costner and Stowe never looked better. That, together with the even performances and the suspenseful twists makes this a very enjoyable and for most a recommendable movie.7/10

Fmovies: Certainly the ending of this film is extremely moving and literally takes your breath away. It leaves you with a feeling that you have probably seen something better than what you actually have. Of course Tony Scott is one of the most stylish directors about ie.- 'The Hunger'(1983) which has to be one of the most stylish films about. He's also made his fair share of blockbusters ie.-'Top Gun'(1985),'Beverly Hills Cop 2'(1987),'Days of Thunder'(1989) and more recently 'Enemy of the State'(1998)- all of which took a lot of money, the profits of the first one in particular bordering on the ridiculous. And don't forget he made the little seen(in the cinema anyway) but memorable 'True Romance'(1992). So you get the feeling that here Mr.Scot was making a picture trapped in-between both worlds- that of the blockbuster and the more personal picture. The film did only average in the box office and did not really make any kind of impact on any of the performer's careers.It is beautifully filmed with lots of trademark Scott shots ie- sun beams pouring through a drawn blind and mist covering the scenery. The violence is maybe a little too graphic. Costner goes through the motions somewhat in a character who is a mix of the roles he played in 'No Way Out'(1987) and 'The Bodyguard'(1992).He does his best acting in the final quarter of the picture where he shows well executed, muted regret and sorrow.Stowe is very attractive and impressive as Miryea who for the second half of the picture is dying slowly through a drugged daze. Anthony Quinn delivers a solid display as the larger than life Mexican gangster who after delivering his vengeance on Jay and Miryea becomes a sad, secluded old man who takes no pleasure in the measures he has taken but continues to justify them.Such a role is very undemanding for a legend like Quinn.Miguel Ferrer also has an undemanding role and John Leguziamo is impressive in an early career role as an eager but almost mute gunman who aids Costner.The plot is nothing special.The only interesting point is that Quinns character's vengeance, though excessive, is justifiable. Ultimately Jay and Miryea get their just deserts in the sense that both betrayed him through their secretive adultery which seems more born out of lust than love. The love between these two is not well enough developed to justify the beautiful ending to the film. If the couples relationship had been longer and not completely based around sex you could understand the emotion between them more.The piano track used for the two lovers is very touching and forms the perfect soundtrack for the memorable ending sequence. OVERALL- I give this picture 7/10. It is raised above average by the ending. Ultimately it is worth sitting through the picture,which is overlong, and paying attention to it just for the ending which is beautifully shot, romantic, captivating and probably one of the most heartbreakingly sad moments in film history(yes its that good). Even the most stoneyhearted will be touched.

'Revenge' has a recently retired fighter pilot (Kevin Costner) who goes to the coastal city of Puerto Vallarta, to enjoy the hospitality of an old friend he saves once his life on a hunting trip...

The possessive longtime friend has a wonderful-but-unhappy wife... Mireya (Madeleine Stowe) is an exotic young brunette, with great magnetism, who truly blew Costner's mind... Mireya embarks on a passionate affair, that naturally drives her husband 'Tibby' (Anthony Quinn) out of his mind...

Sexual tension is an integral part of Tony Scott's character's conflict... It rises off like heat emanating from the sand when the two lovers head in a jeep toward a nearby cute cabin... Costner and Stowe are attracted to one another, and naturally, the more they fight the attraction, the more they are thrown together...

Stowe's body comes alive at that brief caress, quickening her pulse, making her breath catch in anticipation... She experiences the heat in the slow slide of Costner's fingers, a passionate demand she couldn't help but respond to...

The plot is really predictable, and there's real high tension in the first part, but multiple stabbings, shootings, and beatings in the second, as the husband enters a storm of insane fury against the lovers...

'Revenge' is certainly a realm of brutality and pain, of love gone wrong and vengeance gone mad...

Revenge fmovies. It has been nearly ten years since I last saw Revenge but I always have this fond memory of how much it had an impact on me as it was a very courageous project for Kevin Costner at that time. It started off like this Top Gun rip off then turned into this beautiful tale of love, passion and betrayal. Never have a seen a love story with so much chemistry and have an ending which Hollywood would never dream of now compared to back then.

Kevin Costner is an air pilot leaving the Navy to visit a very old friend Anthony Quinn. I can't remember why they were both such good friends to start off with, I think it was something to do with them both being in a war together or something along those lines. In the time they have been apart Quinn has married a beautiful women played by Madeline Stowe and he takes no time in getting them both acquainted. And in no time Costner and Stowe become a little to friendly and start to fall for each other but fight their best to avoid this.

What works perfectly is how Quinn knows how beautiful his wife is and how much he really knows without saying how much Costner wants her. This adds to the tension as he always makes Costner feel uncomfortable by asking him questions about how beautiful she is. It all erupts to you know what and I think most of the end is more like a western than anything. This is what turned the film around for me as they are some truly brutal scenes in this film and that's when the story really begins and the revenge from both sides of the story begin to take turn.

By the end of the film I was just surprised at how rare a film like this was back in the day when films weren't completely apart of Hollywood and followed there own path into making a decent film which is what Revenge delivers. Anthony Quinn didn't make many more films after this so this was a rare gem as his Quinn goes and this is a movie which you wouldn't expect Costner to be taking the lead.

Fantastic

Tony Scott loves his so-called good guys to be amoral anti-heroes. The more ruthless they are, the better (after they've taken a pounding from the bad guy first, natch). And whenever possible, he likes Mexico to be in the mix. With that set-up, I could be describing 'Man On Fire', 'True Romance', or 1990's 'Revenge'. Since he unofficially remade 'Revenge' as 'Man On Fire' earlier this year, I should just call up that review and replace Denzel Washington's name with Kevin Costner's. Even though I'm seeing them out of order, the 14-year-old flick is better. Scott even shows more grown-up sensibilities than he usually does and directs his actors through believable love scenes. I don't think he's been so unabashedly romantic since this period in the early '90s.

Costner plays Jay Cochran, a cocky Navy pilot (shades of Maverick from 'Top Gun') who vacations in Mexico after retiring from the jet-set life. Playing host to the flier is a ruthless tycoon, Tibby Mendez (Anthony Quinn). The two men are old friends, despite the generation gap and the fact they have nothing in common. But just when you think Costner is going to have some fun, he has to go and fall in lust with Tibby's wife, Mireya (the heavenly Madeleine Stowe). [What beautiful kids those two actors would make.] They don't vault into bed immediately, but neither of them lets a little thing like loyalty to Tibby get in the way of their passion. When the husband finds out, Jay is severely beaten and Mireya is scarred & banished to a whorehouse.

You thought revenge would be Quinn's for his cuckolding? No, vengeance is Costner's. He spends most of the second hour of this bloody picture busting up anybody who might know what happened to his lover. 'Revenge' equals serious violence, no doubt about it. It's rare that the usually heroic Costner is given the chance to ride the gruesome line between good & evil. He's probably justified, but he DID betray his friend by bedding the man's wife. You don't do that in Mexico without waking up in the afterlife, so you might say Cochran got off easy. The tender climax is a bit of surprise from the the slick Scott, giving his otherwise angry film a heart. The movie might not be much fun, but the actors are pretty good and the story is always watchable. And violent.

As spotty as Tony Scott's filmography was, it's easy to forget how good he could be. This is my first time seeing REVENGE and I must say that I was surprised by how emotionally involving and artfully directed it was, despite relying on a number of genre clichés. Kevin Costner plays Michael "Jay" Cochran, a 12-year Navy veteran who has just left the service and goes to see his friend, Tiburon Mendez (Anthony Quinn), in Mexico. While there, he ends up falling in love with Tibey's (as his friends call him) beautiful, young wife Miryea (Madeleine Stowe). When Tibey finds out about this, leaves Jay for dead and throws Miryea away in a whorehouse. The remainder of the film is Jay going back to rescue Miryea. Hopefully I haven't given too much away, but the film is 25 years old and there has to be a statute of limitations on spoilers, even if they're small. Since I liked more than I disliked, I'll just get the negative stuff out of the way first. I mentioned earlier that this film relies on genre clichés. One such example, and very key to establishing the central character relationship is the history shared by Tibey and Jay. Apparently, they were hunting buddies and Jay saved Tibey's life one time, so now Tibey is in debt to Jay. That's something that's been done to death in countless films before and since, but it wouldn't be such an issue if that wasn't the extent of it. It was just hard for me to buy that a Navy pilot would have it in so good with a Mexican power broker/kingpin. I also thought the romance that develops between Jay and Miryea was rather cliché, even if it was well-performed. And to be fair, this movie has some great performances in it. Kevin Costner was his usual likable self, and veteran actor Anthony Quinn was great as his world-weary foil. Madeleine Stowe did fine, but isn't given much to do besides be the damsel in distress once confined to the whorehouse. Now, on to the positives (the rest). This is probably one of Tony Scott's best-directed films, and came a decade or so before he started using his much ripped-off MTV shooting style. There were some really artful shots, e.g., a fire being reflected in sunglasses or beautiful shots of the Mexican terrain. Even the sex scenes were shot well. I also really liked the score, which struck a fine balance between melancholy and tension. But most of all, and despite the clichéd elements, the characters were well written and developed, and the performances really elevated the rather pulpy source material. Overall, REVENGE is an artful, occasionally thoughtful action thriller that probably deserves more attention than it got/currently gets. It might have a shaky dramatic foundation, but it's definitely worth seeing for what's built around and on top of it.