Poseidon (2006)

OK, I kind of see the necessity the filmmakers behind Poseidon felt in remaking the 1972 disaster classic, The Poseidon Adventure; what with the state of the art special effects advances that have transpired in the last thirty four years. With that said, there's no amount of wizardry that can hold a candle to the effect that was Shelly Winters chutzpah as Mrs. Rosen in the original. I could do a laundry list of reasons why the original cast of survivors - Gene Hackman, Ernest Borgnine, Stella Stevens, Pammy Sue Martin and even Carol Lynley - blow the new cast including Kurt Russell, bargain basement Matthew McConaughey Josh Lucas, Richard Dreyfus as a despondent gay man who can get cell phone reception at sea, Emmy Rossum and Fergie of The Black Eyed Peas (going by her Kids Incorporated given name of Stacy Ferguson) out of the water. But that would involve giving a lick about any of the characters, which I didn't. And, the reason they leave us high and dry is because the characterizations are about as subtle as the wave that capsizes the boat: I'm rebellious, I'm suave, I'm a single mom, etc. might as well be tattooed on everyone's foreheads, and not even for clarity's sake- just so that the actor's could remember who they are playing, because the audience certainly won't. There is no character development whatsoever, which makes an audience disengaged and not want to root for these people. I wished the wave that capsizes the boat had left nary a survivor, which transpires fifteen minutes into this disaster of a flick. At the twenty five minute mark, a man (the captain, I think, but who knows in this movie) announces to the passengers that they have most likely been struck by a "rogue wave," which can be "dangerous." Really? Is that why they are standing on what used to be the ceiling? At that point I turned off the movie in disgust, feeling cheapened that I had cheated on the original, one of my all time favorite movies. Chalk it up to if it ain't broke, don't fix it! That's twenty five minutes I'll never get back, I could have gotten an early start on my income taxes, or been partway through a root canal in the time it took me to realize I had chosen unwisely.

Fmovies: On New Year's Eve, the luxury cruise ship Poseidon is hit by an enormous wave that flips it upside-down stranding thousands of passengers underwater. A group of passengers join together to try to escape the ship.

The original Poseidon was decent disaster film. It had engaging characters, decent special effects and a cheesy storyline. The remake is more or less the same minus the interesting characters, charm and suspense. Okay, the remake did have a few suspenseful scenes though nothing very memorable or original. The reason why the film wasn't very suspenseful was because the characters were all one dimensional and dull. There was no character development at all so it was hard to care for these people. While watching the movie, it's just easier to refer to them as generic titles like "the old guy" or something. Actually, if you use this method then you can probably figure out who will die and in what order they will die.

The acting is very weak and unconvincing. Josh Lucas is an okay actor but he wasn't very good here. He just didn't make a good hero nor was his character very likable. Kurt Russell was okay, nothing special. Emmy Rossum was terrible as Jennifer. Her performance felt so forced and over the top. The way she expressed her emotions just looked so fake and unconvincing. Jimmy Bennett was just annoying as Conor. Richard Dreyfuss was very misused and his character seemed out of place. Jacinda Barrett gives a laughable performance, it was just very poor. I should warn you (or comfort you?) that Stacy Ferguson from the Black Eyed peas is only in the movie for about 10 minutes, maybe a little less.

When judged as a disaster film, Poseidon is actually pretty decent. The special effects were great though 160 million was obviously just a bit too much. Wolfgang Petersen is really good at making a film appear stylish including the ship which looked amazing. His storytelling skills aren't as good though. The combination of a weak script didn't help matters either. The movie was just too corny at times for my taste. For example, there was once scene where Josh Lucas was planning to escape the ballroom and one by one, the rest of the characters just come up and ask to come along. It was just a bit too obvious and they should have handled it differently. I also thought it was kind of dumb that all the characters were able to hold their breath underwater for large amounts of time. Despite these flaws, there were a few engaging scenes and some touching moments. Also, the movie is pretty short so it's not really too much of a pain to sit through. This helped the experience a little though I wouldn't have minded a longer movie. In the end, Poseidon may not be worth checking out in theaters but it should make for a decent rental. Rating 6/10

Hollywood you better get your act together. Thanks you for spitting out another INSTANTLY forgettable "Blockbuster" Thank God I only paid $4 dollars to see this. Not only can't the Studios come up with original material. The material they remake is worse than the original. If this crap keeps up you will have even less of an audience. A good cast given nothing to chew on and a Director who has made great films and this is what we get? 150 million and the Ballroom set in the original was more impressive?

Video games are so prevalent in society that I fear their mind numbing influence is starting to permeate even NON video game derived movies. The original movie was a good solid, involving movie. This remake takes every element of the original and removes what made it involving. I mean EVERY element. There are people out there making these decisions!! And they are paid huge sums to make these decisions! With the talent in front of and behind the camera this is truly frightening as this seems to be the norm at the present.

Right from the start there is almost NO set up. We don't know where the ship is, where it is sailing, even what ocean it's on! Things that actually would create some atmosphere like the originals speech by the Captain explaining the origin of Poseidon. Greek God of the Sea. They are sailing on the Mediterranean, to Greece? Get it? Cheesy but involving. You know it gives the proceedings some gravatis, some mystery. In the remake we get nothing, we are are in Video game land, we don't have time for such things.

Even the cause for the disaster has absolutely no set up. Happy new year, bang, the tidal wave hits. Unlike the originals slow build up, as it explained WHAT WAS HAPPENING AND WHY! Even the effects in the original worked better. They were simpler but executed as a whole created more of an impact because of the tension that was built up. Again a sense of gravity, HUMAN INVOLVEMENT and Atmosphere! Even in the original, Leslie Nielsen's corny grimace as the wave engulfs the ship. It's goofy but you REMEMBER IT. You know a character we identify with reacting to the impending disaster. It's a very basic cinematic technique. But I guess todays more "sophisticated" audience don't need this kind of thing anymore.

There is no human involvement in the wave hitting in this remake. The Captain isn't called to the bridge, no build up, just some crew members we've had no contact with running around. Absolutely unmemorable. The effects are impressive but who cares, I'm not given anything to latch on to.

Straight across the board EVERY situation is diminished from the original. The scene chewing conflict between Gene Hackaman and Ernest Borgnine is totally lost in the remake. There is NO conflict with the characters. NONE! It's just one disaster to overcome to the next. You know , like a VIDEO GAME.

Even the self sacrificing Shelly Winters death swim has almost no emotional impact because the character doesn't return and die in front of everybody. Like DUH! Hey screen writers perhaps you should learn of something called ELEMENTS OF DRAMA!! Even if you have no talent you could at least COPY the original, not make it worse! Absolutely mind boggling!! If you WANTED to sabotage the original you couldn't have done a better job. UNREAL! All you film lovers just keep repeating "Things will get better" Repeat it like a prayer.

Poseidon fmovies. Especially one that sinks Titanic in special effects...

This is a remake of The Poseidon Adventure (1972). Before you jump on the bandwagon and start bashing it on this basis alone, keep it mind that the original film was not exactly a masterpiece. It was a film that sacrificed scientific reality to propel an inane plot, filled with one-dimensional characters and compensated for it with action-overload. Poseidon is exactly the same -- ridiculous plot, intrepid characters and big slice of adventure. What is different in this version is the masterful CGI. This is a perfect time to remake a film like this (much better than in 1972) -- just go overboard with special effects and no one will notice the flawed writing (which is basically a sketchbook mess).

This is the reason Poseidon does not fail in entertaining the audience. I'll admit that I was skeptical when Fergie of the Black Eyed Peas appeared in all her plastic surgery glory and Josh Lucas spouted out some cheeseball line ("Where is the disco?" "Why, you feel like dancing now?"), but I set its cringeworthy dialogue aside early on and focused my energy on not wanting to kill Fergie. The giant tidal wave capsizing the luxury liner Poseidon would take care of that, leaving only a small group of people fighting to reach the top and get out.

Another thing, besides special effects, that is by far better in this version is that the characters are actually interested in surviving and do not stop every few minutes for a petty argument as in The Poseidon Adventure (1972). Make no mistake however, these characters are still dumb to the core, getting by on lucky circumstances, occasional heroic feats and conveniently appearing objects and hatches – you've seen it all before, but damn, this is sensationally quality action.

Overall, Poseidon is bathed in a militantly hectic mood and is as fast-paced as any action film you'll see. It features mind-numbing special effects, overdoses of excitement and just typical Wolfgang Peterson overkill. It definitely won't disappoint you if you're looking for cheap but solid adrenaline kicks. I'd even happily sit through this experience again.

6.5/10

Whilst not holding a candle to the far superior original in terms of script, plot and acting, this remake of the classic 1972 'The Poseidon Adventure' is at least watchable which is more than can be said for a lot of the seemingly endless tide of remakes hitting cinemas these days.

The characters (for want of a better word) are a bit thin and cardboard and the plot really is just a long string of reasonably predictable set pieces but at least it entertains. The best bit is the special effects which are absolutely top drawer. For some reason Hollywood can do some really good FX and CGI when it comes to boats and the CGI rendition of the Poseidon itself in the opening scene is incredibly well done.

Top marks also to the Producers for making sure the Poseidon is a proper British flagged Southampton registered ship and not some Americanised tub.

Much like its predecessor though I fully expect this version to become stable Bank Holiday afternoon television filler material for the next twenty years. Just a pity a remake of 'Beyond the Poseidon Adventure' can't be done from this.

It all starts off so well too. The opening shot of Wolfgang Petersen's Poseidon is beautiful. A single take that begins beneath the surface of the ocean that swings up and out of it as the underside of the ship slices through the waves, before pivoting round the colossal cruise liner and zeroing in on Josh Lucas running on the deck. With the sun setting in the distance and the immense size of the vessel itself contrasted with the deep blue of the water, this is a visually astounding entrance to a movie that is unfortunately very shallow indeed.

A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.

As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.

Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.

It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire gener