Limelight (1952)

This past week, I've been on a Charlie Chaplin kick. I watched "Great Dictator"(which is marvelous) and "Modern Times"(Also a classic). This morning, I watched "Limelight". I knew that it was not going to be a ha ha laugh riot all the way through, but I found myself chuckling several times in the movie. This movie has an excellent storyline about an aging performer who knows he is not marketable anymore but wants one more chance to shine. He meets a ballet dancer, played wonderfully by Claire Bloom, who almost commits suicide before beings rescued by Chaplin's Calvero character. Throughout the 2 1/2 hours, they teach other to fight their demons and do what they love doing. This movie was so moving to me. I ended up crying the majority of the movie. This shows that Chaplin is a genius. You can watch his movies and laugh, cry, think. But at the same time, it's just genius work. Sadly, this was Chaplin's last film success in America. What a shame. Great talent. The Chaplin/Keaton sequence is the highlight of the whole movie. 2 great comedy geniuses working for one time only. Perfect. 10 out of 10. Go see "Limelight" and see for yourself.

Fmovies: Even for a fellow well-versed in Chaplin's sound films, 'Limelight' proved an odd viewing experience upon my perusal of it.

Following on from 'The Great Dictator' and 'Monsieur Verdoux', Chaplin eschews his physical comedy for the most part, preferring to address 'big themes' and important issues. 'The Great Dictator', quite obviously tackles fascism and the demagoguery of a dictator: indeed pretty pertinent in 1940. 'Verdoux' is an interesting one-off in its inherent darkness; the material, concerning a mannered serial killer, is treated with more sobriety and a blacker touch than had hence been the case with Chaplin's films. There is a startling effectiveness to the last reels of that film, with Chaplin's theme of society forming the individual's behaviour being emphatically and eerily conveyed by his well-spoken character. 'Limelight' focuses on the gold mine that is Chaplin's career and the decline of his sort of comedy. It should be got out of the way first, that considering the possibilities this stirs in the mind, the result will likely disappoint. But that does not affect my view that this is a very interesting film and broadly a successful entertainment. It could be argued that 'The Great Dictator' is a finer insight into Chaplin's art; the masterful pantomime is more vividly on show, and is Hitler is not especially the evil figure we know him to be, but more the manipulative, balletic Chaplin, commanding our attention.

'Limelight' seems not to succeed in being a summation of Chaplin's career; perhaps as it distinctly lacks the raison d'être of his visual comedy. Okay, perhaps Calvero is a character based partly on other faded stars from the music hall tradition, but we are not convinced that this is quite the same Chaplin. Of course, this is bound to be the case: this is sound cinema, nearly twenty years after the tramp's final sunset-bound trot. But, here Chaplin's character talks incessantly and unrepentantly: quite the conversion for the silent clown. Unlike Laurel and Hardy, the adjustment to sound was never made in his original screen persona, so this truly will seem a different Chaplin to viewers. He pontificates in a somewhat lofty, generally admirable fashion; but it is the speech of a mannered, delicate, sentimental old English gentleman, and not a clown or philosopher. There are times his dialogue wades in some very interesting waters - such as that regarding his views on audiences and the rigors of performance - but often, too little of worth is said with too many words, in an overweening, self-satisfied manner.

Where the film really succeeds is in the way Chaplin does take on a sort of tragic grandeur towards the close - or more rightly a rather sad grace; a man out of time and out of sympathy with most the world has to offer. It seems he was lucky to obtain the services of Claire Bloom to play the ballerina, Tereza, as she invests a crucial part with genuine feeling and warm brittleness - a good contrast with Chaplin's slightly wearing charm and ghostly drifting through the film. His contribution in bringing Bloom to the screen is to be appreciated, as she went on to a most impressive career in many mediums. Indeed, Bloom is rather histrionic at times, but at least it adds some genuine zest to proceedings. That she carries off this role, that from the evidence we see, is so unlikely – a young girl completely in the thrall of a curiously cold and verbose old man – is

Charles Chaplin is, at least for me, the best film maker of all time. And Limelight is his best film. It is one of the 10 films I have given 100/100.

The film is about this old comedian who can't find himself a job. He saves a young girl who tried to commit suicide. Well, they become friends and stuff.

Simply the film is perfect. There is nothing bad I could say about it. Well, maybe the ballet scene was too long (but maybe I just can't concentrate enough). The script, the music, the actors, the whole philosophical structure of the film! They are all perfect. And the end of the film is something so beautiful that you really have to see it.

If there is one thing you have to see, make sure it'll be Chaplin's Limelight!

Limelight fmovies. All the terrible facts in his life during the 1940s made Chaplin realize he was a lucky artist, having for almost 3 decades both critics recognition as well as worldwide fame. His personal problems originated by his marriage with young Oona, added to the hate generated in the United States from the brilliant, anti-capitalism movie "Monsieur Verdoux" left him in a very dramatic situation, that made him look back at the past, only to realize how the art he made better was changing... characters, themes, directors and actors were now different. His eternal black and white pantomime was at the moment "useless", and colored motion pictures were appearing...

"Limelight" is the bittersweet movie that narrates the impossible love story between Calvero, the fading comedian, and Terry, the suicidal Dancer. Perhaps his final masterpiece, Limelight earns recognition and admiration for its philosophical thoughts about life, love, and the mix of comedy and drama. Considered as his will to artists and his homage to his three loves: London, arts and women, the movie reflects Chaplin's worries about his audience, his marriage, society. Almost every aspect of Chaplin's life is represented in this motion picture. Just the tittle evokes his theatrical debut, in the late XIXth Century, Calvero is just a variation of Chaplin's eternal character, The Little Tramp, the story of Therry is the same as his mother (her sister also prostituted to make a living), and it goes on...

There will be no movie that'll make me laugh and cry as much as Limelight. I consider it as the last Chaplin film. Enjoy the gag between Chaplin and Buster Keaton, long-time rival in the silent-film era, and the marvelous original score composed by Chaplin himself.

Limelight is a perfect, brilliant, touching movie that'll make you know the person that hid 30 years under the Little Tramp character: a great artist and unique man called Charles Spencer Chaplin.

This was the first and only Chaplin film I have ever seen -- and it wasn't at all what I was expecting.

I was completely surprised that such a simple film could have so many layers of depth. In fact it kept me thinking days afterwards!

At it's core, I would say this movie is about the love of one's art, and the love that a couple share.

The Ballerina loves to perform but is impeded by a psychosis that makes her legs inoperable. I interpret success to be the root of the psychosis.

The Clown loves to perform but is impeded by his fear of becoming a B or C-list star. He is a legendary comedian and now that he's no longer in demand, he's convinced himself that he has to drink to be funny.

There you have it; a clown afraid of failure and a ballerina afraid of success. Together they help each other love their art more by removing those things that impede them.

The best thing about the film is that the obviousness of the plot is completely lost in the depth of the film. Chaplin uses such simple and common devices to draw the audience into his world. I know it's hard to belive, but this is a "must-see" movie!

Charles Chaplin plays Calvero, an aging clown who rescues a ballet dancer called Terry (Claire Bloom) from committing suicide.These two become friends and Calvero gets more meaning to his life.He desperately tries to make a come back to become the greatest clown again but it's hard to make people laugh anymore.Limelight from 1952 was Charles Chaplin's last American film.It was a flop but the film won an Academy Award for best score in 1972.That year the king of comedy got also a special Oscar for career achievement.This was Chaplin's most sentimental movie and it also was very touching.Chaplin is amazing as the aging clown.The man wasn't only a great comedian.He was also a terrific actor.It's hard to top his performance in this movie.Claire Bloom's performance as the ballet dancer is also brilliant.Chaplin's son Sydney plays Neville in the movie.There are also Chaplin's children Victoria, Michael, Josephine, Geraldine and Charles Chaplin Jr. in this film.This is truly a masterpiece.This proves that Chaplin didn't shine only in silent movies.He did that also in talkies.And this is one of his best talkies. The dialogue is just delicious in this comedic drama.In the end you can see another great comedian from the silent era;Buster Keaton.You can see Chaplin and Keaton clowning together in the end.And that is one great scene.A scene to remember.The message of Limelight is how wonderful life is.Enjoy it while you still can.