Frozen River (2008)

Reminded me Ridley Scott's Thelma&Louise(1991), this film debut of director and writer Courtney Hunt delivers us a compulsory participation of the two opposite characters. Melissa Leo and Misty Upham perform two innocent and mature women driven into the crime world after desperation.

Frozen River carries a vital independent spirit that even though the value of contents of the film is so unassuming, it brings in both sentimental and intellectual prestige. Directing, editing and storytelling are so plain. Cinematography, lights and sound work, score are out-of-service. There is absolutely no cinematic aspect but the theme. Since it's an independent production we primarily come across to a thorough presentation of this theme. It has been worked up so effectively and is as plausible as a documentary.

A great commitment and well-created atmosphere by Courtney Hunt. All actors have done a good job. Might feel boring if not seen for personal view.

Fmovies: For a first time director, a superb job, The general theme is single mothers fighting for their very life. Living on next to nothing,trying to raise their children with almost no resources but their own courage. They are at the very edge of society living in forbidding land of ice snow and frozen lakes and rivers. Both Melissa Leo and the native American woman must make terrible choices in order to live. Despite what the main stream critics have said, the picture is photographed wonderfully and there are no cheap props other indications of cheap film. The actors are fabulous and the characters are interesting, true to life and the story makes sense. This film is a classic, and I hereby nominate both female leads for Oscars. see this film ASAP!!

Life ain't easy for Ray. She may have had it good, but now she's got it rough. Two kids. Gambling runaway husband. Working at the Yankee Dollar. On the icy brink of the unforgiving upstate New York wilderness. Living in a trailer. The best thing she can even think of is a bigger trailer. Bottles on bottles of bubble bath she may never open hold the promise of better days that may never break. That's how bad it is. Along comes Lila. In many ways, she has it even worse than Ray: living in an even tinier trailer, estranged from her family, bad eyes, out of work. But she is also a small-time player in the well-oiled trafficking industry, bringing aliens into the US from Canada. Desperate for a little extra cash to buy that bigger trailer, Ray gets involved. At first sight, writer-director Courtney Hunt's debut is as depressing as they come. But beneath rough surfaces, there is also hope. In fact, the many acts of love and kindness are all the more surprising given how hard life is on these people. Just when you think they hit rock bottom, a bona fide miracle comes their way. Says Lila: "That wasn't me. That was the hand of the creator." It may be a broken Halleluja, but it's a Halleluja all the same. - Fine performances all around. Sundance and Hamburg Film Festival winner.

Frozen River fmovies. Courtney Hunt's début feature, "Frozen River", winner of this year's Sundance's Grand Jury Prize, is as tense as a great thriller should be, and also a heartfelt, poignant drama.

Ray Eddy (Melissa Leo) was just abandoned by her druggie husband, having to take care of their two kids and pay for their house alone (otherwise, they'll be evicted). With her minimum wage job at a local store, Ray can't make enough money, but chance will introduce her to a young Mohawk, Lila (Misty Upham), who smuggles illegal immigrants across the frozen St. Lawrence River (between New York State and Québec), and both will be forced to risk a lot in order to get the money they need.

Hunt's writing/directing is secure and reveals a very promising talent, but the film's major strength is the extraordinary performances of the lead actresses, in particular Melissa Leo ("21 Grams", "The Three Burials of Melquiades Estrada"), magnificent character actress turned lead. Totally deglamourized, her screen presence is real, visceral, almost organic. A flawless performance in a great film, that is at once sad, suspenseful and hopeful. It's not every movie that makes you feel for and really care for its characters, but "Frozen River" is one of those rare gems. 10/10.

I had heard that this film was something of a runaway hit at Cannes last year. After seeing it, I can see why. 'Frozen River' is a grim little tale of a middle aged woman (Melissa Leo)who's good for nothing, substance abusing,gambler husband has left her & their two sons for points unknown (only after usurping all of the money from the bank--and this,just a week before Christmas). Rae (Leo)has to earn some money soon, or lose their trailer home. She resorts to smuggling illegal aliens (with the assistance of an Indian woman who dislikes whites)over the boarder,from Canada to the U.S., via the local Indian reservation. Toss in elements of a cynical teen aged son,and other similar elements,and you have yourself a powerful piece of drama that although somewhat bleak,manages to draw you in to the plight of people who want to fit in, but are never the less, not excepted,due to racial issues. Well worth seeking out. The film has been slapped an R-rating by the MPAA, due to some course language.

I caught a viewing of this tonight at the fantastic Traverse City Film Festival. The film was really fantastic. It is an indie flick very reminiscent of David Gordon Green's work (George Washington, All the Real Girls, etc) in pacing, cinematography, and the depth of character the director is able to elicit with profound minimalism. The plot centers around a Mohawk coyote who smuggles illegals across the St. Lawrence in the winter by driving back and forth between the Canadian and US segments of the Mohawk Reservation. The Mohawk are one of the few tribes that issue their own passports and directly challenge federal authority to regulate their border. Because the reservation covers areas in both nations there isn't much either side can do. For the Mohawk, sovereignty has real meaning, and they protect it fiercely.

The main character (aside from the Mohawk woman) is a white woman living in the area who's husband is a degenerate gambler and has taken off with the money she had saved to get them a new modular home. We never meet him, but nevertheless are given a good portrait of his and the family's struggles with his addiction. She needs $4k fast, stumbles into this smuggling business quite unexpectedly and decides its her only hope to avoid homelessness for herself and two kids. It's suspenseful, introspective, and the acting is top notch by everyone. I also loved how it provided a glimpse into one part of Indian Country few people even know exists, and treats the Indians as people rather than victims or otherwise attempts to cajole the audience into feeling something for them. They are just people. Just like us.

Highly recommended.