Enigma (2001)

And this Movie is definitely worth seeing. It's so nice to go to these cinema factories and be treated with a good film, rather than the tripe which always comes out of Hollywood.

Enigma is a quirky, happy go lucky film about codebreakers during the war, with a bit of espionage and a bit of romance, in just the right proportions. Go and see it, it is not too taxing on the brain really as someone else here said, it is certainly not mind numbingly boring Hollywood fodder.

Fmovies: Purely as a film I give ENIGMA 6 out of 10; as an historical document – zero. Generally I do not necessarily expect a film with an historical content to be a piece of cinematic non-fiction but merely a source of entertainment, so I score it on this basis. If the distributors claim it as a true historical record then that is another matter. Enigma has a fairly good plot but suffers from poor direction and frequently indistinct dialogue. It centres around a young man and a young girl working at the Government's code deciphering establishment at Bletchley Park and their involvement in the breaking of the German U-boat cipher SHARK (or TRITON to give it its original German name). As the mechanics of the breaking of SHARK has little story value a sub-plot involving a femme-fatale as German spy is introduced.

During 1941 our Atlantic convoy losses were becoming unsustainable so the ability to read SHARK was imperative. The film has a section in which the code breakers are shown helping a naval lieutenant to pinpoint the position of U-boats in the Atlantic based on wireless direction finding information. This was not the work of Bletchley Park so is historically wrong. In fact,convoys and U boats were tracked by the Admiralty in London.

The film also purports that breaking SHARK was the sole factor in helping to bring down convoy losses. The truth is somewhat more ironic. Whilst we could not read TRITON/SHARK the Germans could read the Royal Navy Cipher No. 3! However it took us a year to find out. It was this cipher which was used to transmit the rendez-vous points for departing convoys to RN escort vessels in the North Atlantic. The Germans picked this up at their listening stations and promptly re-transmitted it to their U-boat wolf packs who were then able to proceed to the rendez-vous ready to pick off their prey. This information was sent in SHARK so once it was broken we knew that RN Cipher No.3 was being compromised and had to be changed. As a result convoy losses decreased.

The reason for the weakness in Cipher No.3 was that when WWII started the Royal Navy was essentially still using code book methods from the Great War and were very slow to adopt mechanical encipherment, similar to Enigma. On the other hand the RAF introduced it in the 1930s for use on the Defence Teleprinter Network run by the GPO. For this the Type-X machine was developed and was featured in the film for reading German enigma code. The German Enigma machine itself features prominently in the opening sequences of the film with several close-ups and supporting dialogue explaining how it worked.

Did the Germans know that we could read their enigma messages? This is a moot point as officially they did not but both Rommel and Doenitz, the U-boat commander, were highly suspicious; Rommel because convoys from Italy to North Africa were frequently sunk and Doenitz because U-boat code changes only gave him a short term advantage against convoys. In both cases the leakage was blamed on spies, although it has been suggested that Doenitz's staff were very possibly convinced but dare not tell Hitler that Enigma was compromised, so they just contented themselves with improving the system. Unlike the British centralised Intelligence centre at Bletchley Park the Germans had separate intelligence staffs for each of the three services with the inevitable rivalry between them. This weakened their counter intelligence operations which, coupled with the extreme secrecy surrounding Ultra, meant that our success against Enigma went undet

Enigma is not for the war buffs who want historical accuracy. Although the historical setting at the headquarters for code breaking during world war 2 is solid enough the characters we meet are fictional.

The main character Thomas Jericho clearly has some connections to Alan Turing, but the differences are equally apparent to those who know the historical accounts, so anyone searching for a story about Turing should look elsewhere.

If you can let go of this there is a good spy story to be had. Kate Winslet, Saffron Burrows and Dougray Scott are all excellent in the leading roles, but the supporting cast is equally good. Jeremy Northam's spy master is one of many highly entertaining portrayals.

The intertwined stories along the way are perhaps more captivating than the main plot, but the ride we are taken on is well worth it.

Enigma fmovies. Once again, the history of cracking the Enigma's code is falsified. Not so long ago we had "U-591" and now there's this movie. Let's then make this thing clear once and for all: the people responsible for cracking the Enigma's code were the group of Polish mathematicians, among them M. Rejewski, J. Rozycki and H. Zygalski. They made a replica of Enigma in 1933 and in August, 1939, Poland presented France and Great Britain with cracked Enigma specimens, which helped the allies to know the orders and plans of Third Reich. Too bad that the nations who had received such an important gift forgot about it so easily.

The movie concerns upon an investigation team in the Bletchley Park mansion with the aim to decipher communication keys of German submarines during second world war.

In the squad there are a wise nut-head (Dougray Scott) , an ugly and outcast girl (Kate Winslet) and another rush and beautiful (Saffron Burrows), and yet a clever investigator (Jeremy Norton).

The movie mingles mystery , action , a love story , thriller and it's quite amusing.

The flick is paced to nick of time , as they ought to figure out the clues by means of the Enigma , a mechanical device before that an Allied fleet was found by German subs .

One of the motivations behind shooting this picture was the indignation of many British World War 2 veterans over the movie U-571 , in which the capture of the Enigma was shown to be done by American navy soldiers .

Michael Apted direction is nice , he creates enough suspense , we're very interested in the events , besides being based on real deeds.

Final feature film with a full music score composed by John Barry , his music is fascinating likeness to "Dancing with wolves" and a lot of hits during his long career thirty years ago .

It was such a thrilling movie that had a great success in box office.

The film will appeal to emotions enthusiasts and suspense fans.

Rating: 7/10 above average .

Firstly: no, it's NOT a scandal that Alan Turing isn't mentioned. He couldn't be mentioned without being made into a character and given a role in the story - which would mean, among other things, placing him on the list of suspected traitors, at least temporarily, which would either be a slur, or (assuming it wasn't a slur because we'd immediately know him to be innocent) a constraint on the mystery. Throwing in a clearly fictitious genius was the right thing to do. (Turing was the most important, but not the only, genius involved.)

The main problem with "Enigma" is that emphasis is badly misplaced. I was interested in (a) how the war effort was going, (b) whether Bletchley Park would come up with solutions in time, (c) HOW the process of breaking codes was actually carried out, and (d) when Tom would get over his idiotic infatuation with that annoying blonde chick and fall, as any sensible person would, for the dynamic and twenty-times-more-attractive Hester (Kate Winslet). I won't swear that I was interested in these things in that order, but I WAS interested in them to the exclusion of everything else; the mystery subplot involving Claire that for some reason becomes THE plot, was a distraction. Its twists and turns (they come along like clockwork every fifteen minutes) are of the kind you don't even bother trying to follow. You just wait for the next confrontation between Dougray Scott and Jeremy Northam, of which Stoppard's (or Harris's) mechanical sleight-of-hand is just a means of providing. A pity he couldn't have found some other means - or moved Northam's character to a different movie altogether, where he wouldn't take time away from Enigma, Winslet's character, etc.

The film - and the script, too, all things considered - is well put together (intelligent writing, excellent acting and photography), so the Claire subplot makes it a real missed opportunity.