Benny's Video (1992)

In his second film of the "glaciation trilogy", Haneke once more hauntingly draws a torpid affluent society where the people live at cross purposes, where conservations are rare and toilsome, where communication is alienated to a technical process. Accordingly to that, the emotional life of the protagonists became stunted: Benny, after his "act", shows concernment only through surrogate actions, just like letting his hair cropped. The father immediately slyly pushes to damage mitigation, whereas only the mother indicates rudiments of emotion, though somehow tense. In a confusing blend of film and video images, Haneke creates a second level of reality, so to speak, where Benny's senseless "act" perfectly integrates in the horror pictures of the evening news and makes it open for question. At the same time, Haneke commits himself to no specific answer and denies any absolution. That is what makes this film so horrifying - there simply is no telling argument that makes a murderer out of a young boy.

Fmovies: The second film from the Austrian auteur Michael Haneke, Benny's Video is another look at the director's vision of our modern world and the societal problems he sees as rife within it.

Benny's Video shows us a short period in the life of the eponymous character. Obsessed with visual images and that which he captures on camera, Benny's eye is caught by a girl he sees at his local video shop. He invites her to his house one day while his parents are away, and shows her his favourite video: a pig being slaughtered on his uncle's farm. What follows is Haneke's take on the accustomisation of mankind to horrendous violence and the true capability of human cruelty.

In many ways, not least of all Haneke's direct statement, Benny's Video acts as a spiritual successor to the earlier Der Siebente Kontinent, tackling much of the same thematic material and issues of morality. Like its predecessor, it highlights its director's message in a shocking, horrifying, and utterly compelling manner. Benny is the typical teenage boy, revelling in the thrill of violence and bloodshed. His terrifying calmness around such terrible things as well as his peaceful perversity create an enigmatic character, but a realistic one. As with Der Siebente Kontinent, the placing of the camera is key to this film, the occurrence of the main event slightly out of view an extremely important element. The film's momentum lies in the performance of Arno Frisch, who manages to perfectly portray the icy Benny with a calculated complexity. Strong support comes from Angela Winkler and Ulrich Mühe as the parents, protective but no less horrified as we.

Dark, disturbing and engaging, in Benny's Video Haneke again shows us the flaws of our species, effectively having us question what we never thought to before. A powerful movie, masterfully shot and terrifically acted, it really must be seen.

I found this movie to be very disturbing, though it is not a violent movie. Benny is a normal teenager, except for his rather horrid taste for gore and death. This is a very thought provoking movie stumbling through a couple of different immoral issues, the end of this movie was a bit different to what I was expecting and did sort of knock me off place. I give it an 8 out of 10.

Benny's Video fmovies. One of Mikael Haneke's first feature films makes a great impact on the viewer. I'm writing this after seeing this film for thew second time, 21 years after watching it in a cinema, in a film club setting. Back then we didn't know how many extraordinary films Haneke would be making later on. In that setting, I must say this showed promise of a controversial director with an important message in his films. Haneke wants to make discussions, and don't really care if he is controversial or even disgust people watching his films.

Benny is a loner of a 14 year old boy, using so much time in his own room watching violent videos as well as making his own videos with his Video8 camera. His parents are rich, but largely absent from his upbringing, but are more hands on than normal, when they are at home. During a trip to the video store Benny meets a girl of his own age, and invites her home, to show her a video h has made about a pig being shot with a slaughter gun. He shows her the gun he has stolen, and from there the story turns severe.

It's not really possible to give a review of this film without telling too much. Still there's no point in spilling the beans. The film has more than one surprise up in the sleeve, and is well suited for discussions in a group or a media class. I can assure you that the viewers will have different views on what they make of this movie. Why is Benny doing this? Is this likely or even at all realistic? Why do they do the things they do? Whta would you have done in the same situation? Who's to blame? Does it provoke you? Are we watching a sociopath in the making? Why did Haneke make this film?

As always in Haneke's films, the actors are brilliant in their play, though it's easy to criticize the ideas if you don't like them. Arno Frisch is brilliantly portraying young Benny, as a boy who has lost his way due to some reason or another.

After viewing this film the first time, back in 1993, we had one of the greatest discussions I ever experienced after a film. We always went to a café side-by-side to the cinema after the film club showings, and this film made us having a major discussion. So I never forgot this film, and Haneke, or Austrian films for that matter. I must say this film made an immensely impact on me due to this. Watching it again so many years later, reminds me of what I really remember of the film, which is almost half. When you remember so much of it, it's no doubt a great film. Not flawless, but important as well as remarkable.

This can't be recommended to the faint hearted, nor due to the content, the violence or the moral. You'll better stay away if you are easily disgusted or offended.

If it is supposed to be a Haneke film, it does have a couple of pitfalls. It is not Haneke's best, perhaps because maybe he felt the pressure to top Der Siebente Kontinent. As someone said previously, it is rather heavyweight towards the end.

As a film without regarding who directed it, it is very good. It provides you with a raw documentary vision of a boy and his voyeuristic trend towards violence. It is rather simple yet, an amazing idea. Benny could be the boy living next door and, in fact, he is. He is not frightning on a "I know what you did last Summer" fashion. He is _truly_ frightning because he is a normal kid. And I do know a few like him. The ones I know never actually murdered anyone but, perhaps they simply didn't do it because they are afraid. Benny hasn't come to terms with that moral feeling yet and perhaps he never will.

On a metaphorical sense, it is the best portrait (along with Der Siebente Kontinent) of present day Austria, at least the Austria I see at some September rainy Vienna weekends...

Caution!Caution! Michael Haneke 's "Benny 's video" is one of the most terrifying movies ever made.The link between it and "der Siebente Kontinent" is obvious:the latter ends with an empty TV screen.The 1992 effort is another way of tackling total destruction.Resuming a subject which a lot of directors have already broached -incommunicability between a teenager and his folks-,Haneke pushes it to its absolute limits :particularly if you do not know Haneke at all,you will not believe your eyes.

SPOILERS In this work,there's before and after.So harsh is Haneke's screenplay ,so incredibly devoid of humanity are his characters that the viewer is left panting for breath. Benny films a lot a things ,his bedroom is full of TV screens -we could draw a parallel between "Benny" and the "Peeping Tom" s hero,whose apartment was full of screens as well;and although the latter was an English movie,the male lead,Karl Boehm ,was Austrian too.But Haneke 's got his own way to hoe ,so he does not stop here and goes where nobody dares.

After murdering a girl (a senseless crime),Benny seems almost indifferent.By chance,the parents watch the horrible thing that happened on the video:a close shot of Angela Winkler shows her distraught face and her moist eyes.Then expect the unexpected:the parents want to conceal everything and to pick up the pieces as if nothing has occurred. The movie does not lose steam towards the end ,as an user claims:the trip to Egypt ,with its trite and amateurish -Benny's camera?- sequences,the mother enjoying an ice cream or relaxing at the swimming-pool or these exotic landscapes, just highlights the bourgeoisie's selfishness ,pushing people out of their way,in a way only Bunuel dared.

A legend (or is it Stephan Zweig?)tells that Vienna is ,par excellence , the capital of the blues and they say suicide rate is higher there than anywhere in Europa.At any rate,Austria has found a director who ,like Ozon in France,Dardenne in Belgium or Amenabar in Spain is making the most modern inventive European cinema.