16 Blocks (2006)

saw preview in NYC. Fun action flick. somewhat derivative but some good audience laughter in right spots and applause when appropriate. should have good broad based appeal. didn't fall asleep which, these days, is a good sign. Bruce Willis does weary hero well though its unclear why his character does what he does. Mos Def is funny and engaging but nasal voice is annoying after awhile. Best job is by David Morse who is completely believable as a NYC cop though somewhat unbelievable in terms of what he will go through to do what he feels he must do. Others have drawn parallels to The Gauntlet with Clint Eastwood and there are definite similar themes and scenes but , obviously , more updated and , actually fun.

Fmovies: "16 Blocks" features an aging Bruce Willis as a broken-down, burned out NYPD detective assigned to transport the key witness in a police corruption trial from his jail cell to the courthouse where he is scheduled to testify 16 blocks away. However, something goes terribly awry when the cops who are the targets of his testimony attempt to knock off the witness, forcing Willis and his charge to run for their lives through the crowded streets and deserted back alleys of downtown Manhattan.

"16 Blocks" deserves points for at least attempting to provide a bit more in the way of characterization and theme than we are used to in run-of-the-mill police procedurals, but the film winds up falling flat despite the best of intentions and some first rate performances by Willis and Mos Def as the man whose life Willis feels compelled to protect. For even though the low-keyed approach writer Richard Wenk and director Richard Donner have taken towards the material should have made this a more believable and realistic film than most in its genre, the filmmakers keep undercutting that truth by having the two fleeing gentlemen go through so many hairbreadth escapes that we begin to think that not only are these NYPD officers corrupt but amazingly incompetent as well. Moreover, the schmaltzy, humanity-of-man ending, with its theme of mutually achieved salvation and redemption, comes across as a contrived piece of sentimental uplift that never rings true or convincing.

What's good about the movie is its occasionally witty one liners and the performances by the actors in the two lead roles. Willis, craggy-faced, gimpy and sporting a noticeable middle-age spread, is subtle and subdued in the role of a man who has grown apathetic and cynical over the years, and Mos Def makes a very compelling character out of Eddie Bunker, the criminal-with-a-heart-of-gold who never stops talking, but whose deadpan, singsong delivery endears him to the audience. The actors alone compensate for the underdeveloped script and the overall sense of ennui that permeates the film.

In New York, the alcoholic and decadent detective Jack Mosley (Bruce Willis) is assigned to deliver a prisoner to the court sixteen blocks far from his precinct in 118 minutes. Eddie Bunker (Mos Def) made a deal with the D.A. office and will identify and testify against a dirty detective. While driving to the tribunal, Jack is attacked by a group of corrupt cops and protects Eddie.

In spite of being a flawed movie, "16 Blocks" is a good entertainment with lots of action and an optimistic, hopeful and commercial message in the end that people can change, with the redemption of Eddie and Jack. Mos Def irritates with his accent, and Bruce Willis is totally different from his usual shape, inclusive with a "tire" on his belly. It is funny to see all the damage caused by the bus in Manhattan and no press and no interventions of Ada MacDonald (Brenda Pressley), who was interested in the case. My vote is seven.

Title (Brazil): "16 Quadras" ("16 Blocks")

16 Blocks fmovies. The film concerns an experienced but tiring cop named Jack (Bruce Willis) about his retirement . The aging detective is assigned the last mission , transporting sixteen blocks away a foul-mouthed delinquent , from the precinct until the court . He is aware that the African-American young named Eddie Buken (Mos Def) is allegedly to testify against NYPD agents . He made a covenant with the D.A. office for identifying corrupt detectives at courthouse . Meantime , along the way , they're attacked by vicious gunfighters and pursued by all N.Y.C policemen and they find themselves under siege into a bus and surrounded by the SWAT . Then , they team up to flee , trying to get out towards the trial building .

The movie displays suspense , action ,thriller and is very entertaining . The film's writer, Richard Wenk, has reported that he originally conceived of the project with himself as writer and director and, before shopping it around to anyone else, first approached Richard Donner because they had a struck up a good relationship when Donner really liked his rewrite of a script for Lethal weapon 4 (1998) , even though that script was not used . It's a special buddy movie between a dreary , boozy cop magnificently played by Bruce Willis and a fast-talking prisoner well acted by Mos Def , detaching an agreeable chemistry . Although the film is principally interpreted by two main actors also contains exceptional performances by its entire secondary cast , especially by David Morse and Jenna Stern . Living musical score adjusted appropriately to the action by Klaus Badelt and adequate cinematography by Glen McPherson . The movie produced by Milennium (Trevor Short ,Boaz Davidson , Danny Lerner) usually producers of low-medium budget but here was lavishly filmed . The motion picture was professionally directed by the veteran Richard Donner . He's an action cinema specialist with numerous titles (Assassin , Conspiracy theory , Timeline , Lethal Weapon I..). Rating : Better than average . It's a must see for Bruce Willis fans in spite of his characterization as an old man .

16 BLOCKS is a neat little Hollywood thriller that might not offer the bulldozing excitement of a DIE HARD movie or the fantastic stuntwork of a MISSION: IMPOSSIBLE flick, but which still generates plenty of suspense from its straightforward premise. It tells the story of a cop and a criminal, two men who have to cross New York before their deadline runs out. Of course, there's a lot more at stake than it first appears, and gradually director Richard Donner weaves a story of friendship, betrayal, skeletons in the closet and, above all else, the need to "do the right thing". It's a story that's character-focused throughout, with the emphasis on the developing relationship between Bruce Willis' detective and Mos Def's criminal. Some might find this emphasis off putting, but I for one thoroughly enjoyed it.

Bruce Willis is much as we met him in DIE HARD WITH A VENGEANCE (and indeed there are many parallels and references to that movie in this one); he's washed up, past his glory, except here he's even worse, saddled with a paunch and a gammy leg. Once the bullets start flying, Bruce's character takes a turn for the better and he becomes the everyday hero we all know and love him for. I was prepared to dislike Mos Def's high-talking criminal but, surprisingly enough, he's one of the best things in the film, and he really makes the criminal character his own, adding warmth to the feature. David Morse, off our screens for too long, is as great as ever as the corrupt cop who becomes the nemesis of the heroes.

While the film is not action-focused, there are some highly impressive set-pieces which strive for realism – the stand-out scene being the bus hostage rescue, of course. Elsewhere, the layer of gritty realism – no pyrotechnics here – and the endless cops-vs-robbers stealthy sneaking around generate plenty of tension and also excitement. My only real complaint is with the ending, which could have been handled a little better, but then it chooses emotion over action and it's a character-focused finale rather than one with big bangs. I remember a few years back when the film S.W.A.T. attempted a similar storyline; the difference is, that film was a piece of crap, and this one is rather good.

Certainly a decent cop - thriller; it's quite entertaining despite some actions sequences that are really unlikely (they could also be called brainless). In fact credulity is put to the test a lot of times, nevertheless "16 Blocks" is a kind of movie that makes you reflect on what you saw. Bruce Willis plays the unusual part of a broken down cop ready for both rehabilitation and retirement, weary of working and living as well; Bruce has never looked more unkempt and scruffy but his part his acting is really persuasive and cogent. The ending could (should) have been less predictable but the job is in my opinion well done.