The Three Caballeros (1944)

Funny, people nowadays don't seem to realize that this was a World War II propaganda film -- only one comment below makes that point. Many such features and shorts were turned out during this time, and not just from Disney; Warner Bros., MGM and others did as well. Keep this in mind and it makes a little more sense. Even more of the fractured, surreal nature of this film is explainable when viewed in the context of other Disney animated features of this time. "Fantasia" (of course), "Dumbo," "Pinocchio" and other movies contained what seemed like drug- or alcohol-induced sequences (maybe someone with more intimate knowledge of Disney productions of the time can shed some light on those!). Disney also seemed eager to experiment with blending of animation and live action during this time ("Song of the South"). Anyway, this was aimed primarily at engendering better relations between North Americans and our ostensible allies in Latin America. The animation is very good and some of the music (especially the title song) is memorable. Watch it for what it is and enjoy!

Fmovies: I don't consider this one of the best of Disney, but I do think it is delightful and I also think it is a little better than Saludos Amigos. The Three Caballeros is a little too short and the opening scenes are a tad too coy for my liking, but it gets much better when and if you bear with it. The animation is stunning, with rich bold colours and the characters and backgrounds are beautifully realised. The music is also memorable and give real flavour to some of the scenes. There is also much to enjoy scenes wise, the title number is filled with energy, and You Belong to My Heart is lovely. As entertaining as Jose and Panchito are, what made the movie for me was Donald falls in love with Aurora(sister of Carmen) Miranda and gets caught up in the soundtrack. The whole scene is very charming and funny, and the animated choreography is incredible. Overall, a delightful film and worth seeing for more reasons than just historical value. 8/10 Bethany Cox

"The Three Caballeros" is a nice little gem of golden-age Disneyana, that could have used perhaps a little more polishing.

The Disney Studios apparently produced several pieces around the time period of this animated-live action featurette; "Caballeros" is probably the best known of the series. The basic premise here is that Donald Duck is celebrating his birthday, and a large package of presents is sent to him from friends in several Latin American countries. The event turns into a celebration of Latin culture, focusing on Brazil and Mexico; Donald is given tours by two "colleagues," a cigar-chomping parrot-cum-boulevardier named Joe Carioca, and Panchito, a bandito rooster (complete with never-empty six-guns).

Perhaps twenty to thirty minutes of the piece is made up of the cartoon characters superimposed over live action, or live actors doing carefully choreographed moves in front of a screen. The techniques are apparent to the eye, and dated by modern standards, but they were reasonable attempts to fuse the two worlds together. More problematical to this correspondent is the last 10-15 minutes; while having a few interesting sequences, the lack of a plot (becoming a dream of random images in Donald's ever-confused thoughts) makes the section drag down the rest of the film. Less importantly, politically correct types may object to the "Hollywoodization" and "Disneyfication" of Latin culture/music that turns it into a progression of scenes from a folkloric or idealized mariachi show. Of course, shows like "The Three Caballeros were never meant to show the actual grit of much of Latin American life....

If you're looking for that reality, avoid this like the plague. If you're looking for fun, good Hollywood-Latin music, and "poorty girls," head out and rent it.

The Three Caballeros fmovies. Walt Disney's outreach to the South American market resulted in a couple of films--SALUDOS AMIGOS was the first, and THE THREE CABALLEROS came next. To make a comparison, I'd have to see "SA" again, but I do recall that it had some charming musical sequences.

The same is true of THE THREE CABALLEROS, especially when the musical score includes the title song (delightully done by Panchito, Jose Carioca and Donald Duck), and repeated throughout, and ballads such as YOU BELONG TO MY HEART and HAVE YOU EVER BEEN TO BAIA? All of them are performed with some fantastic art work and animation combining live action and cartoon characters.

The last fifteen minutes seems to be scrambling for a way to keep the viewer's attention with some explosive fireworks and a dazzling display of surrealism, minus any conception of a way to end the movie on a high note. The film itself is uneven, offering typical Disney animation for the flying donkey sequence and then resorting to over-the-top fireworks that outdo the Pink Elephants number from DUMBO.

But it's hard to resist the bouncy South American flavor of the score and the charming characterizations of Donald, Panchito and Jose Carioca. The stylized conception of a Mexican Christmas by artist Mary Blair is a standout among the art work involved here, although later the piñata sequence is a bit overwhelming in effects.

The dazzling color and the music make it worth watching at least once, although it's hard to make a comparison between this and other Disney full-length features. Some of the action is fast and furious but the sort of thing that will appeal to very young children.

Summing up: You will either love it or hate it, but if you're a Disney fan you should see it at least once.

Wildly colorful, almost hallucinogenic offering from Walt Disney plays like "Fantasia" on speed. Though not much more than a hodgepodge of story ideas, the film mixes live-action with animation in saluting Mexican and South American cultures. Donald Duck is the star this time, and his title musical number alongside Joe Carioca and Panchito is a head-swirling collage of colors. The Disney animators were obviously full of inspiration, but the entire movie plays like that drunken elephant sequence from "Dumbo": manic, fruity, sometimes quite fabulous. Entertaining to be sure, and better than its predecessor "Saludos Amigos", but certainly odd and never very popular from the 1940s through the 1960s since Disney rarely circulated it as a whole. *** from ****

While little known, this is one of Disney's most inventive and delightful films, superior in imagination and sheer movie magic to all but a few of the studio's great classics. I think it was less successful than most Disney films because the subject matter -- like its near-twin Saludos Amigos, a cartoon tour of Latin America -- was and is less engaging for most people than fairy tales.

I've traveled a bit in Latin America, and still find that this clever little film captures something sumptuous, wondrous and oddly truthful about those distant places, even if seen through a distinctly American lens. What's more, it's the most sensuous G-rate movie I've ever seen. Sambas, wild orchids, wow.

I was four when it came out, and it immediately became my favorite movie. Indeed, I was obsessed. In the 40s and 50s, I kept up with movie-theater schedules for miles around just on the off-chance that this, and one or two other favorites, might be playing somewhere, usually at a Saturday matinée within driving distance. Every few years, my vigilance paid off and I would bug my mother to chauffeur me miles from home to see my beloved Caballeros.

When I had children, in the early days of VCRs, we bought all the Disneys as they were released. When The Three Caballeros came out, I brought it home. I was careful not to tell my three young daughters how much I loved this old treasure, but when I played it for them they all shrieked, "This is our favorite movie, Pop!"

And it still is, for all of us.