The Shop Around the Corner (1940)

It's hard to even know where to begin to praise "The Shop Around the Corner." I'll avoid repeating what other IMDb critics have said by offering this:

A good friend of mine is an older man-- in his 70s-- who scorned films, preferring opera (and not just opera, but Wagner), literature (Tolstoy at least), and philosophy (Wittgenstein, of course). He offered me one chance to show him a movie that proved cinema's worth as an art form.

I chose "The Shop Around the Corner." It's neither highbrow nor lowbrow, it's neither epic nor a silly bit of froth, it's not a genre or a formula picture, and it's about nothing bigger than decency and love (which are plenty big enough). It is, however, flawless, both funny and touching, and I thought it was a fair representation of how superb even modest films can be, and therefore a fair test of how open-minded my friend was.

"Powerfully flavored," was his summation, and he was impressed enough to begin seeing movies again (the last one he'd seen on a big screen was "Lawrence of Arabia"). And so, among all its other qualities, "The Shop Around the Corner" is one of the best ambassadors the art form could ask for.

Fmovies: Of the three remakes of this plot, I like them all, I have all three on VHS and in addition have a copy of this one on DVD. There is just enough variation in the scripts to make all three entertaining and re-watchable. In addition has any other film been remade three times with such all star casts in each? Of course the main stars in this one are great, but the supporting actors are also superb. I particularly like William Tracy as Pepi. He was such a scene stealer that I have searched to find other movies he is in. He appeared in many, but most are not available. As the other comments, I also say - buy this one.

Much about love & life can be learned from watching the folks at THE SHOP AROUND THE CORNER.

Ernst Lubitsch had another quiet triumph added to his credit with this lovely film. With sparkling dialogue (courtesy of his longtime collaborator Samson Raphaelson) and wonderful performances from a cast of abundantly talented performers, he created a truly memorable movie. Always believing in playing up to the intelligence of his viewers, and favoring sophistication over slapstick, the director concocted a scintillating cinematic repast seasoned with that elusive, enigmatic quality known as the ‘Lubitsch touch.'

Although the story is set in Budapest (and there is a jumble of accents among the players) this is of no consequence. The beautiful simplicity of the plot is that any great American city or small town could easily be the locus for the action.

Jimmy Stewart & Margaret Sullavan are wonderful as the clerks in love with romance and then with each other - without knowing it. Their dialogue - so adeptly handled as to seem utterly natural - perfectly conveys their confusion & quiet desperation as they seek for soul mates. Theirs is one of the classic love stories of the cinema.

Cherubic Frank Morgan has a more serious role than usual, that of a man whose transient importance in his little world is shattered when he finds himself to be a cuckold. An accomplished scene stealer, he allows no emotion to escape unvented. Additionally, Morgan provides the film with its most joyous few moments - near the end - when he determines that his store's newest employee, an impoverished youth, enjoys a memorable Christmas Eve.

Joseph Schildkraut adds another vivid depiction to his roster of screen portrayals, this time that of a toadying, sycophantic Lothario who thoroughly deserves the punishment eventually meted out to him. Gentle Felix Bressart has his finest film role as a family man who really can not afford to become involved in shop intrigues, yet remains a steadfast friend to Stewart.

Sara Haden graces the small role of a sales clerk. William Tracy is hilarious as the ambitious errand boy who takes advantage of unforeseen developments to leverage himself onto the sales force.

In tiny roles, Charles Halton plays a no-nonsense detective and Edwin Maxwell appears as a pompous doctor. Movie mavens will recognize Mary Carr & Mabel Colcord - both uncredited - in their single scene as Miss Sullavan's grandmother & aunt.

The Shop Around the Corner fmovies. Sweet romantic drama/comedy about Stewart and Sullavan writing love letters to each other without either one knowing who the other is. Naturally, they work together and can't stand each other. You can guess the rest. It's beautifully acted by the entire cast (especially Sullavan, Stewart and Frank Morgan), has a witty, intelligent script and looks absolutely stunning. It takes place in Budapest and was shot in Hollywood, but I found myself believing I was seeing Budapest! Everything looks so perfect and dream-like. A one of a kind film. Don't miss it!

The cast really helps make this a pleasant surprise and a cut above the normal man-vs.-woman-argue-all-the-time-but-wind up-in love-type of Hollywood screwball romance/comedy.

I usually don't go for those type of films and that tiresome storyline but this one was refreshing, fun to watch, and oozes with charm.

Jimmy Stewart and Margaret Sullavan play off each other well and make a very handsome couple. The supporting cast is outstanding - from the always-likable Felix Bressart to the villain Joseph Schildkraut.

Frank Morgan also plays one of the most interesting characters I've ever seen him do in his career. He takes the film and turns it around into a whole different mood for awhile when something dramatic happens to him. That "twist" is another reason this film rises above others of its kind.

Once again, when a film has a good mix of categories, it usually succeeds. This is a great example of that. In this movie, it's romance, comedy and drama and it's well done. I'll take this over the re-make "You've Got Mail," any day. No comparison.

The Stewart /Sullavan relationship and the warmth which flows on the screen are only one bend in a most extraordinary river.Although "extraordinary" is not the right word,because everything here is ordinary,no hero,no spectacular events and however,something happens.

The shop is a life microcosm,with its little quiet joys and its bitter disappointments,but,Lubitsch,here very close to Capra ,proves that virtuous gents like Stewart character can triumph in the end;and the final scene of the lovers is one of the wittier in the whole cinema.We seem to know all the clerks in the shop as if we've known them for years,and their everyday life is depicted with love and affection.The yuletide spirit is captured with a lot of emotion-check the scene between the boss and his new delivery boy Rudi and predates "it's a wonderful life" by five years.

The main topic is the fear of solitude.The shop is the place where everyone can feel he is part of a family,a family sometimes truer than the real one (see the boss's wife).And the director wants to make sure that ,when they leave their work on Xmas night,everyone is not on his own.A masterful conclusion.

The remake "you've got mail" featuring Ryan and Hanks is politically correct to a fault.All Lubitsch's movie charm and poetry seem to have been swallowed by the computers.