The Secret Life of Walter Mitty (1947)

In the world of Hollywood, there are many actors who qualify as talented. But few are noted as multi-talented. One example is Thespian John Leguizamo, who can do it all. Where some performers can sing or dance, some are very good when acting. But few can do all three activities and still make it look as though they are creatively natural when they star in films. Many years ago, such a rare quality belonged to the most universally multi-talented actor ever. His name was Danny Kaye. In this film, Mr. Kaye stars as ever-dreaming Walter Mitty. He is a man who is forever loosing touch with reality and dreams of being a hero in secret lives. Walter Mitty's dreams become intertwined with reality when a beautiful woman named Rosalind Van Hoorn (Virgina Mayo) gives him a little black book which is sought after by Dr. Hugo Hollingshead (Boris Karloff) who convinces Mitty he is going mad. The movie has a way of making it's audience dream along with the hero and for the sake of pure entertainment, you can have no better fun than to watch Kaye exercise his great talents in entertainment. A great film which has already earned the crown of Classic. ****

Fmovies: Watching the Danny Kaye version after having watched the Ben Stiller remake is a fascinating experience. The modern remake has definite virtues - notably Stiller's little-boy-lost performance in a sophisticated world of New York advertising, as well as the subtext offering an elegy to LIFE magazine, now doomed to appear on the internet only. On the other hand Norman Z. Mcleod's Technicolor version of the Thurber story contains one of Danny Kaye's best performances on film. He was nothing short of a genius - a brilliant slapstick comedian, with an apparently limitless range of facial expressions, with a natural instinct for delivering comic songs full of verbal pyrotechnics. Structurally speaking, the film has a story of sorts, but is basically a star vehicle for Kaye to show off his talents, playing a distressed sea- captain, an English flying ace (complete with cut-glass RP accent), a brilliant card-sharper (complete with cheroot) and a cowboy storming into a studio-set bound western town. His wife Sylvia Fine provides the music and lyrics for two specialty tunes; in one of them he plays a mid- European professor impersonating most of the instruments of the orchestra. With all this verbal and visual wizardry going on, it's hard to concentrate on the plot; but it doesn't really matter, as Kaye is such an endearing performer that he can quite easily win his way into the audience's affections, especially when he plays direct to camera as if performing in the live theater. The film contains one or two good supporting performances, notably from Virginia Mayo as the love-interest playing several roles in Kaye/Mitty's fantastic dreams, and Boris Karloff as a crooked psychiatrist trying to push Kaye/Mitty out of the window of an upper-floor skyscraper, and then putting him under psychological influence in an attempt to extract vital information out of him. But basically the film belongs to Kaye, a superb star vehicle for a fantastically talented actor and performer, who was as much at home in front of a live audience as he was in front of a movie camera.

If you like Danny Kaye's style you should see this movie. I like his style of making people laugh, so I'm amused with "The Secret Life of Walter Mitty". The scenes in which "Mitty" imagines himself to be a brave British pilot (and when he pretends to be his old music teacher), a hat designer, and a gambler from the old South are my favorite "dream sequences" of the film. Regarding the scenes that take place in "the real world" I think the takes with Doctor Hollingshead (Boris Karloff) and the one in which Mitty pretends to have a gun in his pocket are very funny. The partnership between Danny Kaye and Virginia Mayo is here at its best.

The Secret Life of Walter Mitty fmovies. I haven't seen this movie in years yet just thinking about it, I can vividly recall parts that make me bust out laughing. You can tell the cast worked hard to keep their composure during some of Danny Kaye's antics. You can actually see them working to keep from busting out in laughter. They demonstrated a lot of professionalism. I can only imagine what the out-takes are like and how the crew might have had to be muzzled to keep from ruining miles of film footage.

While WONDER MAN and THE COURT JESTER might be more consistently wacky, I thought THE SECRET LIFE OF WALTER MITTY (TSLoWM) brought out the vulnerable side of Danny Kaye, one of my faves since childhood (I never missed any of Kaye's movies on WPIX when I was growing up). It usually gets on my nerves when I see movie characters allowing themselves to be as put-upon and henpecked as Kaye's Walter is here, but there was a sweetness about him that made me root for him instead of merely growling, "Oh, tell 'em all to go to hell already" -- and as a result, it's that much more satisfying when Walter finally does tell off his obnoxious so-called friends and loved ones (unlike such "comedies of cruelty" as MADHOUSE, where the last 10 minutes of Revenge Against The Oppressors are the only entertaining parts of the movie)! Although James Thurber, another of my faves, reportedly tried to buy off producer Samuel Goldwyn to keep the film from being made and hated the finished product, I think perhaps Thurber wasn't being quite fair. First off, books and film have different storytelling requirements, and second, the first 10 minutes are almost straight from Thurber's story (except it's Walter and his nagging mom instead of a nagging wife :-), and it seemed to me that the characters and performances had very Thurberesque qualities about them. Boris Karloff and Konstantin Shayne are delightfully unctuous villains (Fun Fact: their henchman, Henry Corden, later became the voice of Fred Flintstone!). As Walter's literal and figurative dream girl Rosalind van Hoorn, frequent Kaye co-star Virginia Mayo was thoroughly beguiling and never looked lovelier (and hey, the radiant Mayo was a size 12 and nobody considered *her* a "plus size," thank you very much! :-). TSLoWM also contains two of my favorite Kaye/Sylvia Fine musical numbers: "Symphony for Unstrung Tongue" (am I the only one who finds the line "He gets so excited that he has a solo passage" to be subtly salacious? :-) and "Anatole of Paris." To top it all off, it takes place primarily in my hometown and favorite city, New York City, and is set in one of my favorite milieus, pulp magazine publishing! My hubby and I like to think that Uncle Peter's grand home must be located in the Riverdale section of the Bronx, where we used to live, since it looks like the kind of homes we used to see while walking around in the Fieldston area and it didn't seem to take horrifically long for Walter and Rosalind to drive there from the Flatiron district of Manhattan! :-) (Interestingly, the interior of the van Hoorn home looks a lot like the interior of evil Bruno Anthony's home in STRANGERS ON A TRAIN; anybody know if these scenes might have been shot in the same house/set?) I wish the DVD extras had included deleted scenes (there's a bit in the trailer with Karloff and Corden in a pub that I definitely don't recall seeing in the finished film), but it was nice to see Virginia Mayo still alive and well (and bigger than "size 12," but on her it's pleasant plumpness, in my opinion! :-) in the intro and outro, even though she only had time to say one line about most of her co-stars ("Ann Rutherford was delightful...Fay Bainter was a consummate actress...").

Ever since seeing him in Hans Christian Andersen when I was 8 or so(a film I still love) I've liked Danny Kaye a lot, and feel that like many commentators here that he is deserving of more attention. He is wonderful in The Secret of Walter Mitty, one of his best performances and quite possibly his most endearing. His antics are genuinely funny and he is charming in a way that comes naturally to him and is conveyed just as much to the audience. He has a fine supporting cast too, Virginia Mayo is astonishingly beautiful and as likable as Kaye, Ann Rutherford is charming and naïve, Boris Karloff plays cool and subtly sinister to perfection, Florence Bates is wholly convincing in overbearing mode and Thurston Hall is appropriately blustery without overdoing it. The Secret of Walter Mitty looks beautiful, the scenery is bursting with colour and vibrancy and the photography is expertly. The music fits with the action and comedy very well indeed, and the songs are catchy and a lot of fun. The best being Anatole of Paris though Symphony for Unstrung Tongues has some great lyrics/lines and is interesting for future director Robert Altman as an extra. The writing is witty and infectious, it never feels forced or mushy and it holds up well today too. The story is sweet and instantly lovable, children will be spellbound and amused by the dream sequences especially. Overall, a wonderful film with Kaye on top form. If you want to get acquainted with him or see what the fuss is about, The Secret Life of Walter Mitty is a great place to start. 10/10 Bethany Cox