The Pretty One (2013)

It's kind tough to say that, unless you are talking about the beauty inside of course. Talking about deciding the pretty one in twins that is. In this case it seems to be important who is who. The main actress does a great job conveying two different characters and "playing" both parts sort of. The inciting incident happens quite early, so most of you will already know why it's going to be tough for one of them to live their life in the "shadow" of the other.

Being in someone else's shoes or just trying to imagine how that would be like is different. You might think that someone else's life is easy and great, but you never know until you experience it. Though if you do the deceiving factor might be that big, that there is no escape from that. Nice drama with good actors then

Fmovies: Not your average "rom-com". I respect that the director made an attempt to steer her image in a different direction. It was awkward at times, but thats not necessarily a bad thing considering Zoe Kazan acts it out well. If I could I would rate it 6.5, but I cannot and I thought that it deserved more credit than a 6. I am personally in love with Kazan so maybe I am being lenient on the movie, but come on how can you not love Ruby Sparks Overall the movie could be a bit weird at times and the concept is hard to wrap your mind around considering she is impersonating her dead sister, but if you don't fall in love with Kazan and Johnson than you should probably go back to watching your Nicolas Sparks films.

Well as I twin myself I feel emotionally attached to this movie. For the parent figure not to figure out that it was Loral just because of the haircut and necklace was shocking to me.(Even with the amnesia!) My Mom would of known in an instance because of how different we are. I'm more 'Smh, whatever' and she's more like 'DO this do that-ahhh' so yeah. Another problem I had was how she wanted to steal her sister's life. It was cruel but I guess we all do things like that. I really liked how she found her self and figured herself out. Also later on grieving. I feel like the beginning would of been more of an Audrey than Loral thin to do and that the guy love interest was a perfect fit for Loral. The Charles character was a little unbelievable but otherwise this movie was 'ight. Okay. SMH.... I just can't get into these type of movies but overall it was okay and a way to move on with the night... I also think the accident should of happened later on so that we could of seen how Loral had to change to become her.... that's it I guess.

The Pretty One fmovies. Zoe Kazan is the most underrated actress for a long time now. Just because she looks like the girl next door and very down to earth, most critics overlook her. She is in the same league and predicament as Jessica Chastain.

The Pretty One is a pleasant indie "dramedy" cooked with the habitual ingredients from the genre: a simple screenplay, but not lacking of some deepness; funny characters who are too picturesque to exist in the real world; and a narrative sensibility which cunningly occupies the intersection between art-house cinema and the commercial one. That description might sound a bit cynical, but it doesn't darken my appreciation for the various pros of The Pretty One, which I liked pretty much despite some forced details from the screenplay and its kinda cloying manufacture. To start with, the performances from Zoe Kazan and Jake Johnson are very good. I always like those actors' work, even though they tend to play the same character over and over again (Kazan, adorable "Phoebe", and Johnson, adorable loser). But, as long as they keep bringing such good works in those roles, I will keep enjoying their performances. Kazan and Johnson have a perfect chemistry with each other, something which helps to cover some weak details from the screenplay. For example, the premise feels occasionally improbable, even though it's raised with enough logic in order to accept it for the sake of entertainment. After all, The Pretty One doesn't aspire to the raw realism from Hesher or Smashed (to put a pair of indie examples), but it occupies the idealized universe from films such as In Your Eyes and Juno, where the characters are sublimations of narrative archetypes, and the dialogs are impossibly eloquent and colorful. But the artifice works because the emotions feel real, and because of that, The Pretty One survives some not very credible coincidences, forced revelations and moments of a doubtful humor. Besides, in order to season the recipe a little bit, screenwriter Jeneé LaMarque (who was also the director) makes sporadic explorations to the meaning of identity, and its narrow (and sometimes contradictory) relationship with our public perception. Is it more important to know who we are, or who the people think we are? That's an interesting concept which brings a slight philosophical basis to the film. In conclusion, I recommend The Pretty One with confidence, because despite not being something great, it kept me very entertained, it made me think a bit and, for the first time in a long while, I was genuinely interested in the romantic aspect.

Zoe Kazan and Jake Johnson are stunning in this film!

A quirky gem in the vein of Safety Not Guaranteed, Ruby Sparks, Drinking Buddies, Enough Said and The Spectacular Now. Although the storyline may be a bit out there, it is very believable and enjoyable.

There are some poignant moments that are beautifully portrayed and you can relate to many of the characters in some way.

The Perfect One is worth the watch.

p.s. I loved the wardrobe they used in this film, think Girls meets Pretty Little Liars. I was upset there weren't more special features on the DVD!