The Last Kiss (2001)

While you could argue that this movie is filled with clichés, let's be real and even if it doesn't apply to yourself admit to ourselves that things like this happen. And the way the actors portray their roles is just incredible. There is not much in the romantic department here, that might feel "right" to those who want a rather smooth movie, without any edges.

But if you want "reality" and people going with instinct (and doing a lot of wrong things), this drama delivers fully. It's tough to really root for the characters, but that's not the point here. And it's not a blueprint on how to do things. But maybe you can learn a thing or two from the mistakes being made here and try to work things out without stepping out on your relationship. So maybe there is something useful there after all ... But that's up to you to decide.

Fmovies: "Last Kiss (L'ultimo Bacio)" is a rollicking, sped up, very Italian version of "Four Weddings and a Funeral," though here it's two weddings, a funeral, a couple of affairs and a separation.

This is a very contemporary take on Northern Italian upper middle class society in modern apartments and houses and lots and lots of mobile phones. The casting is marvelous, as each character is made distinct by each actor's appearance and the character's foible and romantic situation within a large ensemble of four almost-30 friends from college, their significant others, and a set of parents and their friends.

The music is coordinated briskly with the zooming editing and I'm sure if I knew Italian pop music would be commenting on each character's taste. Ironically, the characters who seem languid and peaceful at the beginning, of course by the end are running around yelling when everyone else has calmed down.

The subtitles are in yellow, though still difficult to read, but barely communicate the characters' conversations; they speak at breakneck pace and can't possibly just say what's written, which was confirmed by my Italian friend (she also said that the written language is considerably cleaned-up, even with the subtitles including the occasional assh*le and f*ck -- that the insults are considerably more biologically descriptive). If Hollywood makes a version, there will be some cleaning up of the characters' actions (particularly as regards an "American Beauty"-like obsession, as the audience I was with gasped a few times at how far sympathetic characters went and then lied about it. Unusual for such a "When will you grow up?" movie, we also see the impact of impending grandparenthood. But extremely rare for an Italian movie (and for Italian society, says my friend) this showed what's good for the goose can be good for the gander.

(originally written 9/2/2002)

The generation of 30-year-old is under study in Italy nowadays. Between jobs, high rents, low salaries, prefer stay with their parents and not getting married. But they also give the impression they reject responsibility and adult life (fancy the French film "Tanguy" was drawn from an Italian law case!). Check out "I laureati" by Leonardo Pieraccioni to find a film with a similar subject.

But there is not only the 30-year-old crisis, there is also a 50-year-old crisis shown in the film. Which enlarges the focus of the picture to love life and commitment in general. Love is shown in its "mortality". It ends. Family life is disappointing and suffocating, for the 30-year-old just as for the 50. The temptation of escaping is great.

But it may be too late. Or you don't have courage enough. Or it is not really what you want. Then staying at home and resigning oneself seems to be the next best thing, but the only available one. Is this happiness? I don't know. Someone may be satisfied with the "happy end" where every thing is put together, but I personally retained a feeling of uncomfortableness. Pay attention to the very last moments of the film. The "we reap as we sow" message.

Actors: I loved Stefania Sandrelli, courageous and ironic enough to let the director film her CLOSE and show all the wrinkles, the years that have passed by. She is credible and expressive. I also love Sergio Castellito, always great. Martina Stella is very "fresh" and also credible in her role. What I really could not stand are Stefano Accorsi and Giovanna Mezzogiorno!!! I don't know if it is a personal dislike, for Accorsi it may be since I hate him in almost all the films he makes, instead I liked Giovanna Mezzogiorno very much in "La finestra di fronte". But the way they acted here, always panting, this jarring repetition of "huh-huh-huh". I've read comments here wondering if this behavior is "normal". No, in my (Italian) opinion it sounds fake.

In conclusion, I advise you not to watch this film if you are planning your wedding.

The Last Kiss fmovies. This is simply beautiful. Director Muccino give us a deep look into parenthood, age and other things. In one side is Carlo, played beautifully by Stefano Accorsi, and his friends. In the opposite side are the women, the mother (excellent characterization by Stefania Sandrelli) of Giulia another excellent performance by this actress that honestly I can't recall her name. They are going to have a baby. And that is very important for a mother and a father but a little incident with some schoolgirl could throw all away. Couldn't be possible?. And there is more, Carlo's friends are going to leave their girls even that one hasn't got a girl. They are going (by boat) to the end of the world. The deepness is awesome. That could be all. All the character's RELATIONSHIP are going down. Director is better than Cantet (Human Ressources) in exploring those things. And sometimes he takes that relationship to a limit beyond the imaginable. The setting is good, the music and the casting are superb and to conclude this is a movie about taking responsibility at the age of 30.

My rating of course due to all those facts is 10 or maybe 40 out of 10.

Good for Gabrielle Muccino, who wrote and directed this film!. A very good film. The user comment I read in this board mentioned whether or not to take seriously the italian's temper or if the outbursts were meant to make people laugh. The answer (from my South-American Latin perspective) is...of course they were serious and very real!. We don't usually "hide" our feelings. If we feel angry, we show it! If we feel great, we show! When we laugh, we laugh out loud! When we love, we do it with passion! The film is very good. Martina Stella (the 18-yr old high school girl who falls in love with the 29-yr Marco) in her featured debut is very good, and simply delightful to watch, since she is actually very pretty and sexy.

I saw this film on DVD in the same session along with "Bella Martha" (also written/directed by a woman, Sandra Nettelbeck, check it out). Even when the latter is superior, "L'ultimo baccio" (Italian for "The Last Kiss") is nevertheless a very good film. This film mixes a first-rate modern cinematography with what used to be called "Italian realism" of the 50s and 60s. The mix is great and works fine.

I have seen this movie yesterday and I was really shaken by it - it is a very nicely made movie with nice pictures, lovely actors/actresses and surroundings. The key fact is that the content is really realistic and it is a movie where you will find your own past or future concerning "modern" relationships, because nearly everybody has gone trough the same experiences in one way or the other. This is what i find so amazing about this movie. He was able to draw pictures of emotions/situations and all people who watches the movie have the feeling that their own story has been told. Young girl being "used" as escape by a slightly older guy - Problems in a relationship because of pregnancy and the fear that life will alter significantly - problems in relationship because a young mother struggles more with baby than take care of anything else , or just being 50 and looking back on the past, realizing that love has gone -