The Freshman Poster

The Freshman (1990)

Comedy  
Rayting:   6.5/10 18.9K votes
Country: USA
Language: English | Italian
Release date: 18 January 1991

An N.Y.C. film school student accepts a job with a local mobster who resembles a famous cinema godfather and who takes the young man under his wing, after demanding total loyalty.

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ajohns1 16 November 2002

This movie is really cool I like all of the caracters. Matthew Broderic is good as the movie colege kid and best of all Marlon Brando who gives a great performance as the godfather practically Bruno kirby is good as his nephew who at the beginning steels kellog's bag it's especially funny when the commodo dragon runs loose in the mall and it's funny at the beginning when kelleg meets Brando for the first to when he's about to tell him his resemblance to the godfather the whole movie's just hillarious and it's like the godfather of the as apposed to the people in Sicely and the godfather music and it's all set in the 50s but this one's set in the 90s in New York were people everyday can get robed at any time. It's kind of the same as the godfather the scene when (Brando) is going on to the street to get fruit accept he's not about to be shot. If your a fan of the Godfather you'll love this movie. 10/10

kbrai 4 April 2007

Fmovies: Happened to see THE FRESHMAN over the weekend for the umpteenth time. It is one of Brando's all time greats and proves once and for all that the man (Brando) was capable of everything. This is a comedy, a movie which has you in splits.

for those of you who have not seen this film, it released in 1990 and the plot is as follows: Mathew Broderick comes to new york and joins a film school as a freshman. within 21 minutes of him landing in new york he is robbed of everything by a delightful Bruno Kirby (the young clemenza in godfather 2). Well Broderick happens to see Kirby a couple of days later and confronts him. Kirby tells him that he will make up for the pain he has caused Broderick and takes him to meet his uncle - Carmine Sabitini (marlon brando).

You all will be asking what is so interesting about this. Well here goes, Carmine Sabitinis is the man on whom DON VIT CORLEONE is based one. Brando is spoofing his most famous role ( according to American FILM Institute the greatest character of all time). The film is full of godfather jokes and is downright clever and hilarious. Brando and Broderick jam well with each other. There is a scene where brando ice skates and it is like god ice skating.

what is remarkable about this film is that one of the all time classics is being spoofed, the chances of it being horrible are huge as the bulls eye is small and very far, but brando and the director hit it smack in the middle.

one of my favourite films with a classic one liner from brando - when he visits brodrick in the college hostel - if this is college, i dint miss much.

for those who have not seen it, catch it, its an intelligent comedy.

fadeout 22 June 1999

A small, delightful film, which let's Brando playfully deconstruct his Vito Corleone. Full of laughs and surprises, it accomplishes its goal of being a small, funny coming of age story as admirably as Godfather accomplishes its grander goals. The coincidences build on each other as in a Pynchon novel. And the scattered references to the Curious George books turn out to have a funny payoff as well.

lee_eisenberg 20 May 2006

The Freshman fmovies. In "The Freshman", Marlon Brando gets to spoof his most famous role as godfather Carmine "Jimmy the Toucan" Sabatini, who hires college freshman Clark Kellogg (Matthew Broderick) to start running errands. The movie's a great romp every step of the way, avoiding cheap gags in favor of a more complex plot. Every cast member gets time to develop his/her character, with a really neat conclusion. This is definitely one comedy that will not sleep with the fishes. Also starring Bruno Kirby, Penelope Ann Miller, Frank Whaley, B.D. Wong, Maximilian Schell and Bert Parks.

And the Mona Lisa...now THAT's a Da Vinci Code!

bjdogg 13 November 2000

This is one of my favorite movies, one I can watch and enjoy on repeated viewing. All the actors really bought into the tone of the movie, which tells me that the director had a clear vision and was able to communicate it to the cast. Brando is brilliant, as usual, and I find his performance to be highly entertaining in that he spoofed his Godfather persona so effectively. I always enjoy seeing (and hearing--love his voice) Bruno Kirby, and I especially like that he was cast in a movie about the Godfather, given the fact that he had played the young Clemenza in the Godfather II. Penelope Miller also played her part well--I especially liked her character's behavior toward Matthew Broderick's character as she assumed he was going to marry her and be part of the family. Her exasperation with Broderick ("This isn't the Clark I know") was great.

Then there's Matthew Broderick. This is the last movie he made that I truly enjoyed. He is absolutely perfect in this part. His part calls for him to portray his earnest and trusting personality, his loyalty to Brando's character and to the job he agreed to perform, his growing fondness and respect for Brando's character, and his confusion about perhaps having given his respect to such a disreputable character. Broderick carries off all these aspects of his role, yet shows the strength of character to be able to help solve all his problems by the movie's end.

Or, he could have ended up as Rodolfo Lasparri of Palermo, Sicily.

laursene 27 December 2004

Word has it that Brando wasn't happy with the movie, but it's hard to see why. Bergman's ham-fisted humor hits the mark a lot more of the time than usual, the ensemble cast is fine (Matthew Broderick is always best in these kinds of settings, at least when it comes to movies), and the one major anachronistic gaffe (no mafia boss would have a photo of Mussolini in a place of honor on the wall - he locked 'em up and they hated him) is harmless in context.

But Brando is what makes the movie special: like a sprinkling of something heavenly on an otherwise earthbound enterprise. He's done far more brilliant work elsewhere, of course, but I can't think of another movie that caught just what a uniquely odd presence he was.

I'll say it again: As graceful and charming a performance as he ever gave. RIP, big man.

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