The Brother from Another Planet Poster

The Brother from Another Planet (1984)

Comedy  
Rayting:   6.8/10 5.5K votes
Country: USA
Language: English | Spanish
Release date: 8 November 1984

A mute alien with the appearance of a black human is chased by outer space bounty hunters through the streets of Harlem.

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User Reviews

TheMrLee 23 November 1998

Considering Sayles shot this as a pick-up piece to give himself something to do while waiting for financing of "Matewan," this is a remarkable film. It doesn't have the production values or amazingly well-crafted writing I've come to expect from Sayles, but it is still interesting and amusing.

BA_Harrison 10 April 2013

Fmovies: A mute, three-toed, super-sensory humanoid (a fine performance from Joe Morton) arrives on Earth, appropriately landing near Ellis Island and taking up residence in Harlem, where his African American appearance helps him to blend in with the locals. The inquisitive alien sets about exploring his strange new environment, absorbing the unique sights and sounds of '80s New York with the help of his otherworldly sense of touch and his removable eyeball, but his journey of discovery is interrupted when he finds himself being hunted by two mysterious men in black...

Although writer/director/star John Sayles' strongly suggests that Morton's character is an escaped slave and makes references to class divide, racism and America's history of slavery, he ensures that The Brother From Another Planet doesn't ram a moralistic or political message down the viewer's throat, focusing instead on examining the human condition though the use of interesting characters, quirky dialogue and intriguing situations. The film is all the better for it—a somewhat bizarre but fun sci-fi adventure on the surface, but one that can be dissected, examined and discussed on a deeper level if so desired.

ccthemovieman-1 17 February 2008

Can you say "different?" Have often do you see a movie in which the lead character never utters one word?

That's the case here, a unique story of an alien who crashes near Harlem, a famous black neighborhood in New York City. The alien is a black man, so he fits in despite not being able to speak! He's just looked upon as another "brother," as the title indicates.

Two aliens come after him - white guys, naturally. In the Liberal world of films, white people are bad and black people are good 99 percent of the time.....at least when there is a contrast between the two. Writer-director John Sayles is a prime example of this type of racist thinking. But he wrote a fun film here, I have to give him that.

Even though some of the scenes make absolutely no sense, it's an entertaining movie start- to-finish. Joe Morton plays the sympathetic alien with three toes and strange nails. You have to root for him because he's portrayed as such an innocent, harmless creature.

The best part of the film is the humor, some subtle, some not-so-subtle. The guys in the neighborhood bar where the alien hangs out brought the biggest laughs.

I find this a lot of fun to watch every three or four years.

gam3 13 June 2000

The Brother from Another Planet fmovies. The only Science fiction movie that is better than this is ``The Day the Earth Stood Still''. This is just a great movie. This is a thinking mans movie. If you want Star Wars this is not for you. As with all the best Science Fiction this is a movie about human kind in the present and not alien life-forms in some distant future.

TuesdayNight 5 December 2003

I love this film! Lots of laughs, lots of humanity. It's awesome that such an unknown cast can deliver such a great performance. The guys in the bar are hysterical. Every scene is a gem, but the card trick on the subway is one of my all time favorites. Go rent this movie today. 10 out of 10.

k4man123 18 February 2007

What I love about Sayles is that he never forgets that first and foremost, movies should tell stories.

This one is a real gem in the rough. It has the irreverence and SciFi conventions of Barry Sonnenfeld's MIB but with social commentary instead of a budget. Also, instead of merely clever comments on NYC life, Sayles shows his characteristic political side by highlighting little tableaux of real life. Slipping in the Harriet Tubman subplot was pure Sayles.

I especially loved his usage of music and the chemistry of the barroom regulars. That fight with the MIB was a hoot! Sayles, a Corman vet, knows that special effects shouldn't be used for the sake of having them.

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