The Barbarian Invasions (2003)

After reading all the comments I will not comment on the directors career or the failure of the Canadian health sytem. Instead I would like to point out that US viewers probably didn't enjoy the film as much since they don't have a failing health system, communists, many unions or as big a number of left leaning professors as other countries.

The film is a lot about this generation that went through the sexual revolution and their quirky (to us) leftist ideals and a greatly intelectualized generation. My parents generation and the one before it are full of "characters" just like Remy the dying father of the film. Most of them still hold on to their principles and ideals just like Remy.

The film contrasts the different generations, the apathetic junkie to the dying professor, the warm blooded and lusty veterans to the son's cold and practical fiancee. The anguish of loss vs commemorating a life well lived. Parents that feel they weren't present enough and a Son that barely knew his father.

I heartily recommend this film... 9/10

Fmovies: I read a lot of comments about the performance of the son in the movie, it's even more impressive when you know that the guy who played the son (Stephane Rousseau) is a stand up comic, whose only previous experience as an actor was in very bad, low budget comedy (Les dangereux).

I also read a lot of comments, from people from other countries, wondering if the Canadian health care is that bad? Well I'm from Quebec and if I had seen this movie last year I would have thought that it was a bit exaggerated but I saw it last night, after I had to go to the emergency last June for heart problems and when I saw the scenes in the hospital's corridor, I just relived what I experienced back then. I spent 4 days parked in a corridor, trying to sleep with lights on 24 hours a day, people working, circulating and nurses or doctors examining me in front of everybody. Believe me it's that bad!!

By the way it's a great movie, subtitles doesn't do it justice.

Arcand's multilayered 'Les Invasions Barbares' is a poignant comedy satire. The multiple sides of the film include:

The political side: a criticism of capitalism and socialism.

The human/social side: A dysfunctional family reunite and are confronted with their sour relationships.

The philosophical/personal side: A dying man looking back at his life thinking what a waste it was and now he searches for meaning as he lies on his deathbed.

The psychological side: denial, regret, guilt, acceptance and forgiveness.

The ethical side: Pumping a dying man with heroine because it's more effective than morphine

Arcands infusion of these layers is commendable and he's handled some complex themes with grace. No matter how complex things get, he always manages to amuse the viewer with dry and satirical humour. While the story is engaging, the colourful characters keep the viewer entertained with their presence. The darker tones brings out a gloomy effect which contrasts well with the humour. The director has extracted some fine performances from his actors especially Rémy Girard, Stéphane Rousseau and Marie-Josée Croze.

While many of the characters are (suitably) loud, there's a lot of subtle layers within the dialogue and/or background. 'Les Invasions Barbares' is a well-written and well crafted movie. While it deals with poignant themes it keeps the viewer equally amused.

The Barbarian Invasions fmovies. I come from Quebec and just wanted to clarify some things.

• I cannot believe some people can give a rating below 5 for this movie. Were you looking for a Vin Diesel movie? This is a movie about real life, about human relationships. Its purpose is not entertainment, but reflexion. This is when a movie is considered art.

• Quebecers are not French. I'm speaking for myself but my ancestor came here in Quebec in the 17th century from France. We do speak french, though (more than 7 million of us). Are Americans British?

• The Chinese "woman" named before the movie is Arcand's adopted daughter.

• Yes the health care is that bad here. But then again where is it perfect? The population is growing old, hospitals are overcrowded, our government spends most of our tax money for it and its still not enough. But at least we don't have to pay for health care. I'm happy to pay taxes that help elders and sick people get treated.

I didn't think this is a masterpiece, but it's the kind of movie that stays in your mind for a couple of days and makes you think about where we were 40 years ago, where we are now and where we are going in the future. This is certainly one of Arcand's best movies with Jesus of Montreal and Le declin... He is an actor director and it shows. He deserved that Oscar if not for this movie for one of those 3 movies.

In Montreal, Rémy (Remy Girard) is an atheistic professor of history and lover of women, who has a terminal disease. His wife calls their son, Sébastien (Stéphane Rousseau) to come from London, where he works as a successful investor. Sébastien arrives in Montreal with his mate, and using his money and corruption, he improves the condition of his father in a public Canadian hospital. He gathers his father's friends around him, and they stay together until the death of Rémy. This low budget movie is a touching story about friendship and farewell to life, alternating drama with acid dialogs about religion, history, life, political system, literature and many other themes. The cast has a great performance, flowing the story in a very natural way. At least twice, the characters say that they are not in the Third World, and I certainly agree with that. But I was really surprised and impressed with the way subjects like corruption, Canadian public heath system, labor union, ministerial of exterior, bureaucracy, police, drug dealers etc. are presented in this film. If what this movie shows is reality, then they are in the right way to join the club... My vote is nine.

Title (Brazil): ` As Invasões Bárbaras' (`The Barbarians Invasion')

This is a smart, charming and intelligent film about dealing with loss, love and ageing. On several deeper layers, the characters meditate on the socialist health system in Canada, mortality, their explorations of sexual relationships and the freedom and restraints that come with maturity.

This film effortlessly presents us with characters struggling to live in a system which aims to meet our personal needs but exists to serve capitalist benefits. It demonstrates the uncertainty of life circumstances and mortality. The son's transformation from corporate power-driven lifestyle into a battle against preserving his father's memory and dignity are heartfelt captured are genuine and sincere. The role of the faithful and courageous nurse is compassionately portrayed while indicting the system in which the patients struggle to maintain power of their lives. As a nurse myself, I found it tremendously affecting and a poem to the ideals impart to our patients who have been let down in some way either by the system or in their own personal relationships.

Superbly written, one may accuse the film of being to preachy or pretentiously highbrow for these complex characters. But I actually found it terribly poetic and concise, ranging the vast life experiences of the characters and their skepticism and maturity. At times, the dialogue flows like poetry, holding no preconceptions or vanities about these people, but displaying their desperation at the state of a socialist society their has providing them with an abundance of great literary wealth but failing to meet their basic human needs.

Sophisticated, smart, thought-provoking, tender, and mature, films like this are extremely seldom nowadays. Audience can only too shockingly relate with such vividness and irony to the themes; and we are never played for fools, confronting these issues as if it were a close friend divulging personal secrets over a coffee. Films like this truly show us that life is not for granted and serve to remind us what human qualities we deserve from each other and expect from ourselves.