The Bachelor and the Bobby-Soxer (1947)

I loved this movie but of course, I love anything Cary is in. I thought this movie was a great screwball comedy and just seeing Cary in that wild races(ex.egg race) He is just such a funny man. * I love the dimple in his chin* This is a delightful comedy about a boy-crazy teen played by Shirley who sets her sights on Cary. Who wouldn't? She hides in his apt. and suprises him. Meanwhile, Myrna finds Shirley missing and goes up to Cary's apartment, finds them together, and he is arrested. Well, he punched the DA, so that might account towards it. Then he is sentenced to be her date till she gets tired of him. If I told you anymore it would ruin the movie. Just watch it if you can. It is a treat. I love the dinner scene when everyone leaves Cary alone!

Fmovies: "The Bachelor and the Bobby Soxer" offered Cary Grant a plum comedy role, which he obviously relished with glee. It got him cast as a smart artist playboy paired with no nonsense judge Myrna Loy, whose younger sister, Shirley Temple, has some growing up pains to work through. This trio, assisted by Ray Collins, Harry Davenport, and Rudy Vallee in a very funny turn, work together for some good laughs, thanks to a clever original script by Sidney Sheldon. A sequence at a park picnic is hilarious. A nice little comedy, representative of the post-WWII period as folks were looking for light entertainment and approaching the 50s with bright anticipation.

This film is one of the most copied in the history of Hollywood, I claim. I find it is clever without being profound, its characters are unusually believable and well-developed; and it is a light-hearted look from beginning to end at a very interesting plot question--the precocity of young people who lack categorizing definitions, life-experience and therefore the context to make prioritized value decisions; in a word, it's about the problems adults have with children who want to act as grown ups without having the means to do so successfully. The central character of this film is a successful bachelor named Richard Nugent. Through no fault of his own, the artist ends up in court before Judge Margaret Turner who recognizes his innocence but warns him not to appear before her again on a similar charge, caused by a lady in a night club.,. The situation then become complicated by Nugent's appearance before a high-school class as speaker, an event at which Margaret's daughter falls in love with him despite or because of the difference in their ages. Margaret enlists his help when a casual put-off remark results in the daughter's showing up at Nugent's apartment to be painted. Her idea is to have him continue to see Susan, in the hopes the daughter will realize she belongs with someone nearer her own age. The result is merriment that takes many forms, including physical contests at a picnic where Nugent finds himself the rival of Margaret's boyfriend while trying to lose for Susan's sake; a basketball game where he must champion her erstwhile beau from the bleachers; and family occasions where the dialogue turns frequently hilarious. The best thing about this screwball comedy, to me as a writer, is the gradual development of relationships it allows the audience to share. Fundamentally, the film concerns five persons--Nugent, played with charm by Cary Grant, intelligent Myrna Loy as Margaret, pretty Shirley Temple as a fast-growing Susan, her daughter, Rudy Vallee as Grant's rival, prefiguring his stuffy role in "How to Succeed in Business" and other comedies, and Lillian Randolph as long-suffering Bessie, the family's maid and confidant-adviser. The happy ending achieved for all in this story-line is the result of the common sense shown by Loy and Grant; the 'screwball' aspect which is not a genre, but rather a way-of-handling social-mores comedy, is here made to serve a plot that involves several hard-working normative people in a situation that should never have happened but has in fact happened. The production values of this bright comedy are far-above-average I suggest in every respect. Leigh Harline's music is understated and very useful, and the cinematography by Robert de Grasse and Nichloas Musuraca is high-contrast B/W and very good in a number of types of scenes. Director Irving Reis and writer Sidney Sheldon keep the film's pace and style very swift and consistent. Art Direction by Carroll Clark and Albert S. D'Agostino and the set decorations by James Altwies and Darrell Silvera add to the elegance and fun of the production. Edward Stevenson provided the gowns. Among the cast, Cary Grant is very-well cast it seems to me as the suave, womanizing and genial Nugent; he also portrays exasperation very nicely, and his reading of comedic one-liners is one of his best professional strengths. Myrna Loy suggests her sensuous side so well that she fits perfectly the stuffy role of a judge who is decidedly unstuffy. Her confidant in the film other than Randolph is Ray Colli

The Bachelor and the Bobby-Soxer fmovies. Like most romantic comedies, the premise of THE BACHELOR & THE BOBBY-SOXER really isn't on the firmest of grounds (though why watch a film if you want full-blown reality?). Myrna Loy plays serious-minded Judge Margaret Turner, who always pays strict attention to the facts in every situation (personal or professional). She has guardianship of her younger sister Susan (Shirley Temple), a hormonal young girl who develops an instant crush on a roguish art lecturer Richard Nugent (Cary Grant) when he gives a lecture at her school. In order to help her get over this crush, Margaret--urged by her uncle Matt (Ray Collins)--gently blackmails Richard into being Susan's beau until the crush wears off. What ensues is a delightful comedy of errors as Richard squires Susan around town, while struggling to deal with an assistant district attorney (the suitably uptight Rudy Vallee) and Susan's own ex-boyfriend Jerry (Johnny Sands) as he falls in love with Margaret (and vice versa).

It really does seem almost impossible for a film to get any cuter or more feel-good than THE BACHELOR & THE BOBBY-SOXER. First of all, much of the comedy is fantastic--from Susan's starry-eyed image of 'Dickie' as a (literal!) knight in shining armour, through to her attempt to pass herself off as both Dick's mother and Margaret's sister when trying to help Dick escape from jail. The dining scene at the club is brilliant fun, especially as more and more people arrive at the table to disrupt Dick and Margaret's privacy. Watch Cary Grant's reactions in this scene--truly a fantastic comedic performance that has, thankfully, been captured on film to the great benefit of future generations. ;) You just can't help laughing throughout the film--at Susan's misguided passion for Dick, Dick's helpless bewilderment when he gets landed in jail for nothing he can remember, the attempts at matchmaking Uncle Matt subtly tries to pull off etc.

Secondly, the cast itself is excellent. There is no better (or more under-rated) comic actor than Cary Grant, and he lends his considerable talent and boundless charm to the character without reservation. It's always the little throwaway touches that count with Grant's performances, tiny things that make him appear so natural on the screen, and his Dick Nugent is remarkably true to life. I especially love it when Dick trades his car in and turns up his trouser cuffs to act 'young' around the Turners. ("You remind me of a man...") Myrna Loy is delightful as well, though woefully under-used. It's not hard to believe her as a fully professional, modern woman (surely female judges must have been very rare at the time?); nor is it difficult to believe that the judge might have a sweeter, human side. (Though who wouldn't be convincing when asked to fall in love with Cary Grant?) It's a shame that there aren't more love scenes between Grant and Loy, as they doubtlessly have great chemistry together. As for Shirley Temple--there is just no denying how cute she is, and how well she plays the role of the flighty, passionate Susan. It's not an easy role to play, given how the character as written is really rather annoying. Temple makes Susan sweeter and more tolerable, and she definitely holds her own in the company of Grant and Loy.

The only problem with the film, given its great cast and very funny script, is that the 'comedic' element triumphs at the expense of the 'romantic'. There aren't half as many sc

With three appealing stars and a silly but interesting story, this is an enjoyable light comedy that moves at a good pace and makes you feel at home with its offbeat characters. Cary Grant, Myrna Loy, and Shirley Temple all get plenty to work with, as each of their characters is pretty well-suited to their talents. They make their characters believably flawed and engaging at the same time.

The story makes it clear early on that it should not be taken too seriously, yet it is told well enough that it is easy to set aside any plausibility issues. The early misadventures set up the amusing arrangement that the judge (Loy) agrees to, in the hopes of keeping the others out of trouble, and this in turn sets up a new series of outlandish events. Harry Davenport and Ray Collins head up a pretty good supporting cast, and the situation builds pretty well, leading up to a complicated, entertaining set of tangle-ups.

While there is nothing remarkable about it, "The Bachelor and the Bobby-Soxer" is the kind of pleasant silliness that takes the right touch to make it work. It makes for an enjoyable way to spend an hour and a half.

This is pure, innocent fun. If you're not too jaded by modern life, this film will tickle you. Cary Grant is in fine comic form, as are the rest of the cast.

The thing that really got me, the first time I saw this film, was how gorgeous Shirley Temple was as a young woman. I was only used to seeing her as a little girl in her early movies, but wow, she grew up quite well. Very easy on the eyes. I felt the same way about her when I saw Fort Apache. Fact is, if I was 17 in 1947, they'd have to use fire hoses to keep me away from her. Oh, that little button nose....

The cast comes together well and keeps your interest all the way through. One of those early comedies that doesn't require harsh language, nudity, or gross-out jokes to get its laughs.

This is a movie that I can always enjoy every time it shows up on TV. Great performances by all.

"Mellow greetings, Yookie-Dookie!" (You'll understand why that is funny if you see the movie.)