Tamara Drewe (2010)

TAMARA DREWE already had a following from her appearance in the best selling graphic novel by the same name by Posy Simmonds, an so it was probably not too difficult for the talented Stephen Frears to direct a pitch perfect cast to bring the delightful story to the screen. Filled to the brim with excellent actors this strange little story has many levels of meaning, but the main story is very well served.

Tamara Drewe (Gemma Arterton) was historically a face to forget in the town of Ewedon, but she leaves for the city and plastic surgery and returns with a new nose and facelift that makes her as attractive as any lass in the town. She plays on the talents of married highly successful crime novelist Nicholas (Roger Allam) to polish her writing skills - the cost is an affair that leaves Nicholas ready to divorce his perfect wife (Tamsin Grieg). She also attracts the interest of her childhood solid friend Andy (Luke Evans) and the rather superficial and silly rock star Ben (Dominic Cooper) and eventually, with the running of interference by two loathsome little girls (Charlotte Christie and Jessica Barden), and it all turns out with many surprises! It is a dissection of relationships a la Thomas Hardy and Frears know how to make it all work very well.

It is always a pleasure to be in the company of fine British actors in a lovely English countryside setting and this is no exception. Everyone in the cast is excellent - and it continues to be a pleasure to watch the very talented Dominic Cooper grow in the challenging roles he assumes. There are many reasons to enjoy this film, and among them is the sheer craftsmanship of the British cinema.

Grady Harp

Fmovies: British comedy is a strange creature. There are films that are satirical, such as In the Loop, satirical, like Four Lions, to intelligence and dialogue driven, Withnail and I, and films that aim for low key charm, Calendar Girls. Sometimes a film may try and made a number of these features, like the work of Edgar Wright. Based on a graphic novel by Posy Simmonds, Tamara Drewe hits our screens, with Gemma Arterton's profile continuing to increase.

The village of Ewedown has become a writers retreat, a place for writers to relax, work and chew the fat. Crime novelist Nicholas Hardiment (Roger Allam) and wife Beth (Tasmin Greig) run the place, with an American academic, Glen (Bill Camp (who sounds a lot like William Hurt)) struggling with his book on Thomas Hardy staying with them. In the village two schoolgirls, Jody (Jessica Barden) and Casey (Charlotte Christie) cause havoc and mayhem simply because they are bored. But the village is turned on its head when the attractive journalist Tamara Drewe (Arterton) returns home to sell her out house. She turns heads, including drummer Ben Sergeant (Dominic Cooper), her old frame Andy (Luke Evans) and Nicholas.

Writer Moira Buffini and director Stephen Frears make a film with drama and wit, and some moments of out right laughs. Frears was able to inject some style, like when characters speaking when there are on the phone. The humour of the film relies on number of areas, witty comments and observation, physical violence and visual gags. The schoolgirls offer a lot of comedy because many people can empathies with their situation: rural England is not the most exciting place to grow up as a teenager. Their mischief making and thrills about a star in their village compensates Barden lack of confidence as an actress. It is refreshing to characters that do look their age. Frears and Buffini aim to a make a charming comedy, but with more swearing; so trying to have their cake and eat. The two should have tried to make gone one way or the other. Strangely for a film called Tamara Drewe, there are long periods where she is not on the screen or mentioned. There are plots involving Nicholas wayward eyes and the budding relationship between Glen and Beth: walking the fine line of drama and comedy. Tamara Drewe goes from being pretty serious and hits you with a sudden joke and vice versa: working with effect. Tamara Drewe is very British beast, but Glen the American does offer an outsider view and will allow a non-British audience a point-of-view, with few British swears and slang words being used. There are some issues affecting rural England, like rich city flock buying houses and making villages too expensive to live in and boredom for young people: but it is hardly a political piece.

Whilst some of pacing is a little slow and the film ends up sidetracking at moments, there are strong performances from most of the cast. Atherton shows why she is a raising star, giving Tamara a quick, biting wit. Allam effectively plays a very slimy writer who takes advantage of his wife and he seems to have a nack for playing dislikeable characters (his previous roles have been in V for Vendetta and Speed Racer). Cooper and Evans work well against each other as love rivals for Tamara, with Cooper really understands the part of a pretentious indie musician. Greig too gives a good performance and given her background as a comic actress, she her character is for the most part serious, with moments of witty comments.

Tamara Drewe is more a gently comedy with small jokes and drama and

Ewedown is an idyllic, little English countryside village where writers retreat to seek inspiration, and peace and quiet. Or at least it was idyllic until Tamara Drewe returned home.

The stunningly beautiful Gemma Arterton plays Tamara Drewe. Her presence immediately sparks the interest of the local men, and the bored, local teenage girls who are looking for excitement to spice up their mundane town life. She is so sexy that she has her choice of affairs, but as usual, it's always the asshole who gets the girl. Just as it looks like Tamara is going to settle down with the rock and roll drummer Ben (Dominic Cooper) to interrupt the reserved lifestyle of the village, life gets complicated for everybody who wants something with Tamara.

"Tamara Drewe" is a comedy of affairs, complete with foul language, quirky characters and the irreverent British humour. Arterton sparkles as Tamara, but it's less about the characters and more about who will bed who and what will the consequences be? It sometimes seems to forget the age of its audience when it goes for the comedy of teenage girls getting into mischief, but it's also exactly what you would expect for an odd comedy about a group of writers and one hot girl.

Tamara Drewe fmovies. I remember the cartoon strip from the Guardian and the compelling story that made the Saturday paper a must buy each week that it ran. I had two worries going into the film: what happens if they change it and make it awful; and, I had imagined Tamara a little older than Gemma Arterton - maybe she was not right for the part. Film makers often disappoint (the "Time Travellers wife" is a case in point where an excellent story was ruined by someone not understanding the multiple viewpoints in the book).

Not sure if this was aimed at fat middle aged blokes - but it worked for me, my worries were groundless: the comedy and drama survived from the story (maybe Posy Simmonds should create more novels that can be filmed). The casting was excellent and Roger Allam gave a fantastic performance, Tamsin Greg was brilliant as usual and Gemma Arterton was a revelation in the lead role. The Drumming sequence with 'Ben' in the cottage was particularly brilliant. It was good with its 'loser' characters (and I thought, maybe they should have weekends to help civil servants write inspiring briefing for uninspiring Ministers)

I am amazed at the negative reviews on the site, I do not think that that the film tried to be more than it was and yes it was set in an idyllic English village - that was the point. Maybe these reviewers should be more careful at the multiplex and are more at home with rubbish like the "Expendibles". Not clear about the link to 'Cold Confort Farm' made by another reviewer this is clearly a different style of story about modern people in the modern countryside.

There was superb characterisation by a first rate cast in a subversive story that played with the stock characters that stories in English villages always have and made some real points about what is happening in these communities and about peoples lives and how selfish actions and jokey 'messing' can have big consequences in other people's lives.

Go and see this movie.

London columnist Tamara Drewe (Gemma Aterton) reappears in a small and isolated village in the English countryside. She wants to sell her parents' house and interview a rock star. Soon enough, three males fall for the young and very attractive woman : romance novelist and cheating husband Nicholas Hardiment (Roger Allam), rock star Ben Sargeant (Dominic Cooper) and past boyfriend Andy Cobb (Luke Evans). While her house is being renovated by Andy, Tamara writes her own novel and enjoys Ben's company. Little does she know that teenager Jody Long (Jessica Barden) is scheming to come closer to the rock star. In the course of a year, each character will find out that "The road to hell is paved with good intentions".

Don't expect an in-depth / social demonstration on city dwellers vs. villagers. This is a brilliant and funny comedy where each character's selfish motives and agenda are gradually exposed. "Writers are just thieves and liars" quotes Nicholas blissfully, more careful to please his paying guests than to pay attention to his devoted wife Beth (Tamsin Greig).

The actors are doing a fine job and there is a good chemistry between them. There are no dull moments since there are three main story lines : Tamara and Ben, her neighbors Nicholas and Beth, the mischievous teenagers. These two girls however tend to steal the show as they are so gross, unashamed and reckless !

A very, very good movie, no doubt. Everything, in particular, each man, woman, chicken, car, tear, cow and dog and meadow, each pop and tune is on the right place. Excellent dialogs, sparkling soundtrack, gorgeous photography, rich colors, fresh, witty and ebullient, perfectly balanced black and ... regular humor. The story is nicely knitted, a lot of grey matter must have been consumed for the dialogs. Some lines have got what it takes to become a "quote". I loved it! Found a few British stereotypes? So what? Troubles to follow the quick replies in the original English version? Cannot follow the subtitles while trying to translate the cream of the jokes? So what? Watch it again!! I will!