Smart People (2008)

Not for your average movie-goer, this one. Although the situation is teed up nicely for a typical feel-good ensemble gush-fest, it resists that temptation and takes you to a place where the characters are not, although they seem to need it, ready for rehab. It has an easy, rambling style that gradually rather than gratuitously opens their world to us without (for the most part) overly relying on hackneyed situations and gimmicks (although Quaid's insistence on keeping his wifes clothing was not one of them). In fact, the situations portrayed are so dark and lo- keyed that I wondered if this movie could have been made without the ready-made typecast qualities of Quaid, Haden-Church and Parker. ...Gritty Pittsburgh backdrop in a very real academic surrounding adds to the slice-of-life tone.

Fmovies: I've just seen this film and read a number of reviews about it. Many reviewers are referencing 'Little Miss Sunshine', 'The Family Stone', etc. But I left the theatre thinking of the wonderful, beautifully balanced and developed, fun film, 'The Accidental Tourist'--another film about an emotionally deadened, difficult man who is suffering from the loss of a loved one and is 'redeemed' through love. Talk about quirky families; the one in 'Tourist' puts most of the rest to shame. The difference perhaps in the quality of these films (Tourist very high, Smart People quite low, many others in the 'genre' somewhere inbetween) lies in that The Accidental Tourist was based on the highly crafted, moving novel of the same title by the gifted writer Anne Tyler. What stands out for me again and again as I work up my courage to attend recent releases is that the quality of screenplay writing in Hollywood and elsewhere is low, low, low. Rushed, pressured, unbaked--too many films being made too fast, with scripts that bore and confuse us with unconvincing plots and thin characters. This film, Smart People, could have been--with revision and review--a much better, more engaging, moving picture. The script simply wasn't ready for production; the story isn't there.

This movie was made before "Juno," but remained on the shelf. It is clear now why--- it's just not very good. Ellen Page's Oscar nomination, and her incredible performance in "Juno" got some studio to do some thinking. "Aha!" they probably thought,"Here's a way to cash in her new found fame, and unload this turkey." The studio peeps were, in fact very smart people. The movie, however, is rather dull and depressed.

It was interesting to hear Page's perky "smart alec" voice in a character she played before "Juno." It indicates that much of what she showed us in "Juno" was HER, and not mere dialogue or direction.

Alas, the characters in "Smart People," especially Dennis Quaid's, were scruffy dim-bulbs, and not very pleasant, not admirable, nor watchable.

Bottom line, this clunker had sat unreleased and in the warehouse for a reason. It's not pure rubbish, but it comes mighty close. Its release now is pure commercial opportunism. Avoid it if you can!

Smart People fmovies. I would recommend this film to my colleagues or maybe the students as well.

Being a college faculty member, I did enjoy watching this movie. The interpretation of academic life is exactly what it looks from an insider's point of view, except that I have not got a student's crush yet.

Unfortunately, the ending is nothing other than Hollywood. The abrupt character change of Dr. Wetherhold seems sort of unbelievable. I simply wish it could be a tiny bit smarter. Because of the ending, I gave a 9 out of 10. Remember, I am not a professor who gives an easy A.

I saw this movie today, the day after it opened here. And I was simply delighted. This is a fine story told with non-stop heart-tugging humor and verve. The movie captured my attention immediately, and held it from beginning to end.

The scriptwriter, Mark Jude Poirier, adapted his novel for the screen with extraordinary acumen. The ensemble of characters are just delightfully appealing. Their story is told here with humor and poignancy. Dennis Quaid as Laurence Wetherhold, Sarah Jessica Parker as Janet Hartigan, Thomas Haden Church as Chuck, Ellen Page as Vanessa, Ashton Holmes as James Â… all turn in wonderful performances in a perfectly matched cast.

To me the pace is perfect, and the dialog is crisp, compelling, almost flawless, with lots of funny lines.

For me, one of the most uplifting features of this movie is the way the whole ensemble of characters develops together. The strangeness of the characters as individuals, along with the convincing balance as (extended) family, reminds me of the ensemble in Running with Scissors. The quirky dysfunctionality and functionality of this family in combination are like nothing so much as the family in Running with Scissors. In any event, these are characters who together gain a renewed sense of hope Â… a hope that imbues this wounded band of characters with a sense of togetherness and vision that is to me very, very moving.

Another feature of this movie that I myself found especially appealing is the presence of such exquisitely composed visual scenes. These are of such delightfully crafted texture that in some ways this movie reminds me of the carefully composed scenes in Girl with a Pearl Earring and Atonement. The cinematography and beauty of scene after scene are just wonderful.

All in all, this is a fun, funny, moving portrait of a delightful band of characters. I highly recommend this movie to anyone.

I saw this at Sundance. It was even better than expected, and I had my hopes up going into it. The story is smart, funny and more complex than Juno. Don't get me wrong; I loved Juno. I guess I am saying that Smart People is on a parallel level of quality with it despite being more complex in terms of the characters and their relationships. If you loved Juno, think of Smart People as your next stepping stone upward. While Ellen Page is one of the stars here, it is important not to overlook the fact that two of the bona fide actors with solid track records -- Dennis Quaid and Thomas Haden Church -- are really the main attractions here. If you look at Quaid's film history, you will see a wide array of projects, ranging from Breaking Away and The Right Stuff to Far From Heaven and Traffic. He's not afraid to take risks as an actor, and his long career shows that he is able to withstand the ebbs and flows of an industry that is very fickle. He's the reason you should see this film.