Singles (1992)

This movie has almost convinced me that I am way too closed minded about mainstream movies.

I saw this mainly because of its 'grunge' soundtrack, composed by the brilliant Paul Westerberg.

What I saw was not a 'grunge' subculture movie, but rather a conventional romantic comedy, probably quite similar to many Hugh Grant and Julia Roberts movies, but I loved it! Sometimes you need a bit of sugar in a movie, in the same way you need to escape, or have your mind expanded.

I really enjoyed this movie, and I find it hard to believe that anyone can not find something to like about it. One of my favourites of all time!

Fmovies: This was a 90's version of all those high school films in the 80's some of us are old enough to remember.

We deliberately date the film and tap into the grunge era of Seattle. When done on purpose....it can be done very well. This was.

We see the baggy shorts and layered flannel on the guys, the leggings and quirky hats on the girls, and the disheveled hair on both. But funnily enough, this flick was in production BEFORE that scene took off. As a result what seemed like cashing in was actually foresight.

The relationships unfolding in the apartment complex were done realistically and the scenes involving the band will be enjoyed by anyone into that era's music. And Campbell Scott almost steals this film. His idea for the city was actually a good one.

And yes that is 3 members of Pearl Jam as Matt Dillons backup band. And see if you can spot Chris "Soundgarden" Cornell coming out to watch Matt show off his new car speakers.

So 90's. But very enjoyable.

Singles is a great film. I loved every minute of this film. Cameron Crowe has directed two films I consider essential viewing. Say Anything was the first and Singles is the second. The cast seemed like real people to me, and I loved all the performances. This film dealt with relationships in the 90's in a very realistic, funny and sometimes sad way. The soundtrack to this film is amazing. Great selection of tunes. This film has many moments you'll be quoting from for quite a long time. Great film.

Singles fmovies. Singles follows the dating lives of a bunch of apartment-block residents; set in grunge era Seattle- but you already knew that. This is not a 'great' film but it exudes a genuine warmth and will surely give you those feel good fuzzies.

What I liked most about the film was the way this eclectic mix of love stories came together so well. All the characters are extremely likeable (Campbell Scott's especially) and you get emotionally invested in them very soon.

This is the kind of film you can just kick back with on a rainy Saturday afternoon- you don't need to exert much mental energy to follow the rambling plot; just prepare to watch representations of very real relationships that you probably will be able to relate to on some level.

Having lived in Seattle during the years of my life most of the characters are in this movie, I was able to relate to this movie. Anyone who has lived in an apartment complex where people have dated and known a bit too much about each other can appreciate this film. The cameo appearances of members of pearl jam and xavier mcdaniel were a great touch.

The viewer is left with what I could call a warm feeling much like watching the sun set on a day towards the end of summer. Contemplation of all the good and bad that may have occurred in the last few months..

Maybe that's a bit too abstract, but if this movie gets you there then fine.

And yes, the sun does shine sometimes in Seattle!

In the 80s, three directors perfectly captured the comedy of young American growing pains. These directors are John Hughes ("Sixteen Candles", "Breakfast Club", "Ferris Buehler"), Savage Steve Holland ("Better Off Dead") and Cameron Crowe ("Say Anything"). All of these films are characterized by witty, tongue-in-cheek dialogue (satirical but not sarcastic) and surreal, music-video-like gags such as, I dunno, a pigburger patty grabbing a guitar and rocking out to Van Halen's "Everybody Wants Some".

When the 80s ended, apparently so did their unique and idiosyncratic brand of humour. John Hughes stopped directing in 91, and Savage Steve's last feature film was also in 91. Cameron Crowe evolved into a different style with his hugely successful 30-something comedy "Jerry Maguire". Here, folks, in 1992 I believe we have the last (and possibly best) of the great 80s growing-up films. If you've seen the others I mentioned, don't consider your life complete until you see "Singles".

Even with Crowe's 1989 "Say Anything", focusing on high school graduation, Crowe was the most mature of the bunch yet every bit as quirky and hilarious. "Singles" covers the next age, 23-to-27, establishing careers and facing grown up problems but still as wild and emotionally reckless as high school kids. I suppose some of us carry that same crazy recklessness late into life which is what makes this movie great for oddballs of all ages.

The movie is perfectly cast with Cambell Scott in the lead (think John Cusack but a sharper dresser), Kyra Sedgwick as a slightly flakey control freak (maybe an early version of Tina Fey in "30 Rock"), and a host of awesome supporting characters: Bridget Fonda as the slightly neurotic groupie who refuses to admit that she's a groupie, Sheila Kelley (remember the hot paralegal in LA Law?) who plays a goofy, insecure maneater, Eric Stoltz (Caprica, Pulp Fiction, The Prophecy) in the oddest role he's ever played: an obnoxious mime who won't shut up, and of course the show-stealer Matt Dillon as the not-so-bright artist/rockstar whose magnum opus is a song called "Touch Me, I'm Dick".

Speaking of rock music, cameo appearances, as well as performances, include... are you paying attention, folks...?

Eddie Vedder, Jeff Ament and Stone Gossard from Pearl Jam

Chris Cornell and the gang from Soundgarden

Thomas Doyle singer for TAD ("You got the wrong number, lady, but I'll be right over")

Pat Nizzio singer for The Smithereens

Everyone from Alice in Chains

Jeremy Piven (Ari Gold in Entourage) as the funniest checkout clerk you've ever seen

Bill Pullman as a nerdy breast implant surgeon

Paul Giamatti in one of his first speaking roles ever ("What?!!")

Cameron Crowe's mother

and none other than director TIM BURTON as Bryan the next Martin Scorcese (pronounced "Score-seeez" haha)

And if that's not enough to make you want to rush out and rent this movie, don't forget the killer soundtrack with tunes by the aforementioned bands plus Jane's Addiction, Smashing Pumpkins, Paul Westerberg (The Replacements) and others I'm probably forgetting.

The story itself is fantastic, not only hilarious but probably the most insightful peek into romance disorder since "When Harry Met Sally". This comed