Samba (2014)

If this was the first I watched from Toledano/Nakache starring Omar Sy, I would say it has its moments but mostly displays immature story-writing/story-telling skills. Now this comes after the tremendously successful Intouchables, and I am left wondering what went wrong.

Samba is another adaptation, but unlike Intouchables you don't have powerful core dynamics. Samba is a nice boy, Alice is a nice girl and both are just thrown in the middle of a distressing world that is too harsh on them. They try to cope with it but they are basically passive characters so it really gets boring as the story piles up scenes that just drag along these fatalistic souls. No matter how gentle and touching they are: we get this point pretty early on.

Maybe Toledano/Nakache fell in love with the book Samba is based on and of course nobody would challenge them after Intouchables. This is what plagues talent most: self-doubt and sycophants. Apparently working as a team didn't preclude them from getting over with the Intouchables hangover (I guess they have families and couldn't step aside from the madness).

Samba is hardly an interesting story. The ordeal of undocumented aliens was surely a very interesting idea as a background for a real story, with characters that actually try and choose to change their lives. Unfortunately in Samba there is only this interesting background with gentle passive characters barely afloat.

Fmovies: The theme of the movie is not simple, or even disturbing, Hard to be a refugee, even if you are a good man, But the subject is presented beautifully, You laugh and cry with the characters,   That's how it is in life. All the actors are great, but the leading actors, outstanding! Who plays the role of Samba was an actor in another great movie

And that is that great!

Do not really understand movies, But if you sit transfixed chair the film, was running a good movie!

Film review has been translated by Google, so if this is a little weird it is Google's fault! Go see this movie!

"Samba" (2014 release from France; 115 min.) brings the story of Samba Cissé. As the movie opens, the camera pans from a wedding reception to ultimately the back kitchen, where we meet Samba, an illegal resident in Paris hailing from Senegal, making ends meet as a dishwasher. It's not long before Samba gets into trouble, and he faces possible deportation, despite having live in France already 10 years. Alice, a novice social worker/pro bono immigration adviser, is assigned to Samba's case. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this is a return of the team that brought us the delightful "The Untouchables" a few years ago: co-directors Olivier Nakache and Eric Toledano, and lead actor Omar Sy. On top of that, one of my favorite actresses, Charlotte Gainsbourg, co-stars. So this just HAS to be a great movie, right? Alas, it was not to be. From almost the very beginning of the movie, the plot is riddled with clichés and one-dimensional characters. Alice, played by Gainsbourg, is a rookie, literally the first day on the job. She is told by a co-worker who is training her that she should never, ever give out her phone number to any of the immigrants she is assigned to assist. So what does Alice do within minutes? Give her phone number to Samba, of course! The immigration system is portrayed as absurd, and I'm sure that there are serious issues there, but the way that the directors present it to us (all illegal immigrants: angels! immigration officials: the devil incarnate!) just made me roll my eyes. As for the supposed "comedy" aspects of this movie, I didn't notice much of any. I'm sorry if I'm being harsh on this movie. I'm sure this movie was well-intended, and I really wanted to like it, but when the movie was over, I felt very disappointed and, frankly, let down. Please note there is a nice soundtrack (available in France but not in the US, as far as I can tell), which features the Brothers Johnson's "Stomp", Bob Marley's "Waiting In Vain", and Cyreeta's "To Know You Is to Love You", among many others.

I saw this movie during a recent family visit in Belgium. The early evening screening where I saw this at was quite well attended actually. I have no idea if or when this movie will make it to US theaters, although given the success on the art-house theater circuit of "The Untouchables", I wouldn't be surprised that this gets a US release at some point. Whether in the theater or eventually on DVD/Blu-ray, I encourage you to check this out and draw your own conclusions about "Samba".

Samba fmovies. Greetings again from the darkness. Co-directors Olivier Narache and Eric Toledano delivered one of the best movies of 2012 with The Intouchables, and reunite to adapt a novel from Delphine Coulin. It's another "odd couple" story, this time focusing on Samba (Omar Sy) and Alice (Charlotte Gainsbourg). The familiar blend of drama and comedy is present, and the French immigration process takes a few shots.

Omar Sy exploded on the scene in The Intouchables and again proves what a tremendous screen presence he has. However this time his turn is mostly dramatic, while the bulk of the comedy arrives courtesy of his friend Wilson (played by Tahar Rahim from A Prophet). Ten years ago, Samba immigrated to France from Senegal, and has been sending money home ever since. A police incident leaves Samba in danger of being deported, and he receives help from Alice, an inexperienced immigration worker who is dealing with her own issues Â… she's a hard core corporate burn out (hide your cell phone fellas!).

Given the subject matter, the film is much funnier and pleasant to watch than one might expect. The actors listed above, along with Izia Higelin as another immigration worker, are all wonderful and interesting to watch as their characters struggle through the hand they've been dealt. Samba and Wilson steal moments of joy while living in constant fear of being discovered, while Alice is borderline depressive and insomniac. She and Samba spend much of the movie in clumsy flirtations while their stressful situations swirl around. It's awkward to watch, but we do find ourselves hoping things work out for each of them.

A very promising opening sequence contrasts the attendees of a high-dollar wedding with the working class of those in the kitchen- of which Samba is one. Unfortunately, this contrast is mostly hinted at for the rest of the film, except for one terrific "back and forth/ him and her" segment. The best guess is that there is an outstanding dramatic story hidden by the overuse of comedy. While the laughs are legitimate and appreciated, the film leaves us feeling a bit empty, given the lack of information and insight we take away in regards to French immigration.

"Samba" is a french comedy with a great history about the immigrants. I like this film. I've seen this film recently and I've been surprised because at first i thought it was just a stereotype movie about immigrants. Actually, I don't like french films but this one was a good one, there are really good characters. Obviously my favorite actor was the leading actor, Samba ( Omar Sy ), he plays very well. What i found as a great idea is that we can laugh even if it's a sad story with a happy ending. The only problem I had is that I already knew what was going to happen at the end of the film. I really recommend this film if you like laughing and watching touching film.

I walked out of the cinema with a smile on my face, I was entertained watching this movie. Samba is just like the dance, slick, emotional but also fun. Omar Sy and Charlotte Gainsbourg's rapport on film felt natural and wasn't overplayed all actors on this movie, do it justice. The reality of illegal immigrants is not what this movie is about this movie is about hope through 4 different main characters, Samba, Alice, Wilson and Manu, spotlight is on Samba and Alice, but you get a sense that really it's all about Samba and his survival in the urban jungle. Charlotte Gainsbourg gives a riveting performance, as a tortured soul in need of feeding and nurturing, at times filling the screen with her beauty at others looking so raw and in pain, it's all in her eyes and a gentle pitch in her voice, I don't think her voice has changed much since l'Effrontée ( she was 15 and that was 25 years ago!). Tahar Rahim was also very believable as Wilson, he has fun with this role, but never takes away from Omar Sy, good supporting actor's performance from him. The soundtrack is uplifting with the theme song To Know you is to Love you by Stevie Wonder with Syreeta, the melody punctuates the film throughout and you walk out humming it to yourself. The ending is french it's after all a french movie so no "fluffy, Hollywood,let's all live happily ever after ", cheesy ending for Samba. Just a natural conclusion, a blend of softness and release.