Playing by Heart (1998)

Taking its structure from Robert Altman's "Short Cuts", this movie interweaves the stories of three sisters, their parents, friends and men in their lives. Meredith (Gillian Anderson) is a theatre director with a serious phobia of commitment and monogamous relationships. In Trent (John Stewart) she meets her match, as he pursues her with honesty, affection and lots of humour. Too good to be true? Joan (Angeline Jolie) is a bar-hopper who can't seem to meet the right man, until she hooks up with Keenan (Ryan Phillippe). His quiet introspection bruises as it bumps up against her more flamboyant and ebullient style. But their respective vulnerabilities open up the possibility for a more permanent attachment. Or do they? Accused of having no imagination and neglecting his wife, Hugh (Dennis Quaid) is a man who every night reinvents himself by entering a different social establishment and telling lies to unsuspecting patrons. To what end? Married, but not to each other, Gracie (Madeleine Stowe) and Roger (Anthony Edwards) are having an affair in which each understands the limits of the relationship. Or do they? Hannah (Gena Rowlands) and Paul (Sean Connery) are facing the most serious threat to their forty years of marriage - his brain tumor. Or is it? And finally, Mark (Jay Mohr) is dying of AIDS while his mother Mildred (Ellen Burstyn) sits vigil at his bedside. In their last moments together, each reconciles their relationship with the other as well as to their friends and family. Those are the characters and this is another in a long line of "love as a battlefield" stories. In this case, everyone walks away with scars, though some more deadly than others. While I was impressed with the acting and thought the evolution of these relationships was realistic, I was very disappointed in the lack of surprises and the totally predictable dénouement.

Fmovies: How did a movie like this ever even get made? "Playing By Heart" has a myriad of notable actors meandering through painfully sluggish dialogue as they define, discuss and detail their individual relationships, ad-nauseum .

Writer-Director Willard Carroll must know where a body is buried in Hollywood, as it is the only explanation for this mess to ever get poured into a motion picture camera. The film jumps between one unrelated story to the other, giving no time for characters or plot to develop. To ensure that the viewer stays completely frustrated, many of the characters develop in directions that are never re-addressed by the film, leading the viewer down several of these meaningless dead-ends. We get to follow Dennis Quaide as he plays out invented characters in a seemingly endless string of bars, all in the name of his acting class. Beware of those who want to pin this film as Sean Connery's best role. Rent "The Untouchables" if you have any doubt. Despite a noble effort by Connery and others, the dialogue and overall sloppy directing will make the viewer hard-pressed to find any real teeth in the characters. "Playing By Heart" is a complete disappointment. It is neither romantic nor insightful. It is plentiful in mediocrity.

I saw this movie twice and liked it better the second time. If you like love stories and involved dialogue then this is a flick for you. It is a quadruple love story with a small dose of extra marital affair, a fair look at a husband's search for himself and a sprinkle of mother/son understanding. Six stories to start and you must follow each of them. All of these stories come together at the end in a way that really touches your heart.

Beware of other comments regarding this movie in this area - a couple of commenters have told the entire story. Part of the joy of this movie is to try to figure out how all of these characters connect to each other. I found it enjoyable to see I was right while I watched it all unravel. There's nothing wrong with predictability especially if you're not really *that* sure if you came to the right conclusions before the end.

Angelina Jolie's acting is stunning and her repore with Ryan Phillipe is perfect. I was surprized to see that Jon Stewart is a natural and Gillian Anderson can do no wrong in my eyes. If nothing else, see it for Sean Connery who is always at his best.

I think that people who don't like this movie don't enjoy the mystery of love. "Talking about love is like Dancing about Architechture." How is this so hard to fathom? The story is confusing because love is confusing. That's what this movie is trying to say. "But that's not gonna stop me from trying." These lines are reiterated in the movie: They're said at the very beginning and then the same scene is shown in its proper order. It doesn't take a genius to appreciate it. Some have expressed disinterest in a few of the characters, such as the affair between Madeline Stowe and Anthony Edwards. It's called a family and once the movie is over, we see how they relate at the end. For Stowe and Edwards, one of these hired the other for a job at a party at the end, and an affair ensued. Stowe's husband, Dennis Quaid, thinks she doesn't like him and does some role playing and soul searching because he's been told he doesn't have much of an imagination. He's only trying to figure out where the two of them went wrong. Some have also expressed concern over why the mother/son segments, played by Jay Mohr and Ellen Burstyn, were even needed. This would have only taken some extra attention to the story itself. Hint to those who have not seen it: they were the next door neighbors to "Hannah and Paul" making Jay Mohr the 'boy next door.'

All in all, all the actors do an incredible job and the story is something to see and LISTEN to. Both times I saw it, the entire theatre stayed put for at least 4 minutes taking in all they had just seen. That alone should intrigue you. On a scale of 1-10 I give it a 9.

Playing by Heart fmovies. This movie is a telling of 5 individual stories about 5 different couples that seem to have no link at first but come together at the end. I found that 2 of the 5 stories were actually watchable. The other 3 went out on vacation and never came back.

Tried to be too real but couldn't shake its fairy-tale feel. Anjelina Jolie was the most memorable as the annoying girl that grows on you and Gillian Anderson was interesting as Dana Scully with a different name, dark hair and a new love interest.

If you MUST watch this because of the marquee names, save your 8 bucks and rent it. Better yet, wait for cable.

I was quite impressed with the entire presentation of the film. The characters were well developed, individual, and full of potential and humanity. The relationships were actual and realistic, a wonderful break from the Fantasy of Sleepless in Seattle (or You've Got Mail, pick the title you want). The presentation of people with problems and realistic responses to these problems and the people who are affected by these problems really makes this movie more than a past-time; it is a gift, showing us what we are and what we can become with some work and maybe a small paradigm shift.

Everyone did a wonderful job of presenting real people, Sean Connery found a role which allowed him to be his age but not loose that which he is loved for: sinful good looks and flawless composure. Gillian Anderson was so good that by the end I had almost stopped waiting for Molder to arrive. But for me Angelina Jolie was the centerpiece, as she showed the greatest degree of development and growth, epitomizing the struggle that each person was going through.

To me, the plot was a lot more complicated than just the feelings that develop from watching the movie, and the depth of perception is honestly presented in the comments of the other reviewers; most seem to have watched the movie with so much intensity that they got up 35 minutes into it to go and tell the popcorn boy to give them a new bag because they had specifically asked for NO butter. This movie is cognitive to the degree it is affective. It takes one relationship and divides it up into several stages (seen as the family members' relationships), and in doing so it allows us to see relational development in ways we normally can't, just as we repeatedly see the time of day change against the buildings.

It is funny, it is romantic, but it is true. And I am thankful for its gift of sight: into life, into death.

Talking about love is like dancing about architecture," claims Angelina Jolie as Joan in Playing By Heart. An ensemble romance that should at least be notable for bringing together such a large and diverse cast, Playing By Heart is an enjoyable romantic tale of eleven people in Los Angeles whose lives are interconnected.

Sean Connery and Gena Rowlands play the oldest couple. Dealing with old age, Gena discovers that Sean considered having an affair during their 40 years of marriage. Learning to deal with this 25 years later, Rowlands and Connery are very good as a couple going through changes late in life. Connery is as dashing as ever, and him and Rowlands seem they have been together for 40 years. Their story is convincing and refreshing.

Keenan (Ryan Phillippe) and Joan (Angelina Jolie) are the youngest couple, two club kids looking for companionship in a complex world that Connery and Rowlands had never conceived of. Their story is as engaging and believable as that of Hannah and Paul. Jolie is the real star of this movie. No matter how composed she makes Joan out to be, we can always see her insecurities lurking just beneath the surface. Phillippe has little to do but bounce off of Jolie's tour-de-force, but he does it admirably and they make a sexy, believable young couple.

John Stewart and Gillian Anderson are also very good. She is a lonely theater director and he is a lonely architect. They have a natural unforced chemistry that you wouldn't expect from these two very different television personalities. Although their relationship in the script seems ill-conceived, their performances almost make up for it.

Madeline Stowe and Anthony Edwards are the most unappealing and ridiculous couple in the movie. As a couple cheating on their respective spouses, they have secret rendezvous in a hotel room almost every night from what it would seem. We never know the specifics of anything which is amusing at first, but becomes tired by the end of the film, as do the performances of Edwards and Stowe.

Ellen Burstyn and Jay Mohr play a mother and son. Mark is dying of AIDS and his mother rushes to his bedside. Mark and become very close before he dies. Although Burstyn and Mohr are good their story gets little screen time and thus doesn't feel as important as it should be.

Finally, Dennis Quaid is a man who spends his evenings in bars telling fantastical stories to anyone who will listen. Why does he do this? I can't give away the film, but the answer isn't truly satisfying, although Quaid gives a very good performance.

The stories all manage to come together in the end in a way that's clever and satisfying. While not the best movie, Playing By Heart has its heart in the right places and manages to have some keen insights into love and relationships.

Grade:B+