Miami Blues (1990)

You know what this reminds me of? Godard's "Breathless," one of the first of the shockingly original Nouvelle Vague flicks of the early 60s. I remember first seeing "Breathless" with some friends in a theater in Ithaca, NY, and emerging arguing about what it meant. I don't mean trying to identify any great load of symbolism or moral lesson it might be towing behind it. I just mean, what happened, and why? As I recall we decided that "Breathless" was an "existential" movie and didn't really need to be specific about what was going on. It was a story about a man making a life choice. You can be or do anything you want, said Sartre, and you can break all the rules -- as long as you're willing to take the consequences.

In "Miami Blues" the Belmondo part is played by Alec Baldwin, a guy fresh out of prison who has chosen a life of wilful disobedience. His girl friend (who really ought not to be in college) is a part-time hooker with aspirations that are utterly bourgeois. Jennifer Jason Lee wants to live with her husband and babies in a house with a white picket fence. Fred Ward, looking grizzled and great, is a homicide detective whom Baldwin clobbers and whose identity he steals.

I don't know why certain things happen. For instance, I have no idea how or why Baldwin manages to dig up Ward's home address, then goes there and beats hell out of him, and winds up stealing his false teeth, handcuffs and other cop accoutrements. What was THAT all about? I'll give one more example. Baldwin is in a convenience store and stumbles on an armed robbery. "I'm the police! Drop that gun and walk out of here!" he shouts -- and threatens the armed robber with a jar of spaghetti sauce.

See, in an existentialist movie like this, the characters don't really need to have motives. They do whatever they feel like doing.

There IS continuity though, even if in its details the movie makes very little sense. The characters are consistent, and there is a rudimentary plot, engaging and amusing without being in any way memorable.

I did enjoy the movie though, even the second time around, or maybe even MORE the second time around, since I'd learned not to expect an abundance of logic in the narrative.

The acting of the three principles is also admirable. Alec Baldwin had just appeared in "The Hunt for Red October," in which he struck me as not much more than a handsome leading man. Here, he's a different character entirely. Watch him as he struts down the street, arms swinging jauntily, grinning through pain, happily throwing off non sequiturs in dramatic situations. ("Do you own a suede coat?" he asks a criminal before murdering him.) Lee is more than childlike. She's positively childish with her overflowing emotions. I loved Fred Ward in this. He's full of quirks and rarely seems to be taking the role seriously. Instead of soaking his precious false teeth in -- what is that stuff, Polydent? -- he soaks them overnight in a glass of left-over booze.

Interesting exercise in style and acting.

Fmovies: Arresting, oddball and darkly comedic crime fiction from the mind of the late Charles Willeford, written for the screen and directed by George Armitage and co-produced by Jonathan Demme. Some people may find it a little too unpleasant for their tastes, but others will delight in its unpredictability. It's got enough interesting faces in its supporting cast to help it make an enjoyable cult-favourite type of film.

Alec Baldwin plays psychopathic hoodlum "Junior" Frenger, who arrives in Miami intending to "start over", or in his case simply move on to a new assortment of victims. (He begins by messing up a Hare Krishna in an airport.) He hooks up with Susie Waggoner, a sweet, simple minded hooker played by the endearing Jennifer Jason Leigh. A tough homicide detective, Hoke Moseley (Fred Ward, good as always) follows his trail, but gets victimized himself when Junior gets the drop on him, and steals Hokes' gun, badge, and false teeth. Junior then has the time of his life pretending to be a cop, while entering into a domestic situation with Susie.

"Miami Blues" does get fairly violent sometimes, but if this sort of thing doesn't bother you, you can have a good time with this story and these players. It's got a hip soundtrack including a score by Gary Chang (this viewer loves the use of Norman Greenbaums' "Spirit in the Sky"). Among the supporting actors are Nora Dunn of 'Saturday Night Live' & "Three Kings", Demme regular Charles Napier ("The Blues Brothers", "The Silence of the Lambs"), Obba Babatunde, and Jose Perez; cameos range from Martine Beswicke ("Prehistoric Women") to Paul Gleason ("The Breakfast Club") to Shirley Stoler ("The Honeymoon Killers").

Highly recommended to fans of cult cinema.

and entertaining movie, though, in NO WAY do I consider this a comedy.

Excellent performances by Baldwin and Ward, but especially Jennifer Jason Leigh. If this had been recognized as a regular 'REAL' motion picture, she might have been nominated for an Oscar. Absolutely one of her best performances.

Kudos all around.

But this ain't no comedy.

And, on a side note, I believe Shirley Stoler was at one time an actress known as Shirley Kirkpatrick.

Miami Blues fmovies. This is one of those buried treasures of filmdom (like Prime Cut) that gets swept aside because it's a "genre" movie. But everything about is first-rate, beginning with the performances of the 3 main leads: Baldwin, Leigh, Ward. None has ever been better, each carves a unique unforgettable performance. The direction by Armitage (whose Grosse Pointe Blank is another great treasure) is outstanding. This movie MOVES, it zips & flips & turns on a dime, it's got the momentum that only really great movies have. The writing is terrific, I read the book before seeing the film & I recommend the book to anyone, it's great, Willeford was another great unsung.This movie has loads of little details that reveal themselves in viewing after viewing & then stay with you...forever! How about the fact that Baldwin's character appropriates the billfold & consequently the identity of a fellow airline passenger & goes around for much of the movie as Herman Gottlieb, Herman Gottlieb??!! Remember him? The famed opera impresario? No? Aw forget it...

This is a great characterization of the novel detective HOKE MOSELEY. False teeth, blind "eye on the street", bust out existence and all. Fred Ward played it to the hilt. J J Leigh is a very underrated talent and played the "PRINCESS-NOT-SO-BRIGHT" role to the bone. Alec Baldwin is great as the pyscopathic, wanna be robin hood stickup man.. This movie is a small movie, but real entertainment..

"Miami Blues' is a pretty unusual film about a charming psychopath played by Alec Baldwin(in what could be his best role yet), who beats up an outsider detective(Fred Ward),steals his badge and dentures, and shacks up with a sweet simpleton hooker(Jennifer Jason Leigh). If this sounds a little odd to you, it is, but a GOOD odd. This film is something really different, and doesn't seem to be that well known by the movie watching public. All the leads are really great, and Baldwin's character of Frederick Frenger is really interesting. He's not pure evil, even though he does kill someone for no apparent reason. It's unclear what motivates him, because he wants to be admired as a hero cop with his 'borrowed' badge, but he is also a thief that has no problem robbing people after he helps them.

This film is a hidden gem. See this movie for Alec Baldwin and the crazy character he plays, because it's a role you won't soon forget!