Kicking and Screaming (1995)

This film is amazing, in my humble opinion.

When I first discovered it, it cost 2 quid in an ex rental knock off shop. I don't know what supreme being possessed me to purchase it, I'd never been aware of its existence before, but it really was lucky.

I think that it is very subjective. This film was very suited to me, especially at that time of my life. It captures a moment in the characters' lives so well, so effortlessly, that it really is very familiar, you almost feel like they're your mates up on screen. It is one of the better and more original 'coming-of-age' flicks out there. I was blown away by it. Forget Dazed and Confused or American Graffiti (both of which I like), this one is more intelligent, more engaging and really interesting. The story is good, the script is good, the acting is good too, it's an all-rounder.

However, there are major problems with it. The script is sometimes a little too....scripty? It's far too contrived and although the actors do their best, at times it does wonder into what we all know now as The Dawson's Creek Syndrome - writing a script with a Thessaurus in one hand, wearing a beret and looking at yourself in the mirror. But for the most part it's completely natural. It does also take a lot of concentration to recognise who's who and what's going on and keep up with the dialogue. However it is worth it. It's also not a film you can drift in and out of, it requires undivided attention to 'get it', and for a film where 'nothing happens', that is a lot to ask of most people.

Despite all this it is one of the best character films (you know, those movies you watch just for the characters and their little interactions on screen) that I know of and well worth a viewing, even if you do have to pull out the phone, disconnect the doorbell, displace your housemates/loved ones and black out the windows.

A very good, well made and very underrated/underexposed film.

Fmovies: "Kicking and Screaming" shows a considerable degree of self-awareness for a film about college graduation directed by a 25-year-old, but it is still an awkward, self-conscious film that is no more confident than its insecure characters.

It was fortunate that in 1995, there were producers out there who believed a movie about depressed upper-middle class white boys had commercial potential, because those producers launched the career of Noah Baumbach, who would go on to make superior films in the next decade. As in his later films, Baumbach seems to take pity on pretentious and tremendously insecure characters while simultaneously taking delight in exposing their weaknesses to the world. But in "Kicking and Screaming," unlike, say, "The Squid and the Whale," Baumbach seems to identify just a little too closely with his young characters and seems to believe that they are less obnoxious than they are.

"Kicking and Screaming"'s greatest strength and weakness is how well it captures an aspect of growing up not often captured on film: the resistance to change. Many films deal with characters who gradually change as they come of age, but "Kicking and Screaming" deals with characters who desire on some level to move on past their current selves but are hesitant to do anything about that desire. This also hurts the film, however, since very little changes from beginning to end, and when characters do change at all, they change less than they (or the film) believe.

The stagnation would not be a problem if the film were a comedy, but, while the film is full of quirky characters and occasionally funny jokes, it deals with the dullness and depression too honestly to really work as a comedy. When wealthy Max, perhaps the most stagnant of all the characters, puts a "broken glass" sign over a pile of shattered glass rather than cleaning it up, it is good for a laugh, but as the film goes on, we get to know Max well enough that it almost stops being funny.

"Kicking and Screaming" is certainly worth seeing for any fans of college-related movies and should probably be required viewing for anyone in their junior or senior years, since it could work as an effective warning against the perils that await graduates without plans. But the film, like its characters, has both too much self-consciousness and too little self-awareness to achieve the levels of comedic or dramatic potential that it hints at.

Upon writing, deleting, and re-writing comments, one thing has become clear to me. The movie is funny. It twist sharp wit with comical character mannerisms. The first time, watch it to appreciate a well written and acted film. The second time, watch it to catch all the subtle passing background humor.

From the last days of college to whatever waits ahead, anyone who has had anxiety about getting older and finding a... job, career, wife, anything. I disagree with the previous poster, who said its only for the graduating and recently graduated. I first saw this movie when I was 16, and loved it. I'm 20, and I still love it, my friends love it, even the ones that said "indy-film? no thanks." If you like wit, cleverly developed characters, and well written scripts, you can't go wrong.

Kicking and Screaming fmovies. Apparently, I watched "Kicking and Screaming" at the perfect time -- not even a month after graduating college. Still, I don't find myself identifying with its characters or empathizing with their struggles other than the basic "I wish I didn't have to leave." Granted graduating college is different now than it was in the 1990s, but if this film were truly very good, it would resonate with college graduates of all generations. The problem is that as sharp, witty and original as the dialogue is, it's unnatural and it pushes us toward nothing.

Fans of dialogue in film, particularly the avant garde approach, will probably be quick to love this film debut from writer/director Noah Baumbach. He manages to write a lot of dialogue that we all think but never actually speak aloud (admirable), it's all quite clever (funny or at least amusing) but his characters like to talk a lot about what they do, which in this movie is nothing (boring). College graduates and friends Grover, Max, Skippy and Otis, all played by no-name actors basically decide to spend their first year post-graduation back at school because they are to afraid to leave. Skippy's girlfriend Miami is still a student so he stays, Otis is scared of moving to Milwaukee, Grover's girlfriend went to Prague, thus dumping him and backing out of their plans to live in Brooklyn together, etc. It's a very indie take on a coming of age story.

If it hasn't been made apparent, there's a lot of talking. You'll like a lot of what you hear and you'll be bored by a lot of it. People just generally don't talk this way, which helps the movie avoid cliché, making it fresh and funny, but also alienates the audience at times. At times I told myself I kind of liked it, at others I wondered what the point was. There is some definite intention behind everything Baumbach does, but he communicates this intention in ways most people won't grasp and it all comes across pointless. Plus, either Baumbach never communicates the reason for the title or I missed it because I wasn't totally paying attention. With so much dialogue, everything Baumbach really wants the audience to understand he must have spoken aloud and so rather than discovering meaning, it comes in the form of explanation.

"Kicking and Screaming" is an experiment, an artsy film that some will love just for being artsy and others will find boring for being exactly that way. Baumbach's writing shows promise, but it also has the potential to fail miserably.

Kicking and Screaming is easily my favorite film. It is a funny and intelligent look at the identity crisis that follows graduation. A brilliant script lifts the film out of gen-x romantic comedy hell. First time director Noah Baumbach does the impossible by keeping such a talky film constantly moving. With more insight and heart than most movies, Baumbach has created something timeless. A must see for all who are scared about taking that next big step.

This is an all-time favorite. Not just for the nuanced performances and witty banter, but because my particular group of friends my senior year of college bore striking resemblances to the "hawks" (or "cougars" or whatever the hell Skippy wants to call the group). One of our girlfriends actually made the comment, "you guys all talk the same."

So I can understand why some may pass this film over, but since the action and dialogue hit so close to home, I have to love this movie. It gets better with repeated viewings and the writing, acting, and chemistry are spotless. At times I felt like this movie was made just for me. And that's a comforting feeling. I can tell that Baumbach felt a lot of the same things I did in college - Max's speech at the Hole comes to mind, as well as the writing class scene, and especially, "I'm Max Belmont, I do nothing."

Fortunately, it's SUCH a well-made film. So much goes on in the corners - the renaissance festival guys, the conversations on top of conversations, Grover's dad on the phone talking about Riley's marriage.

It's a great movie that deserves to be seen. Even if you're not a hopeless postgrad loser.