Igby Goes Down (2002)

Igby Goes Down has remnants of Catcher in the Rye, but I don't think that it is precisely in relation to the novel. First off, while the main character Igby looks on the world with a spiteful, scathing perspective, there are character elements, with him and with the supporting cast, that don't match. Still, this is not a deterrent to the picture; Kieran Culkin gives a breakout/breakthrough performance as the troubled youth, who has problems with his boarding schools, and his parents (Bill Pullman and Susan Sarandon).

The film has an astute, sarcastic sense of humor that is so subtle that if it doesn't get you to always belly laugh it puts you in a little awe. Deep down it's a view on the rich, bleak, befuddled lifestyles of not just Igby but of others, and also a compelling character study that doesn't cheat from first frame to last. Writer/director Steers has created a provocative serio-comedy that gets a great boost from supporting roles from Sarandon (although she's played many mothers before), Pullman, Goldblum, Phillipe, and Claire Danes in a choice pick.

Fmovies: I didn't entirely dislike this movie, but watching it after so recently rereading The Catcher in the Rye was just making me twitch. I read an IMDb user's review earlier which said something like "Igby is the modern-day Holden Caufield." That's the praise the creators of this film were looking for, I'm sure, but it's also far too on the nose. I'll refrain from including spoilers, but I will say that right from the beginning I could parallel scenes in the movie, pretty much exactly, to scenes from Catcher. Even Igby's dialogue mirrors Holden's. He repeats phrases like "I think you're great, I really do" and "that tortures me". He drinks and chain smokes. I could go on.

Let's be clear here: Igby Goes Down doesn't simply pay homage to J.D. Salinger's classic novel. It doesn't stand on its own, which means it also doesn't honor its roots. It felt almost like they wanted to make a film adaptation of The Catcher in the Rye, couldn't get the rights, and said "forget it then; we'll come up with something ourselves".

The mimetic protagonist made the story as a whole hard for me to swallow, but to be fair, there are plenty of unique characters in Igby Goes Down. The premise is obviously contrived, but it still makes for an okay story. If you have never read Catcher, and therefore aren't forced to draw comparisons, you will probably enjoy this movie quite a bit more than I did.

Kieran Culkin astounds in "Igby goes down". While the supporting cast (Jeff Goldblum, Susan Sarandon, Ryan Phillipe and Claire Danes) are predictably good, he turns in an electrifying performance. The script is simply superb and the backdrop of New York is wonderful. The master stroke is the use of Rory Culkin as a younger Igby which lends an authentic air of continuity. The only disappointment is Amanda Peet who, as usual, overacts and hams it up as the highly-strung on/off girlfriend. Jeff Goldblum is surprisingly sexy in a role which he seems very comfortable with while Bill Pullman is surprisingly weighty in a minor yet key role which he pulls off extremely well.

Igby Goes Down fmovies. This film doesn't make us feel for any of its characters, but it's so full of memorable vignettes, it's hard to forget about this. It's dark and depressing but at the same time consistent in tone and so full of wonderful performances it just sticks in your memory.

Igby's life consists of one disappointment after another. We soon meet his ruinantly self-absorbed mother (Susan Sarandon), who treats her boys like full-grown adults. 'I call her Mimi because 'Heinous One' would be a bit cumbersome,' Igby remarks. And there's his schizophrenic dad (Bill Pullman) who has long since been confined to a 'home for the befuddled'. Igby's and his preppy brother Oliver (Ryan Phillippe) have nothing but contempt for their mother. When Igby has just been kicked out - again - of his latest prep school, he is sent to a military academy by his mother, but he swipes her credit card and absconds to an airport hotel in the Midwest. Soon he is dishonorably discharged and sucks his way in by his mother's new wealthy friend D. H. Baines, wonderfully played by Jeff Goldblum, who almost seems to play himself.

Two women play a crucial role in his life, both of them he meets at a cocktail party at "D.H."'s lavish Hamptons home. There's Rachel, a memorable role by Amanda Peet, truly astonishing. I knew her face, but I cannot recall other roles of her. And there is Sookie Sapperstein (Claire Danes), a waitress at the party and couple of years older college student, with whom Igby falls in love. But his brother is becoming a romantic rival or Sookie and when Igby crashes in D.H's fancy Manhattan apartment, in which Rachel is taking residence, he becomes entangled in an ever more downward spiral.

First-time director Burr Steers, who also scripted, filled this one with some very smart, observative and acidic dialog, and Kiera Culkin shows he can carry a film with a very good performance. And where has he been the last four years? Since this one he hasn't appeared in any other films. On the IMDb message boards there are some hilarious speculations about how he is supposedly "on weed". I don't know about that. He's probably going through some rough times, but I hope he'll be back soon. It would be a shame to lose an actor like him.

Camera Obscura --- 8/10

I'm very pleased to see other reviewers comparing Kieran Culkin's character Jason/Igby to The Catcher in the Rye's Holden Caulfield - while watching the film I was thinking the same thing, much to writer/director Burr Steers' credit. This is THE Social Commentary movie I have been waiting to see for a long time now - fearless, witty, arch, poignant without being sentimental, and, best of all, the characters are not one-dimensional, they all live and breathe and we feel the agony they are suffering behind their socially privileged masks.

Culkin is especially brilliant (and so sad, with his Harry Potter scarf - a young wizard without any magic), but everyone shines here - Sarandon, Pullman, Danes, Amanda Peet, Ryan Phillippe, Jeff "how-can-I-be-any-creepier" Goldblum, and of course Jared Harris, who positively reeks eccentricity without even having to open his mouth (but when he does, it's always good too). A fine first film from a director/writer who definitely bears watching.

I was very impressed by the movie and all the actors taking part in it. The story is very rich and allows the spectator to get emotionally involved in multiple ways. There is a good thing about a movie that finishes and leaves you with the feeling of wanting to know more about many of the characters in the movie. I particularly love all the unexpected moments, lines and situations in the movie without being exagerated or out of place. Excellent, for people who wants to see something different and still mainstream.