Head of State Poster

Head of State (2003)

Comedy  
Rayting:   5.4/10 18.2K votes
Country: USA
Language: English
Release date: 28 March 2003

When a presidential candidate dies unexpectedly in the middle of the campaign, Washington, D.C. alderman, Mays Gilliam is unexpectedly picked as his replacement.

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User Reviews

MLDinTN 19 April 2004

Generally, I find Rock very annoying in his films, but this one was different. He didn't do a lot of the loud mouth comments. The whole idea of this was silly, but it's a comedy. An alderman from a ghetto in DC is picked by a party to run for president when the other candidate dies. They pick someone who will lose because one of the other guys plans to run for president in 4 years. So of course, Mays decides to do his own thing and tell the people they should have more for their hard work and so on. He plays rap music at black tie parties, and decides to wear gangsta clothes. He rallies people around him and starts gaining approval from the masses. Along the way, he constantly hits on this gas station clerk. But, all of this is OK, but not really funny. The funny part of the whole movie is whenever Robin Givens was on screen. She plays a girl who dumps Mays in the beginning, but once she learns he's running for president, she follows him and acts all sweet and continues to plan their wedding. That part was hillarious.

FINAL VERDICT: Better than most Rock's other movies. It's worth watching if you are looking for a comedy.

claudio_carvalho 12 July 2016

Fmovies: One candidate for the presidency dies in an accident a couple of weeks before the election. Meanwhile the alderman Mays Gilliam (Chris Rock) becomes a hero when he rescues a woman and her cat from an old house that would blow up. However his fiancée Kim (Robin Givens) does not pay his bills and dumps him, and Gilliam loses everything including his fancy car. When Senator Bill Arnot (James Rebhorn) sees the news on television, he plots a scheme with the party advisors Martin Geller (Dylan Baker) and Debra Lassiter (Lynn Whitfield) to invite Mays to be the party nominee and lose the election for the other candidate, Vice- President Brian Lewis (Nick Searcy). Four years later, he would be the candidate and would have the chance of winning the election. Mays has a terrible beginning of campaign but when his older brother Mitch Gilliam (Bernie Mac) meets him in Chicago, he advises Mays to be himself. Will he have the chance to be the first African American President of the USA?

"Head of State" is a silly film that every now and then makes laugh. The uneven plot has memorable scenes, like the party with the guests dancing or when Mays tells that God should protect the whole world; but there are stupid scene, most of them with Mitch Gilliam in interviews. But in general, this film is satisfactory and entertains. My vote is six.

Title (Brazil): "Um Pobretão na Casa Branca" ("A Pauper in the White House")

jhenson6 21 November 2003

Chris Rock delivers some funny moments, both as writer and actor, as you would expect. But the direction is amateur hour - by turns, static and awkward. The narrative flow doesn't, and the few laughs are punctuated by inane gags and flat writing. Chris Rock is often funny and brilliant, but as this fails in its efforts to be satire and slapstick. The satire is unfocused and often misses its targets; the slapstick is clumsy and, worse, not funny. A misfire by a talent who seems in over his head on this one.

argv 30 July 2003

Head of State fmovies. Chris Rock has made an interesting name for himself. He's a black comedian who's been in almost 60 feature films; a writer and co-writer for movies and TV shows like Saturday Night Live; and is a man with strong political opinions. So, with all that talent and experience, you'd think that if he were to write and produce a political satire, it'd be a mix of biting comedy with a message.

If only that were the case with `Head of State.' Instead of biting satire poking fun at the political system, there's a collection of gag jokes that, in themselves are funny, but neither politically pertinent or satirical in any way. What's more the romantic-comedy subplot is way too prominent, elbowing out the main theme of the film.

Rock plays Mays Gilliam, a Washington, D.C. alderman, who's a man of the people. He not only does good things in his neighborhood, but even the drug dealers like him. When the existing democratic presidential candidates unexpectedly die, Gilliam finds himself selected by the party to replace them, all in the name of a politically ambitious underling who sets up Rock to lose in hopes of securing the nomination in the next election. Through a series of gags and mishaps, Gilliam not only gets elected, but gets the girl too.

The film certainly has the gags, many of which are genuinely funny. In fact, if it were all gags, a la `Airplane' and `The Naked Gun', then Rock's film would have been surprisingly refreshing. But, the humor was diluted by attempts at a serious side – both on the political front and the romantic front – and the script fails to know when one ends and the other begins. What's more, the serous or romantic sides to the film, gags notwithstanding, were just plain silly.

It's not that the formula doesn't work. It's been done many times before, such as `Dave', starring Kevin Klein, and Warren Beatty's `Bulworth'. In each case, the `candidate' was unlikely and over the edge, but their straight talk and unconventional approach to politics appealed to the people and resonated with movie audiences. In essence, using this theme as the platform for satirical poignancy was very effective (from an entertainment perspective, not necessarily as a valid social commentary). In the end, the reason these films worked is because it was clear where the gags end and the seriousness begins.

On a separate note with respect to today's current events, I couldn't help but notice that it's because of reality that this movie is actually more disturbing than it should be. In fact, it harkens back to the good old days of Bill Clinton and Monica Lewinsky. Back then, people didn't take politics or world events seriously at all, as evidenced by the fact that we had actual, serious attempts at the presidency from people such as Donald Trump, Ross Perot, and yes, even Warren Beatty. You'd never see those names in mainstream press in today's environment. Perhaps `Head of State' should have been released during a time when society's perception of politics and the presidency wasn't so important. But today, it's just plain eerie and disturbing.

squall21287 17 August 2003

It's obvious that Chris Rock had intentions of making a movie that preaches to the American public of the wrongs and injustices that many middle to lower class people face. I am all for that, and from a political standpoint, the movie made some very good points. However, when I go to see a Chris Rock movie labeled COMEDY, I want to watch a movie that is funny, not a movie that rambles on and on about politics. If this movie wasn't supposed to be a comedy, it would be very good indeed. However, this movie is supposed to be comedy, and seeing how the few scenes with Bernie Mac are the only comedic parts of the movie, I am forced to give this movie a low score.

2 out of 10

sillylizard 12 March 2005

Intelligent. Chris Rock has balls and he mixes old-school comedy (think SNL in the 80s) and current American politics. ie. both the republican and democrats are corrupt and greedy, with no one but themselves at interest when it comes to "The United States of America." But, as Mr. Rock points out in the commentary, this film is a comedy, and not intended to be a political commentary.

So why then did so few people think it was funny? Perhaps b/c they can't see the humour in their own country...how hysterical that the most God-blessed, powerful, and wealthy country in the world can be falling apart so badly. And that the government in election years must pretend to care about its citizens, when obviously they only care about the people who are handing them cheques.

Delightfully irreverent, Chris Rock steps up to the plate.

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