Greenfingers (2000)

"Greenfingers" is not a laugh-out-loud comedy, but a subtle piece of work that blends uplifting messages and dark undercurrents (most of which stemming from Clive Owen's magnificent ability to draw us at the core of his complex character without ever "sucking up" to the audience). Director Joel Hershman obviously appreciated Mr Owen's less-is-more approach to acting : the film's most moving scenes rely upon his clever use of body language, while fantastic close-ups allow us to see Owen's eyes are filled with more wonders than the English gardens - and much greener than his fingers. In today's cinematographic landscape, "Greenfingers" is indeed a blooming miracle: a film that nurtures an audience's spirit instead of catering to its lower instinct.

Fmovies: I have a couple of cynical kin who sometimes go to the video rental store and select a movie solely because there are only one or two copies on the shelf. Their reasoning: wildly popular movies usually reflect the crass, Hollywood-dictated tastes of the ignorant masses, while a single- or double-copy film has had enough of a following to be recognized as worthwhile, but not enough to be awful. (Hey, don't blame me--I'm just quoting my nutty relatives.) But you know what? More often than not they bring home a charmer.

"Greenfingers" is such a one. British convicts in an experimental prison discover the joy of creating a beautiful garden. There are some painful setbacks and some delicious triumphs, mixed in with some lust here, some romance there--come to think of it, a kind of human garden. The characters are quirky and endearing, the situations amusing, the presentation economical. The cinematography is good, too; the opening scene could be entitled, "A Thousand Words," for what it's worth.

I particularly salute the courage of those who dared to people a movie with a warden who wasn't sadistic, a celebrated and haughty VIP who wasn't hateful, and well-behaved prisoners who got a break. (Next thing you know, they'll be making movies involving Christians who aren't hypocrites, parents who aren't fools, conservative legislators who aren't racists, and corporation execs who are just about as honest as the rest of us.)

(Naah--never happen.)

See this movie; unless you are an action junkie or a confirmed curmudgeon, it will make you smile and be glad.

7/10

This is a terrific movie. Clive Owen and Natasha Little are as great a couple as there is, and Helen Mirren and the rest of the cast could hardly be better. Wonderfully acted, intelligently directed, and very sweet. It's just a quiet little gem of a movie.

Greenfingers fmovies. This is a wonderful (true) story of hardened criminals who, through gardening, become human again. The performances are all quite excellent, including that of the ever-enjoyable Helen Mirren. Even if you aren't a gardener, you will enjoy this film about redemption and triumph.

According to the old saying there are only two sure things in life: Death and taxes; and while that's all very pithy and emboldening in a way that suggests machismo with a John Wayne swagger, it isn't entirely accurate. Because if there is one constant in life, it's the fact that everyone makes mistakes, and moreover, that if given the chance most will at least attempt to set to rights whatever bitter pill has been wrought by their personal indiscretions and miscalculations, whether felony or misdemeanor. Which is precisely what writer/director Joel Hershman considers in `Greenfingers,' a comedy/drama that seeks out the good in the bad while making a statement about the redemption afforded by the proverbial `Second Chance.' Like the amazing gardens at the center of this story, and in which Hershman's metaphor can be found, this film is about the cycle of life; about death and rebirth and hope. It's a story based on actual events, told by Hershman with warm good humor and in a way that reaches out to the humanity in us all, offered for the contemplation of his audience with an eye upon a world that is in all ways a bit brighter and better.

In his youth, Colin Briggs (Clive Owen) made a mistake; and he's spent fifteen years doing hard time in prison because of it, with no indication that he'll be getting out any time soon, if ever. But the powers that be have decided he's a perfect candidate for an experimental `open prison,' program, an environment without walls that will afford even `lifers' an opportunity for parole if they can make good at it. Initially, Colin is not keen on the idea, but he has no choice in the matter. He's summarily transferred, and once in his new digs he is befriended by Fergus Wilks (David Kelly), an old man who will pay for his crimes until the end of his days, but who has a perspective on life that has a subtle effect on Colin's future. It is Fergus who gives Colin a small gift that ultimately turns his life around-- a small packet of flower seeds which Colin proceeds to plant in an unlikely place in the dead of winter with no hope that anything will ever come of it. Colin, however, is about to discover one of the mysteries of life; that in a seed-- any kind of seed planted anywhere in the world-- there is the gift and promise of life. And the following Spring presents Colin with another gift-- a surprise that is going to change his life forever.

With this film, Hershman has crafted and delivered a story rooted in a subject that is essentially `hard' in nature, but he takes a positive, gentle approach to it that makes it entirely accessible and engaging. It does, in fact, provide an eye-opening perspective to an area that many are prone to view with a closed mind. Many (Roger Ebert among them) will claim that the characters portrayed here are predictable stereotypes, which on one hand is true; but on the other hand, stereotypes are often a reflection of reality, which is decidedly the case here, and moreover, Hershman successfully delves beneath that outer skin from which the label is derived to find the uniqueness that resides at the core of each of these individuals. There are so-called `stereotypical' responses and reactions effected by some of the characters here, as well, but again, within the context of the story, they are no more than a reflection of what a like situation in real life would evoke. In the final analysis, `life' is filled with stereotypes, and what is too often deemed `predictable' is

When this movie finally premiered in Sweden (Feb -03) it didn't get that good reviews. Me and my friends were planning to see "My big fat Greek wedding", but it was sold-out, and we agreed to see "Greenfingers". I've enjoyed Clive Owens performances in "Tanner" and "Gosford park" before, and hoped he would be equally good here. He was. I have to say that he is an awesome actor, with an amazing face. He's got that hard Pacino-face, excellent.

Anyway, we didn't have our hopes up about the film, but what a gem! Really warm, beautiful sceneries, great characters and a splendid sound track. I have a little garden of my own that I usually do nothing about, but this film made me want to grow all sorts of things. Don't miss this movie, it's really great, and David Kellys "Fergus" is a character you do want to see...

I hope that Clive Owen will have a long, successful career.