Gemma Bovery (2014)

Gemma Bovery (Gemma Arterton) and her older husband Charlie move from London to a small town in Normandy, France. Their new neighbor Martin Joubert (Fabrice Luchini) is the baker and a fan of Gustave Flaubert's Madame Bovary. Martin is immediately enchanted by the lovely Gemma and her literary name. She gets restless and has an affair with a young man named Hervé de Bressigny. She is surprised by the return of her cheating former lover Patrick.

Gemma Arterton enchants this movie. She is the heart of this. Fabrice Luchini is compelling as an obsessive fan without being too creepy. I am not as enchanted with the ending. It is trying to be poetic but it feels too manufactured. I was looking for the rat poison but I would love any number of ways to go. It needs to be more substantive. It needs to be Gemma's action. I was looking for Gemma to raise the stakes with her relationships. The ending is not the greatest but the movie will always have Gemma.

Fmovies: Ah, the English-French culture clash! Loved the sad-faced neighbour and his forever critical wife. And their dog Gus. And then the local Englishman who loves France for its cheese and wine (only?). And his gushy French wife. And the local Adonis' mother. These are all truly memorable comic characters. They are more interesting than the central couple, the Boverys. They make it well worth watching. The odd well-chosen Anglo-Saxon word or phrase (sometimes in French!) puts everyone in their place, including poor Gus! Nice soundtrack too.

Negative: Forced to sit through five trailer adverts for other movies. Positives: Note the spelling difference in the name. Lots of British type humor bordering between a little shocking and funny. So what happens when a British couple end up living in the France of Flaubert and by coincidence they share many of the same attributes as well as a similarity in name to that famous novel? Add a next-door baker as a storyteller who is also infatuated with the mystique of women from those period novels. "Gemma Bovery" offers a contemporary interpretation that I found more interesting than other recent adaptations of the story especially with regards to manipulating men. "Wants everything from love and is always disappointed." When life doesn't match her fantasy one wonders if she would have changed or would she have eventually recidivated? Great endings as her men lead to her humorously ironic downfall and finally the introduction of a famously storied Russian woman.

Surprising song (an odd fit) shows up in the movie and in the credits - "Jimmy" with no identifiable credit. Anyway, from a mongrel American/European blues/folk/rock team, "Moriarty".

Gemma Bovery fmovies. REVIEW OF "GEMMA BOVERY" By Alex Deleon: Viewed at Hollywood Press screening, May 21, 2015.

Martin Joubert, a semi-retired ex-Parisian literary Intellectual with a tremendous passion for the works of famous French novelist Gustave Flaubert, now runs a gourmet bakery in Normandy in the very village where Flaubert wrote his masterpiece Madame Bovary. During the summer an English couple takes up residence in a small farm nearby. Not only are the names of the new arrivals --Gemma and Charles Bovery -- almost identical to the characters in the book, but their everyday life seems to be following Flaubert's story uncannily, step by step, as Martin stalks Gemma's amorous trail about town more or less discretely, hoping to maybe have a little fling with her himself -- His wife, of course, taking a dim view of his excessive interest in this young beautiful bouncy English broad. Life in a spooky imitation of art? --or what! ~ In the novel the heroine ends up poisoned and dies an excruciating death, so where can all this lead...? -- Director Anne Fontaine, (born 1959 in Luxemburg) is an actress and writer who typically works on female centric pictures such as Audry Tautou starrer "Coco Before Chanel", 2009, but here she really hits her stride.

Gemma Arterton (as the tantalizing reincarnation of Emma Bovary) is built along the lines of fellow English lady Jacqueline Bissett at her most buxom (The Deep, 1977), has much of the same charm, and was a real discovery. Fabrice Luchini, one of France's best alĺ around actors, was a taunting pleasure to watch every step of the way as Joubert, the local master baker and Bovary expert, who is enthralled by the very sexy much younger new neighbor from England. He is actually as much the leering center of the picture as sexpot Gemma, but familiarity with the original novel by Flaubert is more or less assumed. Without a fairly good knowledge of French much of the humor contained in the witty dialogue will be lost on American auds. I found myself to be the only member of the full house evening audience chuckling at many points in the picture.

Nevertheless, the story itself is gripping, the cinematography gorgeous, and the erotic scenes strapping enough to make this work for higher I.Q. American audiences. I thought the ending was a little forced -- like the tacked on resolution at the end of a whodunnit murder mystery --but who cares when the rest of the picture was so delectable. The fragrance of the breads in the frequent boulangerie scenes were so appetising as to make anyone who has ever been to Paris (or Rouen!) want to get back there ASAP. Overall, a delightful way to spend an evening away from France. Alex, The morning after, still somewhat in cinematic thrall ...

Like Chabrol,who reportedly "made the movie Flaubert would" ,it was filmed on location in the green landscapes of Normandie and even in the cathedral of Rouen .Like my good friend Writers Reign aka Leon points out in his insightful review,women directors make more and more their presence felt in the French cinema;to think that in the early fifties,there was only ONE female artist frequently making movies ;no it was not Agnès Varda,it was Jacqueline Audry ,Ida Lupino's contemporary colleague.Unlike her male colleagues,Mrs Fontaine did not do the umpteenth version of the famous novel;nor did she try to transpose the action to our times as Vadim and others did (with mediocre results) with Choderlos De Laclos's "Les Liaisons Dangereuses".

Anne Fontaine's take on "Madame Bovary" is a very palatable work ,as delectable as Lucchini's bread ;however to be fully appreciated ,it 's better to read the novel first.The movie anyways begins with Lucchini's voice-over ,reading the episode of the ball,the turning point of the novel.

When you like a book ,you often think of your own movie ,and sometimes,its adaptations,be they made by Renoir or Minnelli may,in several respects,disappoint you.That's Anne Fontaine's master stroke:what we dream of,Fabrice Lucchini ,ex-"Bobo" ("Bourgeois Boheme") makes it come true:he begins to "direct " his "Bovary",before being overtaken by events ("that was the end of my sexual peace" ).

Today in Normandy ,people go to the villages of Tôtes and Yerville (the movie was actually shot in Lyons La Forêt) just to see the place where SHE lived ,just like people visit Juliet's house in Verona .In spite of the names ,the real life characters are very distant relatives of those of Flaubert:the Young student is not really Rodolphe Boulanger who was a mature selfish buck (best Rodolphe: Louis Jourdan in Minnelli's version) ;just as Charles Bovery is not the lump country doctor.But why is the hero a baker by the way? a nod to Rodolphe Boulanger (=baker)?or because it introduces an "erotic" way to knead dough?Or perhaps because of the French expression "Pour Une Bouchée De Pain" (= for next to nothing)which makes sense,considering the outcome.

Lucchini's baker is still twenty in his head and as time is passing him by,attempts to mythologize a banal love affair through the creation of a story-like world of bygone days ;he's ready for another one when the movie ends .

Anne Fontaine has made one of the most interesting French movies of 2014;Fabrice Lucchini,cast against type,is perhaps not very credible as a baker ,but he sure is as an intellectual dreamer;Mrs Gemma Aterton is a feast for the eyes ;Jason Fleming and Niels Schneider give restrained but effective performances;Isabelle Candelier is to be praised for making the best of an unrewarding part;it's pleasant to see again Edith Scob (Georges Franju's "Les Yeux Sans Visage") in the part of a bourgeois whose only reason to live seems to be a statuette.On the other hand,Elsa Zylberstein is intrusive ,exasperating,the typical smug actress.

It's a mouthwatering effort (in every sense of the word).Never since "Babette's feast" ,did I savor such a display of good food.

I had one of the best time at this movie I had for a long time; so pleased after all these years I can handle both languages (unfortunately not audibly) Just the same I enjoyed so much to delve again in the 100 years war between these 2 culturally contrasting countries. But sexy Gemma was certainly a gem! As Luchini who then "said goodbye to his sexual tranquility" embarked in a wonderful human mission. Some one here said "neither very funny, nor dramatically successful" Who cares...certainly not me! If beauty is in the eyes of the beholder, humour is also in the mind of the beholder. If I was a "rater" I my score would be higher than the average. There are many ways to embrace a movie, intellectually, emotionally, nitpicking ly. Once more...it was good for me!