Freeway (1996)

Based on the classic Grimm Brothers tale, Little Red Riding Hood; Freeway is the disjointed and frankly weird odyssey following a young girl on the way to her grandmother's home. The film begins much like any other hitchhiking film, with a young girl being picked up by a slightly sinister driver. However, you won't be able to predict where it's going to go from there, as Freeway continually puts its characters in absurd situations and delivers the unexpected. The plot doesn't exactly adhere to the story of Little Red Riding Hood, and after the basics have been laid down, it's basically anyone's game right down to the gripping and hilarious climax. The film sees Reese Witherspoon's juvenile delinquent being picked up by Kiefer Sutherland's child psychologist after fleeing from her home when her mother and step father are arrested. After telling the psychologist of her relationship with her step father, she soon realises that he's enjoying what she's saying a little too much; and it's not long before she asks him if he's the infamous I-5 killer, and he doesn't do anything to convince her he's not...

Freeway doesn't introduce any characters that are particularly likable, and all are guilty to a degree. Most audience members will be on the side of Witherspoon's character, as although she certainly has personality problems, she's great fun to watch and her twisted logic isn't usually far from being spot on! Witherspoon got one of her best roles in this film, and really does carry it despite her young age. Kiefer Sutherland stars alongside her, and it's rather odd seeing him in the psycho role after getting so used to him being Jack Bauer in 24. He does do it great, however. Perhaps the best thing about this film is the pitch black humour that goes hand in hand brilliantly with the absurdity of the piece. The plot is really freewheeling, and the film jumps from road thriller to prison drama to the court room in the blink of an eye, and this helps to ensure that the audience is always kept on their toes. This film won't appeal to people that don't like their movies to be pitch black and unpleasant, but anyone who enjoys a good does of absurdity shouldn't hesitate to track this film down!

Fmovies: I know, it may seem ridiculous to some, but actually, even after all these years (now well into 2012), this is still a film to watch, and no one could have delivered the key role more perfectly than Reese Witherspoon. She is simply spectacularly spot on with her characterization of the theme and culture that is her character here.

The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.

Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.

On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.

It is still currently viable, to this very day . . . has stood the test of time.

And it is absolutely one of Reese's best ever performances.

Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.

Move over, Pulp Fiction. Freeway is totally outrageous, over the top hilarious, yet it all somehow has the ring of either truth or understanding or both. The performance delivered by Reese Witherspoon was not only great, it was startlingly great and the best thing I've seen her do. Each turn in the story hit me like a slap in the face, each new character was like a gift, but Reese Witherspoon playing the queen of trailer park trash was done like a symphony. Fantastic!

Freeway fmovies. Teenaged Vanessa Lutz (Reese Witherspoon) is illiterate and has a VIOLENT temper. Her prostitute mother has just been jailed so she tries to get to her grandmother. She's picked up by Bob Wolveton (Kiefer Sutherland) who might be a mass murderer...

Film begins and ends like a very perverse version of "Little Red Riding Hood". The middle has Witherspoon trying to get to her grandmothers. The film is VERY VERY violent with virtual non-stop swearing and plenty of sexual talk thrown in. How it got by with an R rating is beyond me. Still, I love it. What the point of this is I don't know, but it's unlike any other film I've ever seen. It's not afraid to push over the limit of good taste and is never dull. Also the acting is just great. Witherspoon attacks her role full force and is just astounding. Sutherland is equally good as the wolf (Wolveton--get it?) and the supporting cast is full of talented actors (Amanda Plummer, Michael T. Weiss, Dan Hedaya) all doing great.

An undiscovered little gem. But be warned--the violence and language is more than a little extreme. NOT for the squeamish.

Reese Witherspoon has never made a better movie than Freeway...Although I respect her for wanting to do more romantic/family oriented movies because of her daughter, I don't think even she realizes how amazing she was playing this role...She was completely foul mouthed and hot tempered, but her timing and attitude was fantastic..I recently realized how this movie is and has been potential for cult classic....Reese Witherspoon never mentions this movie in any interviews and I wish she would because I would like to hear her thoughts on playing Vanessa Julia Lutz...

This film is somewhat deceptive, in that the characters seem so outwardly stereotypical of the kind of the sub class of the under-educated, drug or sex addled teenagers and the people who prey on them, which makers of slasher films have doled out in the last couple of decades. But Witherspoon brings a fighting charm to the lead character, Venessa Lutz, who has just about everything bad thrown at her that a young person can have thrown at them while growing up. She survives and prevails with grittiness, will and humor. As far from an angel as you can get she becomes vigilante and enforcer of her own brand of justice to a particularly malevolent form of evil visited on by Bob Wolverton (Kiefer Sutherland) and an uncaring and unbelieving law enforcement system. It's really a small classic and should be viewed without any predjudice of youth crime. It then becomes an eloquent statement for better and more rational treatment of young offenders.