Foreign Correspondent (1940)

In 1939, the editor of the New York Globe invites the tough reporter John Jones (Joel McCrea) to be the substitute for the inefficient Stebbins (Robert Benchley) as foreign correspondent in London. His first assignment is to interview the Dutch leader Mr. Van Meer (Albert Basseman) in his lecture for peace in London to know about the possibility of a declaration of war against Germany. Johnny meets Stephen Fisher (Herbert Marshall), the leader of the organization Universal Peace Party that promotes peace, and his beautiful daughter Carol Fisher (Laraine Day), and he has a crush on Carol. When Van Meer is apparently murdered in Amsterdam, Johnny follows the assassin with Carol and the journalist Scott ffolliett (George Sanders) through the countryside and discovers that Van Meer has been abducted indeed. However, nobody believes on the truth and he tangle with an international conspiracy.

"Foreign Correspondent" is a highly entertaining adventure, with a suspenseful story of espionage and an enjoyable romance, with Joel McCrea and Laraine Day showing a perfect chemistry. But the greatest attraction is the plot based on the beginning of the World War II in 1939 practically in real time. My vote is eight.

Title (Brazil): "Correspondente Estrangeiro" ("Foreign Correspondent")

Fmovies: Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.

All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.

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Action, romance, comedy, political intrigue...Alfred Hitchcock's Foreign Correspondent(1940) has got it all. The film deals with very serious subject matter, the run up to the disastrous World War II in Europe, but Hitchcock's comedic treatment of the life and death circumstances make the film infinitely more watchable. Joel McRae is an outstanding leading man and the rest of the great international ensemble cast doesn't miss a dramatic or comedic note at any point in the film. The characteristic hitchcockian suspense is present throughout but it's the comedic moments that really make the film shine. In only his second Hollywood film, Hitchcock was in top form in showing the unique style of storytelling that would change the medium and influence film makers for 70 years and counting.

Foreign Correspondent fmovies. Admittedly, partly due to the presence of Joel McCrea, this is one of my favorite Hitchcock films. As with "Saboteur," Hitchcock wanted Gary Cooper (and in this case, Joan Fontaine - he wanted Barbara Stanwyck for "Saboteur) but couldn't get them. Cooper turned down the role of Johnny Jones and lived to regret it.

Today, "Foreign Correspondent" can be seen as a fierce call to bring America into the war. It's amazing today how long America stayed out. In the film, Johnny Jones, writing under the pen name of Huntley Haverstock, is given the assignment of going to Europe and digging around for information about the impending war - and particularly to have a conversation with Professor Van Meer, who may be one of the men who can help keep the peace. Johnny witnesses Van Meer being killed right in front of him, and chasing the perpetrators, he winds up searching a windmill, in one of the many remarkable scenes in the film. While on assignment, he falls in love with Carol Fisher, whose father is the head of a peace-making movement.

The film is striking for its underlying humor and lightness despite the seriousness and shock value of the events. It's also remarkable for some against type casting, i.e., George Sanders is a newsman and a good guy for a change, and Edmund Gwenn - Santa Claus! - is a killer. That's another remarkable scene.

There are several spectacular moments. The rainy scene on the steps when Van Meer is killed is one; when Jones looks for the perpetrator, all he can see is a sea of same-colored umbrellas. The windmills are another - claustrophobic inside, a peaceful picture outside. There is a marvelous shot of Johnny escaping from killers by slipping out of his hotel bathroom window and walking along the ledge. The lit-up sign HOTEL EUROPE can plainly be seen, and Jones breaks one of the lights as he goes by. Best of all is the airplane crash into the ocean which is fantastic and looks both agonizing and real. The final scene of the film, a radio broadcast, was added some time later - five days before the Germans started bombing, in fact.

Shot in black and white, "Foreign Correspondent" is loaded with atmosphere and the tension of the coming war. Joel McCrea, a very likable, easygoing actor in the same vein as Cooper, though maybe a bit livelier, is excellent in his role here as a gentle but adventurous man caught up in bizarre circumstances. Laraine Day, never used much by her own studio (MGM) and often loaned out, is great as the pretty, intelligent, and principled Carol. As Scott ffolliott, Sanders is charming and plays beautifully with Day and McCrea. Herbert Marshall has a slightly different role for him and is very effective.

Though many may not agree, I consider this one of Hitchock's best films and totally underrated. Why did Gary Cooper turn it down? It was a thriller, which in those days was considered a B-class genre. After "Foreign Correspondent," this was no longer true.

This film is a true gem, that had all of the touches we have come to associate with films of the master. While "Rebecca" (from the same year) may have garnered more recognition, it was an extremely brooding film that lacked the trademark Hitchcock sense of humor.

"Foreign Correspondent" however, had it all. The suspense is unrelenting, building to a spectacular climax. It had many of those dazzling Hitchcock sequences: the assassination in Amsterdam, the scene in the cathedral tower and, especially, the sequence in the windmill, which is pure magic!

Of course, it also had that classic sense of humor and a slew of terrific character roles, including Edmund Gwenn as the most cherubic and cheerful hit man you've ever seen! The final scene was strictly American propaganda, but that can probably be forgiven considering the subject matter of the film and the time of it's release.

All in all, a wonderful example of the master at his best, that deserves to be dusted off and enjoyed alongside some of it's more celebrated cousins!

The first half hour of Hitchcock's "Foreign Correspondent" looks like it can either be a light romantic comedy or a oddly fashioned drama about current events. But then, there's this scene in the rain, where our hero, played with energy by Joel McCrea, attends a crowded political meeting. McCrea notices his new friend, an elderly ambassador acts vacant and glassy eyed. Then, this mysterious photographer steps in. The photographer has next to his camera, a gun.... At this point "Foreign Correspondent" becomes an inventive chase thriller, darting across the audiences' eyes at a berserk chase. This was the first time that Hitchcock had all of Hollywood's tools at his disposal, and what a spellbinding, constantly fun classic came of it. I look forward to this film making it's DVD debut!