Dummy (2002)

I really liked the quirky humour and though Adrien Brody's acting was astonishing, the ensemble playing and the interplay of dummy and people was what made the film work for me. I am an ignorant English Quaker and I had a simple question for the director or Adrien or any other American viewers. Is Adrien's character meant to represent a specifically Jewish character, or is the film, as I suspect, more universal in its design?

I teach 11-16 year olds and have written books on mainstreaming children with special needs. I may have read the movie all wrong, but to me the humour brought alive all the hassle that children with Asperger's Syndrome have, trying to communicate their ideas and feelings to an uncomprehending world. My old school has one of the best records in UK for bringing children on the autistic spectrum out of special schools into ordinary classrooms and get great results for them. It takes real love for the staff to help the other children treat them with the kind of respect they need to show their proper talents. The anguish in Adrien's eyes was met with perfect friendship and love in his sister and girl friends and I thought that it was this that helped him reveal his true talents.

I have never filled in a comments box like this before and I only do so because Dummy is one of my all time favourite movies

Respect

Fmovies: Adrien Brody is quietly wonderful as an unemployed nebbish in his late twenties who stills lives with his parents and has a fascination with ventriloquism; he finally buys a dummy of his own and practices the craft he's dreamed about, yet also realizes (via his new wooden companion) that it may be time to start growing up. Greg Pritikin wrote and directed this low-budget satire of suburban craziness, and seems to harbor an affection for bughouse characters all living on the edge. It isn't an original vision (Hal Hartley was mining this dryly eccentric territory 10 years ago), but it's still surprising how successfully Pritikin manages to pull this intentionally bumpy story together. Milla Jovovich is initially off-putting playing Brody's friend, a foul-mouthed garage rocker, but when she gets her band a job playing klesmer songs at a wedding--and immerses herself in the Jewish language--she reveals an appealing, sassy side that totally fits into Pritikin's offbeat universe. Illeana Douglas and Vera Farmiga are also very fine, and though the construction of the script is caricature-oriented, most of these actors overcome the slight material, revealing something unexpected in the process: a sunny story about weirdos that ultimately celebrates humanity. **1/2 from ****

Adrien Brody's next movie,after his Oscar-winning turn in "The Pianist" is this film which is beautifully odd and full of quirk and sweetness. Brody is Steven, a lonely,shy working mensch who lives at home and senses his life slipping away from him. One night,he discovers the art of ventriloquy is the venting of his trapped spirit. Spurred along by his friend,a Gothic,wild-child girl rocker named Fanny(Milla Jovovich,kinetic here),Steven pursues his dream,much to the utter amazement of his painfully neurotic family(Jessica Walter,Ron Leibmann and Ileana Douglas). Meanwhile,he harbors a crush on an employment counselor(Vera Farmigia),a sweet woman with a difficult past.

Meanwhile,the dummy Steven has worked with has nearly developed a personality of its own,goading Steven to become bolder and braver mensch.

Brody's acuity at ventriloquy further enhances this film,which has nothing particularly fancy or breathtaking to it. The love story at play here is...well,it's different. It's neither sentimental nor cynical,sweet but not syrupy. Kind of rare in the world of light romantic comedy.

The show is spare but that,I feel,enhances this pic. To me,this is one of the more unique films I've sen in quite a while. Kudos to director/writer Greg Pritkin for his deft touch. The cast is well placed and make this film both awkward and warm. I recommend this film for anyone who likes either/or both their comedies or romances odd and true.

Dummy fmovies. Steven (Adrien Brody), nearly 30 and living with his parents, sees an old Edgar Bergen movie on TV and decides to fulfill his longtime dream of becoming a ventriloquist. His beautiful unemployment counselor Lorena (Vera Farmiga) finds him work, but puts out a restraining order on him when he paints a thank-you note on her door. Later, this young mother agrees to date him anyway, but finds his bickering family, and his inexperience with women, daunting to a relationship. Steven's sister Heidi (Illeana Douglas) is a wedding planner with a drunken ex-fiancé who keeps showing up at the door. His friend Fangora (Milla Jovavich) is a pseudo-punk rocker whose sex does not prevent her from giving him terrible advice about women. The wedding of a Jewish girl, who wants Klezmer music and gets something unexpected, will become a turning point in everyone's lives.

Whoa, this is bad. Greg Pritikin directs his own script, about a tenth of which is funny. The rest strains hard to give us quirky characters, wacky situations and unexpected plot twists; but we can't buy any of it. The movie becomes unrecoverable when Lorena changes her mind about the restraining order and agrees to date Steven—after he mails her a videotaped apology featuring himself and his dummy. The message on her door disturbed her, but the tape charmed her? I could almost hear Vera Farmiga's brain going "ZZZZZT!" as she tried to play this character. Their relationship grows into the least believable nerd-with-beautiful-girl scenario I've ever seen.

The performances are varied. Adrien Brody recovers fairly well from playing such a pointless character. Farmiga is charming, especially considering the impossibility of her job. Jovavich, with her affected Jersey accent, never quite seems to inhabit her character. Illeana Douglas, a good actress, does a lousy job here. She doesn't seem to get what she's doing, and we can hardly blame her.

This is part of a sub-genre in comedy that I dislike: one that blurs the distinction between celebrating and belittling the losers it depicts. "Napoleon Dynamite," "Waiting for Guffman" and documentaries like "American Movie" and "Gates of Heaven" all belong in this dubious category. But "Dummy" is much worse. It's as phony as it is condescending.

I had a premonition I was about to see a comedy with a lot of heart even before the main titles played out at a screening of "Dummy" at the American Film Market 2000 recently.

In the opening scene, Steven, who lives with his eccentric parents and sister, sits enthralled watching the flickering tv image of ventriloquist Edgar Bergan and his dummy, Charlie McCarthy. As the camera moves in on the young man, we see in his eyes the depth of his dreams and aspirations to at last make something of his humdrum life. The next day, he gives up his 9-to-5 job and announces to his dysfunctional family that he wants to be a ventriloquist. His ever-busy mother(Jessica Walter), making yet another tuna sandwich, remarks that his career choice is" nice but not very realistic" while his sister observes that with the dummy on his lap, Steven looks like a child molester.

Casting is right on the mark. Adrien Brody brings a sympathetic and likable quality to the role of Steven as he manipulates his dummy to express his own private fears and feelings to the people around him. Vera Farmiga, the love interest, is extremely engaging as his employment counselor and Illeana Douglas, the very unmarried sister, is constantly funny. Outstanding too is Milla Javovich as Steven's best friend, a punk rocker with layers of attitude. Writer and director Greg Pritikin skillfully holds down the pathos and gives his film just the right touch of humor. An entertaining movie that is worth a look.

I really loved this film. I kept walking past it at the video store and finally decided we HAD to watch a movie about pursuing a dream of being a ventriloquist.

That being said, it is definitely one of my favorites of the past few years, and definitely my favorite comedy. If you're considering renting it, and you like Wes Anderson, I think this is a film you would enjoy.

The cast is spot-on and Adrien Brody as Steven is fall out of your seat AMAZING. (It doesn't hurt that he's got excellent material to work with.) His tone is so understated, so perfectly introverted as Steven, and so wry and cutting as the dummy...you truly feel that you are watching two actors playing two characters. It makes the moments the dummy is unanimated quite wild and almost eerie.

To boot, this movie is actually quite a good romantic comedy, which in my humble opinion is usually an oxymoron. Steven's pathological shyness and abuse at the hands of his own dummy really made my heart ache, even as my sides were splitting from laughter.

Its hard to believe its the director's first film. Again, all the actors (particularly Brody and Douglas, and Jovovich certainly holds her own as well) go a long way in making it work. It is disappointing to see the lack of attention this movie has gotten. I hope it becomes a video sleeper. It is definitely worth renting...more than once!