City Island (2009)

I really wonder why is this movie so less known,i mean only 800 odd votes!thats bizarre,this is a brilliant movie.well directed and with some superb performances.especially from Andy Garcia.Im an Asian so it is understandable that most film goers are unaware of this movie as this brand of movies are less popular here and they do not get that much publicity,but what about other places?is it because perhaps it was poorly marketed?Because i strongly feel this movie deserves a much lager audience base.Characters are well portrayed and the story develops consistently towards an absolutely brilliant and worth anticipated climax.This is not what you can call a perfect example of a typical Hollywood brand of movie,it is different but it is refreshing,and is it certainly worth multiple viewing.

Fmovies: It's a rare, exhilarating experience to see a film and not find a single false note within. This is one of the most well written, perfectly acted, impeccably directed movies I have seen in a long, long while. It has the feeling of comforting familiarity, and yet is surprising at EVERY moment, taking your expectations and turning them in the most interesting and unique ways. As the basis for the story has the potential to be unbelievable and over the top, it could have been a disaster in the wrong hands, but very early on you find yourself feeling so 'happy' with what transpires, that you are completely drawn in by the brilliance that's displayed. Achingly funny, and sweet without being cloyingly sentimental, it is an amazing piece of work. I implore you to see it, and tell your friends about it. This is a movie that deserves a wide audience. It is classified as 'quirky', which it most certainly is, but COMPLETELY accessible. In creating the specific world of 'City Island', Raymond De Felitta has given us a touchstone of universal emotions. Secrets, lies, mis-communication, love, and most of all, family. I URGE you to see this film. It is truly special.

This is a terrific film, a testament to the brilliance of actor/producer Andy Garcia. It's got it all -- quirky but lovable characters and a great plot with twists reminiscent of the comedies of Oscar Wilde (very clearly updated, of course). As far-fetched as it might seem, it rings true from start to finish. Can't wait for more from writer/director Raymond De Felitta. It's smart, touching, hysterical, and trumps just about everything I've seen in months. Like everyone else, I don't know why this is running under the radar. Andy Garcia plays his role like a fine violin -- and he's totally captivating. All the actors deliver, and every moment is a treat. I don't know when or if it will get a wide release, but if you get the chance, see it while you can.

City Island fmovies. Plotted somewhat like a farce but as emotionally resonate as the best comedy-dramas, City Island is most aptly described, simply and literally, as wonderful. The cast is unfailingly strong with producer Andy Garcia giving himself the meatiest role – to great effect. A few too many "dems" and "dose" may lace his New York accent but he is funny, sincere, frustrated and perseverant in a wide panoply of scenes with actors who have either been TV-type cast (Juliana Margulies), indie-film type cast (Emily Mortimer) or not yet had a real chance to really strut their stuff (Steven Straight, Dominik Garcia-Lorido, and a promising Ezra Miller). Alan Arkin pops in with his usual world-weary Weltanshauung but it plays wonderfully here.

Still, you can see good acting in a number of films (though not an ensemble as strong as this). What separates City Island from the comedy-drama mainland is a story that is both fantastical and yet credible. The premise of what befalls this particular prison guard is a little over-the-top, as are the nonstop (funny) family feuds, but it all feels real. The story detours into little tide pools of drama for each character and here, too, every subplot provides laughs – and it all comes together in a tsunami of comedy at the end, true to its farcical roots. But there's a surprisingly strong current of emotion too in a finale that argues secrets are probably best revealed when you feel least safe in doing so.

The best film I've seen to date this year.

This movie "City Island" will take any city by storm! Writer-Director Raymond De Fellita's engaging & entertainment gem has been transported to my fantastical island of quality film-fare. Cuban-American thespian icon Andy Garcia stars as Vince Rizzo, a New York prison guard (I mean correctional officer) who resides in a New York suburban island calledÂ… see movie title. Vince has always aspired to be an actor but he has never told his family of his "wanna-be" thespian affairs. Julianna Margulies plays Vincent's "good wife" (just had to do it, it was too good) Joyce; in reality Joyce is not too good and has smoking passions of her own, but nevertheless she is the fervent mother of the Rizzo clan. Ezra Miller plays Vince Jr., the Rizzo teenage kid that has some hefty passions of his own that are unknown to his family. Dominik Garcia-Lorido, Andy's real-life daughter, plays daughter Vivian; a college student whose financial tuition difficulties have stripped her of all her money so she decides to be a stripper, of course not providing that naked truth to her family. And then we get a strait man enter the picture, that would be in the form of Steven Strait who portrays Tony Nardella, a convict prisoner who Vince takes under his wing to the Rizzo residence because of a deep secret; to be strait with you he just might be Vince's lovechild. Emily Mortimer plays Molly, a lonely acting student who Vince befriends. And we even get another Alan Arkin sighting in a dysfunctional family film, which is always a welcome. Arkin plays Vince & Molly's acting teacher. All this Rizzo secret madness is wrapped up into a convoluted, but yet, engaging narrative that you will most certainly adore. All the performances are first-rate! But the acting-god father of the group is definitely highlighted by Andy Garcia's charismatic & whimsical starring performance as Vince Rizzo. He belongs in Oscar Island at next year's Academy Awards with a Best Actor nomination. Marguiles was marvelous as Joyce, and Strait was straight as an arrow with his thespian work as Tony. And of course, much felicidades goes out to Writer-Director Raymond De Fellita for his comedic-delicious functional script on a dysfunctional New York family and his functional direction of the side-splitting narrative. So my friends, grab on to your cinematic passport and get on that pleasurable movie cruise to "City Island". ***** Excellent

Greetings again from the darkness. I am always amazed, amused and somewhat satisfied when a writer gathers up multiple stereotypes, massages the conflict and dialogue, and emerges with a script that captures interest and holds attention. Writer/director Raymond De Felitta has done just that with working class Italian New Yorkers.

All story lines revolve around the secrets each of the family members keep from the others. Sure, we all understand that two-way communication and trust create a much stronger and healthier family, but sometimes, it's just not that simple.

Andy Garcia plays the head of this secretive bunch and he sets the stage with two whoppers. The first is his slinking off to acting classes while chasing his lifelong dream of becoming an actor - like his inspiration, Marlon Brando. To cover this one up, he tells his wife (Julianna Margulies) that he is off to another poker game, unaware that she interprets this as code for his having an affair.

They have a daughter (Dominik Garcia-Lorido) who has lost her college scholarship and is saving money to re-enroll by working (secretly) as a stripper. Their odd ball son (Ezra Miller), who believes he is too smart to attend classes, develops an online fetish habit that ends up VERY close to home.

In most films, this would be plenty of ammunition to create havoc among the players. Not here. Garcia's second, and much larger secret, throws this dysfunctional family into a tailspin - and he somehow is the last to realize. Emily Mortimer, Steven Strait and Alan Arkin all provide strong support to the story and this "family".

Mr. De Felitta explored some of these family topics in "The Thing About My Folks", but here he is working with his own script. The balance between comedy, conflict and insight is actually very good; though, the New Yorker habit of loud mealtime conversation is somewhat discomforting for this southern boy. Still, I have nothing but positive things to say about how the stereotypes end up providing self-realization to each of the characters, and even more importantly, an understanding of what their family really is. Good stuff here.