Citizen Ruth (1996)

Laura Dern is one of my favorite actresses just for her work in Inland Empire and her stunning work in Enlightened. This film usually gets the least mentions within Payne's filmography and is probably considered his weakest, and so I was surprised and enjoyed it a hell of a lot, especially coming off of a big disappointment. Like Election, it's definitely more in the comedy-territory and while, again, it may not amount to all that much, it's still a hell of an enjoyable ride. And, of course, Laura Dern is great, she's proved she can play this sort of ditzy, unaware character and she nails it. This is definitely recommended and rather underrated

Fmovies: Unlike every other young American filmmaker, buzzing like moths around the asthmatic short guy from Little Italy, Alexander Payne has a pleasingly atypical role model: Luis Bunuel. His brilliant ELECTION sets down a number of Bunuel tropes in the chain restaurants and badly lit high schools of Omaha, Nebraska, and his first feature, CITIZEN RUTH, is even closer to the wall-eyed master's bone.

The heroine, played by Laura Dern, is named Ruth Stoops, and that's an understatement. Ruth begins the picture as a dumpster-diving skank whose preoccupations are birthing bastards and huffing glue. Through a BEING THERE-ish chain of circumstances, Ruth finds herself in the hands of a family of Baby Savers (Payne's version of Operation Rescue), and then a squadron of mostly lesbian, bourgeois, goddess-worshiping, Frida-Kahlo-T-shirt-wearing pro-choice activists. Though the movie cannily found a home with the Sundance crowd as a "satire" of both sides of the "abortion debate," the topicality is strictly surface. CITIZEN RUTH is a straight-up-Bunuelian demonstration of the hundred facets of human mendacity and venality, cloaking their shivering skins in the warm fabric of Morals. It's a cheerfully made thesis movie about the universality of hypocrisy.

Payne has a curious, sure, light, on-the-money touch. Every detail you notice--from a Baby Saver mom's Tupperware samovar of cherry Kool-Ade, to Kurtwood Smith's Sav-On uniform (with a button that sadly screams "Ask Me!")--is ever so slightly exaggerated and perfectly true. Payne's rendering of his home town Omaha, its wan, angry Christians, and the kinda-gay, kinda-liberal-artsy interlopers, makes the Coen Brothers look both pizzazzier and much nastier. The single-mindedness of the movie is oddly pleasing when it's mated with such a certain, gingerly approach. (Payne's tastes run gratifyingly wide: his jokes, and his music, seem derived from the works of James L. Brooks.) There's a two-dimensionality about CITIZEN RUTH that makes it less deeply satisfying than ELECTION, but this is one smart filmmaker. As the millennium rolls in, the likes of Wes Anderson and Kevin Smith will be gagging on his dust.

In what has got to be one of Laura Dern's most interesting roles, she plays indigent drug addict Ruth Stoops, ordered to have an abortion at the risk of damaging her unborn fetus. That's when she gets taken in by a fundamentalist Christian, right-to-life family who starts using her as a rallying call. But abortion rights activists also see Ruth as a rallying call.

Like "Thank You for Smoking", "Citizen Ruth" shows the hypocrisy of both sides in a controversial topic, as they both want to use an individual for their own ends. This movie sort of predicted what would happen to Terri Schiavo almost ten years in advance. Moreover, director Alexander Payne shows the twisted sensibility that he would later bring to "Election", "About Schmidt" and "Sideways". You gotta agree with what Ruth does at the end. Definitely one that I recommend.

Also starring Kurtwood Smith, Swoosie Kurtz, Mary Kay Place, Kelly Preston, Kenneth Mars and Tippi Hedren.

Citizen Ruth fmovies. In the wake of the huge success "Sideways" is garnering lately, everyone should look back at this incredible film from Alexander Payne, which shows off everything he and writing partner Jim Taylor are best at- the dark skewering of small-town America, rich with satire and heart. I had seen all of Payne's films except this one, and although I really loved all of them, this may be his most fully realized. This is probably because his targets are hit exactly dead-on, and the absurdity of the situations are in fact, achingly real. Laura Dern gives a wonderful and unflinching portrayal of Ruth, and the rest of the cast, especially Swoosie Kurtz, Mary Kay Place, and in a small role, Burt Reynolds, are exceptional as the targets of Payne's satire. Payne fills his films with little details of small-town life, and here they add so much to the point of the story. Take for example the grace that Kurtwood Smith's character gives, which is barely heard because of the roaring plane overhead. It is these details that are the crux of a story like this. So as "Sideways" continues to claim many awards (and rightfully so), I urge you to check out this earlier film from Payne, and experience a brilliant little film, and one of the gutsiest movies you may ever see.

There is something about Citizen Ruth that keeps me coming back to it. I must have seen it 30 times and haven't tired of it yet. It is genuine and the people are so amazingly real. It's almost as if some of my neighbours seem just like the characters in the film. That says a lot in my opinion. The Mid-west is a land that holds a special place in the American psyche. I can literally count on my hands the number of films that truly capture its spirit. Citizen Ruth is one of those films. From scenes in the hardware store to large rear wheel drive Fords, everything fits perfectly. This film captures a place called Omaha which for better or worse Hollywood largely ignores. It also treats a controversial topic like abortion in a thoughtful manner. Excellent film. Highly recommended.

10 out of 10 stars.

I thought "Citizen Ruth" was fine, biting satire and a movie that had to be made at some point in America's history. Like all good movies, it is not really about the subject at hand - in this case, the abortion issue - but about something deeper and more far reaching. "Citizen Ruth" is about people who get so devoted to a cause they think important to humanity that they forget to consider actual human beings.

Of course, the unavoidable problem with a movie such as this is that almost all of the characters are unsympathetic. Regardless of what opinion one has on the abortion issue, both factions behave badly and they do it supposedly on behalf of the most irresponsible, irredeemable, unlikable (but still watchable) glue sniffer around, Ruth. The effect can be a little wearing, especially at the end.

The movie alleviates this problem by including one wonderful character, Harlan, the cynical Gulf War vet. He unceremoniously plunks his prosthetic leg on the kitchen table. He eats shirtless standing over a sink. He sees Ruth as a person, albeit a diminished one, and is willing to give her what she really wants (money) in order to, as he says, level the playing field, even though he knows she will squander it in a matter of days and tells her so. While he is on the prochoice side, he sees the humor in the situation, as evidenced by his wonderful grin and does not seem to lose track of his own humanity. His dialogue is priceless. Where everybody else speaks in rhetoric he cuts to the chase. My favorite retort of his occurs when the sanctimonious Dale, a pro-lifer, spouts out some Biblical condemnation at him and he responds by giving the exact location in the Bible of the quote. Naturally the actor playing the part, M. C. Gainey, deserves much of the credit for creating this appealing character.

The movie has many other merits but Harlan is my own personal favorite