Chinese Take-Out (2011)

Awesome Argentine movie, freaking hilarious !!

From the beginning to the end, excellent and funny jokes...the much the time passes more funny the jokes get. The Chinese guy makes you LOL all the time...the Argentine guy is really funny, and the story itself is comical amusing and very entertaining.

The story is about rare and freakish events that may happen to anyone anytime.

Watch it and you'll know what i'm talking about.

Be ready to have an awesome time and entertain your self with a really great comedy !!!

Fmovies: Usually telling the end of a film is considered a spoiler. In the case of Argentinian director Sebastián Borensztein, 'Chinese Take-Out' ('Un cuento cino' in the Spanish version) it would be a spoiler to tell how it begins. I actually watched the usual late comers to the cinema hall and wondered whether the film experience is really complete for those folks who entered even only two minutes late after the start of the projection. So, I won't make the mistake of revealing the start of this quite charming feel-good film, I will just say it's quite relevant.

The film tells the story of a grumpy mid-aged owner of a hardware shop in Argentina named Roberto who lives alone, refusing almost any relation with other human beings excepting his suppliers and customers (well, even with these ones only to the point where they do not walk on his toes). He is a good and decent man, and a very bad communicator at the same time. The last thing he needs in life is the appearance of a young Chinese man, Jun, frightened and disoriented, who looks for his uncle in the search for somebody to support him in finding a new way in a new country and who has no-one to rely on but Roberto whom he met accidentally. None of them speaks any word in the language of the other, and each hides traumas from the bast that justify their own barriers in communication. The whole movie is about finding ways to communicate and building a friendship that will help both in overcoming the hurdles of life.

Films about overcoming cultural gaps doubled by barriers of language and making human communication possible despite of them have been made in the past, the one I happen to remember is the Israeli 'Noodle', which was telling the story of a stewardess who finds herself taking care of an abandoned Chinese kid. What makes the story different in 'Un quento cino' are the background stories of the two heroes and the fact that Ricardo Darin and Ignacio Huang are right on spot for the two leading roles. One of the nice ideas of the film is that Jun (Huang) does not really speak one word of Spanish during the whole film, he speaks Chinese, but no translation is available. The language gap is more than a emotional trick or a comic pretext in this film. It is the very glue upon which the relationship and eventually the friendship between the two characters is based upon. Although it is aimed eventually to be a feel-good movie (and succeeds to be so) 'Un quento cino' avoids falling into cheap melodrama because of the discrete humor built upon the day-to-day situations, also based on the fact that in the absence of words the characters need to use gestures which to some extent remind the pantomime style of the early cinema comedies. A discrete and pleasant film.

This is a slightly entertaining flick with amusing as well as embarrassing situations , emotions and thoughtful deeds , too . This is a charming drama proceeded in slow-moving with plenty of sentimentalism , sensibility and a few surprises . In Buenos Aires, Argentina, lives Roberto (Ricardo Darin) who is a loner and relunctant to engagement with his lover Mari (Muriel Santa Ana) . Roberto has dark secrets on his past and he is the owner of a DIY store. One day, Roberto meets a missing Chinese named Jun (Ignacio Huang ) being thrown out of a taxi . Jun does not speak Spanish language and both of them are lost in translation . Jun shows a tattoo with an address on his arm . Roberto and Jun head to the location and find out that the place belonged to Jun's uncle , but then things go wrong .

Austerily wonderful film based on actual events , that contains drama , mystery about the strange personality of a Chinese man , and haunting poetic fantasy . This is an enjoyable as well as strange flick , here filmmaker/writer Borenzstein established again his uniquely poetic and visually striking style . Besides,there are brooding , provoking and interesting issues running throughout the engaging story . Nice interpretations all around . It stands out Ricardo Darin as a lonely as well as methodic man who collects rare worldwide news and holding ancient prejudices and pains , that's why he is a solitary man . Darin is an excellent leading figure of the most important Argentinian movies , such as : "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), "Nueve Reinas" (2000), "La Fuga" (2001) and especially known for ¨The secret in your eyes¨ and ¨El Hijo De La Novia¨ . His acquaintance is Mari , well played by Muriel Santa Ana , who has an unrequited and evasive love for him . And the mysterious Chinese with surpring and fantastic past was well performed by Ignacio Huang .

Furthermore ,an atmospheric and appropriate musical score by the notorious musician Lucio Gody , a prolific composer who has composed excellent soundtracks such as ¨Blackthorn¨, ¨All about my mother¨ , ¨Fin¨ , ¨Lunes Al Sol¨, ¨Amador¨, ¨Aura¨ and deemed to be one of the best Argentine/Spanish musicians . Competently produced by Gerardo Herrero . Gerardo is a famous producer as well as filmmaker . He was President of the Spanish Academy of Motion Picture Arts and Sciences (1994-1994) . Great producer of big hits , being especially known for The Secret of your ears (2009), Sin Retorno (2010) , Balada Triste de Trompeta (2010) , Crimenes De Oxford (2008) and El Hijo De La Novia (2001). He also directed some good films such as ¨Silencio En Nieve¨ , ¨Corredor Nocturno¨ , ¨Principio Arquímedes¨ , ¨Crimen Galindez¨ , ¨Frontera Sur¨, ¨Territorio Comanche¨ , ¨Desvio a Paraíso¨ , ¨Al Acecho¨ and ¨Heroína¨ .

The motion picture was well directed by Sebastián Borensztein . He is a nice craftsman who has made nice films as Capitan Koblic , Sin memoria , La suerte está echada and various TV series . The picture won several Awards in Academy of Motion Picture Arts and Sciences of Argentina 2011 such as : Winner Award of the Argentinean Academy Best Film Sebastián Borensztein ; Best Actor Ricardo Darín ; Best Supporting Actres Muriel Santa Ana ; Best Supporting Actor Ignacio Huang .; Best Screenplay, Original Sebastián Borensztein ; Best Cinematography Rodrigo Pulpeiro. Furthermore, it won Argentinean Film Critics Association Awards 2012 : Silver Condor Best Screenplay, Origin

Chinese Take-Out fmovies. "Enjoyable but a bit sentimental" says Yalza, from Denmark, as a title to his critic for this movie. I don't quite understand it, this is not a Rambo movie, this is a very subtle composition about human values, about ethical decisions, about people reaching out to each other, trying to cope with emotions, sometimes small ones, sometimes too big and impossible to grasp in one take.

I was mesmerized throughout the whole film, for moments afraid that the incredible pacing and magic created by this superb director (Sebastián Borensztein, also the script writer) could come down with some unforgivable faux pas that would destroy the fantastic story being told. But that improbability never happened. Not even in the most minuscule detail.

Ricardo Darín created such a strong introverted character (Roberto) endearing from the very beginning with his constant cursing (I didn't see the English subtitles, but I'm afraid that most Argentinian cursing vocabulary is untranslatable) while Ignacio Huang (Jun) brought to life this lost, penniless Chinese immigrant, incapable even to say ROBERTO due to his total lack of the Spanish language (plus the handicap that Chinese people cannot pronounce R at the beginning of a word); Muriel Santa Ana as Mari projected so well her (not hidden at all) great love for Roberto that one felt immediately for her.

And so it goes with the whole rest of the cast, all perfect, even to the smallest part. This movie grabbed me with the story of the lost immigrant in a country without the language because I was there and although it wasn't that tragic, I know how one can feel when it's impossible to communicate.

There are some heart wrenching emotional moments (the ones I suppose our friend Yalza from Denmark found objectionable tear-jerkers) but they are an intrinsic part of those situations and their inevitable conclusion, otherwise we'd be dealing with robots.

Anyway, to me this is an impeccable movie, so far removed from any Hollywood product (I'm convinced that Argentinian movies delve with the same profoundly human feelings that once did the Italian neorrealism in the 1940s) and --as far as I know and I don't know that much-- only Brazilian cinematography matches those feelings with the same intensity.

Try to watch it because, honestly, it's a jewel of a movie. And oh! its final scene... what a gorgeous final scene to end a perfectly gorgeous movie!

I really enjoyed this Argentinian comedy-drama movie about a solitary man that aids an indigent Chinese man that arrives in his country and speaks no word of Spanish! It's quite a beautiful and touching story mostly because of the way it develops and helps both men finding their way to happiness. It's told in the beginning that this story is based on true events. If so, it's even better and interesting.

Roberto (played by Ricardo Darín) is a solitary man that lives in a poor house and owns a small shop. He's very methodic and has some strange habits and hobbies. For instance, he shuts down the light before sleep everyday on 23pm, o'clock, on the precise second (!) and collects bizarre and absurd true stories he cuts from newspapers (I also appreciated the way those stories are told in the film: Roberto imagines the story as he was there and assumes the character of that little story, like Amélie Poulain in AMÉLIE ). But his live is not easy. He's afraid to release his feelings and emotions and he's very closed and linked to the past. At the same time he's very honest, has a strong personality and is a person with great moral values. Precisely what will make him rescue Juan, the lost Chinese man (played by Ignacio Huang) and help him against everything, even other Chinese people, who are unwilling to aid Juan… (by the way it's hilarious the scene when they go to a Chinese neighborhood in Buenos Aires and when Juan starts speaking in Chinese, to his compatriot, the other man says in Spanish – "I don't understand him!! He's talking in Cantonese and I speak Mandarin! It's a different language!" AHAH! Of course he's right but the situation is hilarious and priceless!). So, it's for this man, with such noble character, that Mari (Muriel Santa Ana), a friend and neighbor of Roberto, will fall in love. But he seems to not care, he seems to be afraid of her… or maybe he's just afraid of himself… However, helping Juan Roberto will help himself too as we will see in the end of the film. I don't use to appreciate beautiful and happy endings but here I did! I really enjoyed the way this film ended, especially because what it meant to Roberto and to the way his life turned around!

This film is delicious by its humor, its drama and also because of all those little circumstances portrayed, that can really happen to every one of us and change our lives!

I need to say that Argentine cinema is surprising me more and more at each movie I watch. They are decades ahead of us here in Brazil. Not that we don't ever produce good works.

A rich cast and a good script makes Un cuento chino a excellent option to amuse you at any time, being you alone and sad or laughing with friends.

Trust me, the jokes and the faces are priceless. Ricardo Darín is at his best form, doing what he is best of. His character, Roberto, is an slang disturbed man. He owns a ironware store where he always counts hot many bolts are in the box, so he is not cheated. He turn off the lights every day at 23 pm, etc. One day he is sitting there near the airport, watching the planes takin' off, drinking his beer when this china is thrown off a moving cab. Roberto decide to help the poor boy and, since then, their lives will suffer some changes.