Biloxi Blues (1988)

The timing for my catching of this flick couldn't have been more appropriate. I caught it with a few of my squadmates on a 72-hour pass at the post theater on Ft. Benning, in the middle of my 12-weeks of basic training and infantry school. It was the summer of 1988, "Biloxi" had just hit the screens, and it was the hottest summer on record in 25-years in the already quite sultry city of Columbus, Georgia (about two hours south of Atlanta).

Just imagine, an army base theater -- that had changed very little from its WW2 days -- filled with 200+ Army recruits in uniform, on pass, watching a movie about Army recruits on pass! It was a hilarious deja vu, although I suspect that such irony was lost on the majority of the individuals present that night.

Anyways, my favorite scenes in the movie include the following: Matthew Broderick (as Pvt. Eugene Jerome) moving through the chow line at breakfast for the first time, when the army cook slings some unmentionable godforsaken gloop on his stainless steel G.I. mess tray. The look on Eugene's face is worth its weight in gold as it was almost as if he had been insulted and violated at the same time. (This is especially funny for anyone who has ever stood in a messhall chowline and eaten army "food" before.)

My next favorite scene was when Eugene makes up a game with his bunkmates one night, about what they would do with the last 72 hours of their lives. What every man reveals about himself is not only telling, but an ominous harbinger of what is to come. Hennesey, for example, asks to be with his family. The others scoff. Little do they know, however, that soon enough, even that modest hope will seem like a pipedream to the starcrossed Hennesey.

The funniest aspects of Neil Simon's mostly autobiographically inspired play though, is his comedic depiction of the inevitable culture clash that invariably occurs when the New York quasi-intellectualism and Jewish urbane sensibility that Eugene Jerome and Arnold Epstein are products of, confronts head on the southern white-redneck military subculture that Sgt. Toomey represents.

This theme especially struck a chord with me, having come down to Georgia for boot camp from Chicago that summer. It was quite a culture shock for me upon my first visit to the south. when I stepped off the bus at Ft. Benning, as I quickly had to get myself accustomed to the almost incomprehensible southern accents, idiosyncratic differences in attitude and weird regional expressions employed by our mostly colorful, yet totally profane and predominantly redneck drill sergeants at Ft. Benning.

Another aspect about this film that touched me personally is the fact that it was filmed filmed almost entirely at Ft. Chaffee in Ft. Smith Arkansas, where I had trained extensively when I was in the U.S. Army. From WW1 to the early 1990s, Ft. Chaffee was an active U.S. Army reservation that has since been mothballed.

Being able to see scenes of Ft. Chaffee, especially the exterior and interior shots of Chaffee's vintage WW2-era barracks on my very rare DVD version which I am most fortunate to have, always brings back some rather fond -- and not so fond memories -- of the times I spent at Chaffee. This movie mostly reminds me of all those days and nights I spent training in those chigger and tick-ridden forests, doing PT around post, and living in those godforsaken WW2-era barracks.

Hats off to a great five-star WW2 coming-of-age flick!

Fmovies: In one of the many looks at days gone by, Neil Simon's alter ego Eugene Morris Jerome (Matthew Broderick) and friends go down to Biloxi, Mississippi, in early 1945 for basic training. Once there, they have to cope with one bad-ass sergeant (Christopher Walken) and a status quo totally unlike the one in New York. But we also see how the experience turns Eugene into a very different person, partially due to his relationship with local babe Daisy (Penelope Ann Miller).

"Biloxi Blues", in my opinion, is far from Mike Nichols's best movie. I find it having strength in showing these young men's coming of age and wondering what to do with their future. But still, it's fun to see the environs of the WWII-era South. And I really liked Eugene's fake name when he met that one woman; I couldn't have come up with anything like that! Worth seeing, along with "Brighton Beach Memoirs".

When Matthew Broderick played Ferris Bueller, who ever would have guessed that he would later play the guy - or the alter ego thereof - who wrote "The Odd Couple"?

Well I'm disappointed. :-( This film deserves much more than a 6.6 rating! If you watch Brighton Beach Memoires you will love this film. Personally the 1st film was better but maybe because I could relate to a younger Jerome. But this film, oh yes! Christopher Walken you are my GOD! He is so funny in this film in my view! The way he makes the wise-cracking Jerome (Broderick) and fellow NY boy Epstein (Corey) is great. Ok he is a nut but that is Walken- he would be the worst Army officer I would want! Great film- the scene with the 'escort' is great! "You're not breathing! Breathe!" Unbelievable! It is also heart-warming and I love it! Overall I must give it a 8.5/10. Give it a try dont let the 6.6 rating fool you! HO NO!

Biloxi Blues fmovies. Biloxi Blues is directed by Mike Nichols and written by Neil Simon. It is based on Simon's semi-autobiographical 1985 play of the same name. It stars Matthew Broderick, Christopher Walken, Penelope Ann Miller, Corey Parker and Matt Mulhern. Music is by Georges Delerue and Bill Butler is the cinematographer.

The second part of Neil Simon's Eugene Morris Jerome trilogy, the plot centers around Eugene's (Broderick) draft into the United States Army during the last year of World War II. Sent to training camp at Biloxi, Mississippi, Eugene is thrust in amongst people from all walks of life. Here he will not only learn about life, but also have it changed for him.

Straight from the off I have to say that this has become one of my favourite films of all time. From the moment I first caught it back on release, where I only went to see it because it was written by the guy who wrote The Odd Couple, I have without fail been humoured and charmed every year since. On synopsis it seems to be yet another run of the mill coming of age picture, or just another tales from the boot camp time filler, but with Simon holding the pen and Nichols painting the narrative with careful nostalgic splendour, Biloxi Blues is much better than it's often given credit for. For it's a film that is that rare old beast that strikes the right balance between laughter and sentiment.

"It was hard to believe these guys had mothers and fathers who were worried about them"

Although this is primarily Eugene's story, film is propelled by the bubbling concoction of a group dynamic. At training camp Eugene and the other lads have to face up to a number of challenges, not just growing up into men, but learning about bigots, bullies, homosexuals and intellectuals, all while under the borderline crazy command of Sergeant Merwin J. Toomey (Walken). They may all be different personalities and from different backgrounds, but one thing binds them together, that none of them want to be there! In other hands this group would have consisted of annoying stereotypes, but Simon and Nichols, courtesy of the writing and the garnering of acting performances, ensure this isn't the case. The audience isn't short changed with these characterisations because they are stripped down to being survivors by way of humour and naive honour. Thus it never feels false.

"I wasn't in on that Pearl Harbour thing"

One of America's most celebrated film critics said Biloxi Blues contains limp dialogue! That's something which I certainly can't begin to comprehend. For the film is an advertisement for witty retorts, where often responses are used as a survivalist tool, to de-heat a flare up or to hide nervousness. In this respect Biloxi Blues pays big on revisits, each time another little one-line gem registers where previously it had been missed, maybe because we are too focused on the airy sound track first time around? Or most likely because we are too lost in a "Eugene" or "Toomey" facial moment. One of the best passages in the story concerns a last week on Earth game the lads play, the writing is sharp, yet tender, funny, yet telling. It really is a case of laugh whilst being drawn into the frightening reality that these boys are a long way from home, with the very real possibly they soon could be fighting for their lives in some muddy trench.

The cast are uniformly strong. Walken delivers one of his quintessential mania turns, marking Toomey out as being one clic

A wonderfully entertaining film. Everything seems to be in it's place. The only thing that one could grab at as being off somewhat, are some of the Simon jokes/funnies, which tend to sound too dated, corny or ill fitted. One must take into consideration on that point that this is a film and a story of an earlier time. A period piece and a script from quite a few years ago. Because of some of the tried for laughs, it seems that none of the Simon plays as they stand or the adaptations for screen will stand the test of time. A bit of re working on the script/dialog would help immensely Even with that BIG flaw that sticks out like a sore thumb, this film is wonderful. One might refer to or call these imperfections in the dialog,New York City Corn. Being form New York City myself, perhaps it's just the way it plays to me, but I doubt it. Most of today's viewers would have the same problem with some of the lines.

The characters could not be more interesting or endearing. The scenes are right on track as one follows the other in perfect harmony. The acting and casting is superb with standouts being just about all of the main characters. Christopher Walken continues to take command. But it's also the great by play and perfect casting of his buddies of all religious persuasions that are just as marvelous. Terrific performances by Matt Mulhern, Corey Parker, Park Overall, and of course Matthew Broderick are all great. A perfectly cast movie I would say. Everyone was terrific but what stands out so nicely about this work is that we don't want the relationship that Simon creates between our beloved characters to ever end. There is always a Bully right? Matt Mulhern is cast as the lovable, honest, Bologna sandwich slamming cretin. Yet he is wonderful in the part he plays, and becomes my favorite. Then their is the enigmatic, always unearthly Christopher Walk en who endears himself to both the audience and to his boys that he makes into pretty good soldiers.

The interplay between the different characters is what makes this work so well. There really isn't a single one in the group that we don't end up liking, at least to some degree. I really think this is where Simon's genius lies, what makes his plays so popular, so likable. We like both Oscar and Felix (opposite personalities) in the Odd Couple, right? Well, despite mostly minor bickering some major which is predictable among a bunch of guys from mostly different backgrounds and religions, in Biloxi Blues, the guys end up liking each other. They even end up realizing that St Toomey is a good guy. They understand that he is raking them over the coals in order to save their lives if and when they are shipped over seas during WWII The adventure really doesn't leave much out. Matthew Broderick goes through all or most of the adventures that we would expect. I found myself easily fitting into the group as the same kinds of things happened to me as I was growing into manhood. Somehow they grow together, they move threw some of life's more difficult moments as young men. In the end, Simon's or should I say Sgt. Toomey's bunch makes it, and we love it. I kept thinking that they really didn't have a care in the world. It was of course, a time of great anxt and worry as the guys wondered what in the world would ever happen to them. However, I couldn't help but go along with Broderick at the end, when the war is over, when none of the guys is actually sent over seas to fight. He states to the affect that as he looks back (narrating i

It seems strange to say this about a movie that has very few moments of high drama and virtually no moments of great excitement, but "Biloxi Blues" has a strangely compelling quality to it. Once you begin to watch, you'll stay with this through to the end. Director Mike Nichols does an excellent job of bringing the viewer into the lives of the disparate group of young men who find themselves suddenly soldiers in 1945, facing the prospect of being sent to the Pacific to fight and quite possibly die for their country. From the very beginning, we want to know about these men: who they are, what makes them tick, and, most important - what's going to happen to them?

There are several fine performances in this movie. Matthew Broderick is excellent (he seems to have a knack for military roles, as in both this and "Glory") as Private Eugene Jerome, a young, idealistic Jewish teenager, just out of high school, who dreams of being a writer rather than a soldier. Much of the movie is seen through his eyes as we see him come of age in many different ways. There's great humour involved as he loses his virginity with the understanding prostitute Rowena (Park Overall). Eugene is simply a likable young man who we enjoy watching grow up. Corey Parker put on a strong performance in a supporting role as Private Albert Epstein, who challenges military authority from Day 1. Another scene of brief humour is when Epstein presents a note from his doctor in New York, asking that he be excused from having to eat army food. Also offering a strong performance is Christopher Walken as the slightly off-balance Sargeant Toomey, who drives his platoon relentlessly.

If you're looking for a classic war movie, you'll want to avoid this. But if you're interested in a story about genuine people, give it a try. I enjoyed this movie very much, and would rate it as a 7/10.