Big Fan (2009)

"Big Fan" is about Paul (Patton Oswalt) who is a really big fan of the New York Giants. It's a simple premise and one that you think you see on a regular basis. But this movie is different because we really meet Paul, on a very personal level. We see everything in his life that makes him who he is. Even though Paul takes the word "fanatic" to a very serious level, he's accessible and it seems very real.

It's really slow moving because we basically just follow Paul around as he lives his very lowly life, everything revolving around the Giants, and listens to sports talk radio. I was completely riveted. This is a character study at the highest level. It doesn't use sex or drugs or big-budget action to get us interested, only Paul himself. And a little bit of football talk.

This is a darkly comic, but also very real, introspection of a sports fan. Every aspect of Paul had thought put into including interactions with and characteristics of all his family members and friend(s). "Big Fan" is the best mix of character study and sports, written at a very high level.

The director and screenwriter, Robert Siegel, also wrote "The Wrestler" which I was not a big fan of. Although it was critically acclaimed, I feel that "Big Fan" actually accomplishes what "The Wrestler" was supposed to - a soul-fulfilling examination of what sports can do to some people. The humour echos the realness and intelligence found in the The Onion - Siegel was an editor in chief. That should just reinforce the recommendation to see this movie.

Fmovies: "Big Fan" is an unpleasant movie about an extremely unpleasant man.

Patton Oswalt plays a dumpy 37-year-old loser who lives with his mother and spends his life living vicariously through the glories of the New York Giants. On a night out on the town, he and his buddy catch sight of their favorite player and follow him to a nightclub. When they approach him, a misunderstanding leads to Oswalt getting badly beaten by him. But he refuses to take legal action against him despite the admonishments of his family, because he'd rather see his favorite player able to lead his team to a win than seek remuneration for himself.

"Big Fan" starts out as a low-key comedy, but gradually picks up dark overtones and seems like it's going to take its audience to some uncomfortable places. Oswalt's character comes across as a schlubby but mostly decent guy at first, but as the movie progresses, we start to wonder if he might be mentally unhinged. However, a cop-out ending lurches the film back into uneasy dark comedy, and basically asks us to find Oswalt's character endearing even though he's been nothing but off putting.

The tone is all over the place, the comedy never really working. If the film had acknowledged that Oswalt's character is a loser, and made some kind of point about the fine line that begins to separate hobby from obsession, it might have been more interesting. But it instead asks us to take his side, and seems to take the stance that his obsession is just the healthy interest of your everyday man-child. The movie goes out of its way to make Oswalt's family into obnoxious caricatures, and we're not supposed to like them because they think he needs to get a life, but guess what....his family seemed to me to make a lot of sense.

Pretty much the definition of a misfire.

Grade: C

How big is the small independent movie "Big Fan"? Well if you are a fervent football fan, then to certain extents you will relate to the film's protagonist Paul Aufiero; a die hard New York Giants fan whose life revolves around following the pigskin team and one of its star players Linebacker Quantrell Bishop. If you are not a football aficionado, then my daring prediction is that you will still be taken by its narrative's character study on obsession as a way of life. So "Big Fan" did not make big bucks at the box office. So what! It still sacked plenty of dynamic film-making richness in Writer-Director Robert Siegel's brilliant look on one man's fixation for his favorite football team. Patton Oswalt's marvelous performance as Aufiero was of thespian Pro Bowl caliber. Oswalt fired awayÂ… sorry maybe wrong choice of words for JFK Stadium Philly fans. What I meant to say is that Oswalt scores high with his portrayal of a sports nut who spends most of his working day as a park attendant writing discourse for his ritual nightly call-in to a sports radio talk show. Aufiero, near 40, still lives with his whining mother. His injury attorney brother Jeff, Jeff's archetypical New York attorney wife Gina, and Paul's other sibling Christine think that Paul is an immature "get a life" slacker whose New York Giants worship has caused him brain damage. Even though Paul's family is not on the "They Might Be Giants" team, they still love him and what him to flourish professionally & personally. The plot of "Big Fan" takes a stalking play-call turn when Auferio follows the Bishop to a Strip Club (somehow that does not sound right) and the Linebacker does an off-the-field "unsportsmanlike penalty" play by beating the crapola out of Paul. However, the deranged Aufiero does not intercept Bishop's playing career by pressing charges against the millionaire footballista. Kevin Corrigan's exceptional performance as Paul's Giants-Loving best buddy Sal well complimented Oswalt's Aufiero. This rocking "They Are Most Certainly Giants" duo were a big hit during their shared screen time. Michael Rapaport flew like an eagle in his brief scene-stealing supporting performance as the obnoxious Philadelphia Eagles fan Phil, which in some odd way could be classified as the villain of "Big Fan". Other supporting performances that tailgated the aforementioned fine acting of the film was carried by Marcia Jean Kurtz as Paul's Mom, Gino Cafarelli as brother Jeff, and Serafina Fiore as Gina. Siegel's game plan on the writing & direction of "Big Fan" was fantastic with its authenticity, creativity, and connectivity. And what an original trick plot play does Siegel call during the 4th Quarter of this movie! You just gotta see it! But at the end of the game, it was General Patton Oswalt's mesmeric starring performance that enamored me the most to be a big fan of "Big Fan". ***** Excellent

Big Fan fmovies. Simplicity is a rare commodity in today's fast moving, conglomerate world, but for Paul Aufiero (Patton Oswalt) there's only one thing that matters in his life. Everything else is irrelevant in comparison and it isn't his wife, or his child, or his family in general; it is the American Football team the New York Giants. As the self-proclaimed 'biggest Giants fan ever' Paul lives, breathes, shouts, screams, and sleeps everything about the team. He even situates a poster featuring his favourite player Quantrell Bishop (Jonathan Hamm), the Giants quarterback, above his single-bed. But when an opportunity arises to meet Quantrell, the player mistakes Paul for a stalker and violently strikes out causing his instant hospitalisation. Once released he has to come to terms with the fact that his simple, linear life is now starting to crash around him, like a fumble in the final moments of the Super Bowl, as his family, the media and the team all want a piece of the Giants 'Big Fan'.

Written and directed by Robert Siegel on a minimal budget, 'Big Fan' is a surprising independent gem that attains the majority of its prowess from an outstanding offensive performance by Patton Oswalt as the man who lives for the Giants. His support is monumental as he travels week in and week out to merely sit in the car-park outside Meadowlands Stadium and watch the game on a portable TV with his right-hand fan Sal (Kevin Corrigan). While he spends his job as a parking attendant writing up witty remarks to use on the Sports Dogs nightly call-in Sports show – of which one participant called Philadelphia Phil becomes Paul's nemesis over-time. There banter over the airwaves becomes one of the biggest driving forces of Paul's life while he isn't thinking about the next game. But after the assault takes place, his loyalty, and in turn his life starts to become torn apart. His family want him to turn the event in an opportunity to sue the player; the local authorities want him to press charges against quarterback, while the team are on a losing streak as Quantrell has been suspended while the investigation is on-going. All the while, all Paul wants is to support the team and nothing more. He doesn't have the greed and the ambition that others do. To him the Giants are his life-support machine, and if you take those away he would flat-line in an instant.

While Oswalt's performance is mesmerising, Robert Siegel's writing and direction must also be commended. His script is honest and straight-to-the-point, he captures it captures all the awkward events of Paul's life perfectly, including the argument between the brothers on the toilet. While he uses the space of the world around him perfectly to capture Paul's subtle isolated life brilliantly and at the same time Siegel also uses the, sometimes overtly exaggerated, close-up shot to portray the characters emotions within this one man's own perfect universe. 'Big Fan' is low budget, high impact film that thrives off a gleaming central performance by Patton Oswalt, and is definitely one of the best independent films of the last couple of years.

Big Fan stands as a profound and thoroughly remarkable character study marked by a magnetic performance of Patton Oswalt. He excels as Paul Aufiero, a life-long fan of New York Giants being brutally hit by one of Giants' top players in a strip club. Oswalt is equally sympathetic and believable starring as this deeply troubled character. His performance is the chief, but thankfully not the only reason to see Big Fan. Writer-director Robert Siegel regards the sports fanaticism as an addiction and that gives his film the necessary gravitas: its power and its credibility. The script is devoid of clichés with many well-observed situations thrown in and several ingenious twists you won't see coming. As a result, you observe Paul falling into decay with great anxiety combined with care. Siegel crafts a subversive comedy, funny and bleak in equal measures. It also works as a peculiar take on the pathology of sports mania.

Patton Oswalt plays Paul Aufiero, the star of Big Fan, an indie drama about a New York Giants football fanatic. He eats and breaths blue and red and wants nothing more than for his team to go all the way. He works as a parking garage attendant where he takes money, opens the gate, and prepares his thoughts for the night's radio broadcast where he is Paul from Staten Island. He calls to give his opinion about the team, how they will win, and tells another fellow caller, Philadelphia Phil, a proud Eagles fan, that he can basically go eat his own shorts.

He lives at home with his mother where he is bombarded with ideas and images of a better life thanks to his well of brother (Gino Cafarelli), a lawyer, and his brother-in-law who keeps after Paul with a job offer that he doesn't want. Paul's only haven is with his best and only friend Sal (Kevin Corrigan). They share a love for the game and a love for their team. One night they spot Quantrell Bishop, Paul's favorite Giant. His idol of the gridiron. They see him coming out of a shady spot on Staten Island and decide to follow him all the way into a Manhattan night club. When they decide to approach they are met by a hostile Bishop who thinks they are stalkers. He beats Paul into the hospital where he is met by a barrage of questions from investigators and his lawyer brother. Now he is faced with the decision of turning a blind eye to what happened or pressing charges against his favorite player, likely causing his team a division title.

A round of applause to Oswalt for his performance. He really captured the spirit of his character. I am sure that there are many people out there similar to him (I can think of a few I know who border on this line of fan-hood). Oswalt is a stand-up comedian by trade, but lately has been dabbling with some acting roles. He was the voice of Remy in Pixar's Ratatouille, one of their better casting jobs, and I particularly liked his cameo on Comedy Central's "Reno 911" where he played a "gamer" like those from "World of Warcraft" and "Dungeon's and Dragons". Here he steps way out of his comfort zone and does so effortlessly.

This is a Robert D. Siegel's directorial debut. After writing the screenplay for last year's The Wrestler, he dives into a different sport: the sport of, well, watching sports. He presents us with another tragic character. Paul is someone who cares only for his team. Not himself, his family, or his future. He doesn't care for his job and he doesn't care about how he lives. He is a special kind of man.

Siegel does a nice job behind the camera, but his strength is clearly on paper. He does a great job establishing background for his characters. We know that Paul has been a die hard sports fan for a long time. We know that he has worked the same job and has lived the same routine for years and years. Little things like his mother saving Chinese food condiments and the cluttering of Paul's bedroom walls with sports paraphernalia give these characters a history. One that we can relate to and have seen before.

This is a nice little film that has an excellent story with an even better ending. I really enjoyed the struggle that Paul goes through with all of the different pressures around him, trying to persuade him to go against his will. An excellent achievement for both Siegler and Oswalt.