Being Julia (2004)

Annette Bening does her best work ever in this film set in the 1930's about the life of an English stage actress. Her performance is over-the-top when it needs to be and, at the same time, evinces a trembling vulnerability as in scenes where she begs her young lover to remain with her. Bening's acting will certainly win her an Oscar nomination and should win her the award. It's far and away the best acting -- male or female -- that I've seen this year. (Admittedly, there are many critically praised performances that I haven't seen.) The versatile Michael Gambon will probably not be nominated for his wonderful turn as Bening's acting teacher but he is another of the marvelous things about this film. Jeremy Irons is also very good as the stage/manager-husband as is Juliet Stevenson as the star's personal assistant and dresser. Istvan Szabo, the director, and Ronald Harwood, who adapted the Somerset Maugham story, also deserve mention. Go see it.

Fmovies: I went to see this because I was glad to see that the daring Annette Bening was finally back on screen as a leading lady, four years after American Beauty. (She really deserves better than supporting Kevin Costner in a western, doesn't she?) I was not expecting to enjoy it as much as I did. It looks like a highbrow piece to start with--and it is--but there are quite a few laugh-out-loud moments and a couple of sexy scenes worth the price of admission alone. The supporting performances by the always-great Juliet Stevenson (Bend it Like Beckham) and Miriam Margolyes (Cold Comfort Farm) are sublime. Their very presence tipped me off that this would be a winner.

Don't over-analyze this film, just enjoy it. We need more comedies like this and less of the slapstick and/or gross-out variety. Oh, and I almost forgot the best part about this film: It is gloriously schmaltz-free!

Anyone who enjoys the catty, female-driven movies of old (All About Eve, The Women, et. al.) and bemoans the idea that they don't make 'em like they used to should see "Being Julia." Annette Bening is at her best when she's *not* playing saints, and while Julia isn't nearly as awful as the roles she played in "The Grifters" or "American Beauty," she's wicked enough to delight throughout (and vulnerable enough to garner sympathy).

Most of the reviews and award nominations associated with this film will likely heap loads of praise on Annette Bening and little else. She is in nearly every scene, so it's hard to separate her performance from anything else -- and while she is brilliant; the story, direction, costumes, cinematography, art direction, and supporting performances are equally worthy of praise.

Every once in a while, they make one like they used to.

Being Julia fmovies. This movie is a great bit of fun: over the top in all the right places, and with many laugh out loud moments. It is bright, emotional, engaging, and witty, just like the title character, acted to perfection by Annette Bening.

It's brilliantly acted from top to bottom, with wonderful performances from even relative newcomers, Lucy Punch and Shaun Evans. I especially loved how the many layers of the original work are brought across: how real can be the fantasy world of theatre, and how fantastic the real world may seem in opposition to it. In theatre, they say timing is everything. That's very true about the bulk of the situations in this movie. I would definitely see this movie again.

Being Julia is a very entertaining picture aimed at the over 40 demographics, which is nice for a change since most of the films these days are aimed at the 25 and younger crowd. The story is great. I haven't read the book, so I don't know if the credit goes to the screenwriter or the author. Annette Bening's performance carries the film.

The bad news is, it could have been better. My first complaint is the photography has a yellow/green cast to it, which makes the film visually dull. This is a shame since Annette Bening is so radiant. My second complaint is the directing is competent but not much more. It's pretty much what you would expect from a made for TV film but not an art house film. A visionary director could have made this film great rather than merely good. My third complaint is that it is similar to All About Eve, Sunset Boulevard, and 20th Century; but it is not at the same level of those classics, due to the reasons given above.

This is a film about the theater and in my favorite scene her son tells her that she is always acting. Some people might be turned off by the style of the dialog, but it fits the context of the film. One of the devices of the film is that the ghost of her acting mentor is always watching over her like a guardian angel. The ending of the film couldn't have been better, but I don't want to spoil it for anyone.

Overall, this is currently one of the top 3 films in the theater and if you are lucky enough to have it playing in your area, you should see it. 8/10

I am not a fan of Annette Benning by any stretch of the imagination. I thought she was far too old to play the schoolgirlish ingenue in "An American President", and found her lacking in warmth and charisma as the love interest in "Open Range". I thought she was okay for what she had to do in "Dick Tracy", and honestly can't remember her performance in "American Beauty".

In "Being Julia", however, Benning's performance thoroughly does justice to her larger-than-life character. Benning plays 1930s stage actress Julia Lambert. Julia is by turns melodramatic, egocentric, overbearing and overwrought. She roars into our consciousness from her first scene to her final curtain.

Benning is surrounded by a fine cast of actors and actresses who act as perfect foils for her. Jeremy Irons, especially, is subtle and subdued as her manager husband, Michael Gosselyn. Juliet Stevenson is a sly confederate as Julia's dresser Evie. Miriam Margolyes is a hoot as theatre owner Dolly. Shaun Evans is a feast for the eyes as Tom Fennell, the young cad who breaks Julia's heart. Michael Gambon rounds out the cast as Jimmy Langton, a ghostly mentor to the very much alive and lively Julia.

Julia is not exactly what you would call an admirable human being. She is self-centered, bitchy, catty and vengeful. But, as the Italians say, "revenge is a dish best eaten cold". The film keeps us in suspense as we nervously wait for the other shoe to drop, for Julia to execute her carefully plotted revenge. When she springs her trap, we may shake our heads disapprovingly, but we cannot suppress a hearty laugh.

By its very nature, "Being Julia" is a film that will not appeal to a young demographic. You have to be a certain age to appreciate Julia's predicament of growing old and feeling that life and love have passed her by. Benning bravely allows director Istvan Szabo to film her in merciless and unforgiving closeup, to capture the lines etched in her brow, around her mouth and at her neckline. But the film leaves us with a sense of hope that, like Julia, we may all age like fine wine -- or like the beer whose creamy foam Julia relishes like her life itself: without the slightest trace of sadness or regret.