A Million Ways to Die in the West (2014)

Comedy westerns have a strong legacy through classics like Mel Brooks' "Blazing Saddles", "Support your Local Sheriff/Gunfighter" (with James Garner), "Paleface" and "Son of Paleface" (with Bob Hope and Jane Russell) all the way back to the brilliant "Destry Rides Again" (with James Stewart and Marlene Dietrich). Unfortunately for each of these classics there's the odd "Wild Wild West" to restore movie western Karma, and Seth Macfarlane's follow on to "Ted" – "A Million Ways to Die in the West" – is on that other side of the scales.

Macfarlane aside (who really isn't funny enough to take the leading role of the sheep farmer Albert) the rest of the cast is bordering on stellar featuring Liam Neeson, Sarah Silverman, Amanda Seyfried and the gorgeous Charlize Theron. And they work very hard at it: Theron occasionally laughs like a hyena (to cover the fact that normally we are not) and Neeson plays the straight man villain very straight indeed.

So let's accentuate the positive for a moment. The photography of the Utah locations is gorgeous. Joel McNeely's western score is sumptuous (gotta love a western soundtrack) and the songs (including the moustache song and the title song) are both catchy and suitably ridiculous.

And there are moments in this film that are genuinely funny: Sarah Silverman's Christian hooker with a heart who is "saving herself" for her husband-to-be, played by the excellent Giovanni Ribisi (Frank Buffay Jnr in "Friends"), while servicing 10 of the locals ("on a slow day"); shooting practice with plates and a doctor's blue woodpecker for the aftermath; the Navajo translation for "fine" being "Mila Kunis" and – most surreal of all – Albert's drugged up trip with moustache wearing dancing sheep.

There are also some amusing cameos, particularly one in a barn (don't watch some of the trailers that cheaply give it away).

But the bits that did make me really laugh were few and far between. A lot of the jokes fall face first into the dry Utah dust with the humour similar to Albert's aim: scattergun. The script stoops to swearing at every opportunity (because that's always funny isn't it?) and whilst toilet humour can work in moderation you need to know when to stop and when to leave something to the imagination. I'd like to suggest that this was a self-written, self-directed over-indulgent piece by Macfarlane, given carte blanche to indulge, and over-indulge, by studio execs after the runaway success of "Ted" – - but he did have co-writers who could and should have balanced his content more (Alec Sulkin and Wellesley Wild – I haven't actually checked that these don't make an anagram of Seth Macfarlane).

Comedy movies need to have good material across the whole running time, which means the films need to be tautened until the material 'twangs' along its whole length. This was not one of those films.

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Fmovies: This review comes from someone who likes Famnily Guy and really enjoyed TED... but this new one... was... ouch... I went in expecting a few laughs but there were fewer than even my low expectations predicted. Other than the script everything is top notch. Actors are great. Charlize and Liam and Sarah Silverman etc are terrific. It's too bad they didn't have something better to work with.

Liam in fact seems like he's in a different movie. He's 100 percent serious. That might be Seth's point in making a guy (himself) who is caught in the middle of a serious horrible deadly world that the west really was.

It looks very good visually. Great score. But very inconsistent. Not hit and miss. More like hit and miss miss miss groan miss semi-hit miss. And the joke style kept changing. Silly to sweet to over the top and serious at times. and some of the jokes were so disgusting I don't know what they were thinking. (and i like disgusting)

Plus the anachronistic style gets tired fast.

And Seth as predicted should not have made himself the lead. He's not awful but would have benefited greatly with a pro. His persona is not fit for leading man status. And his voice and style is so in step with Brian's on family guy its a bit distracting.

Basically the tone of this film keeps changing. The joke styles keep changing. it doesn't know what it is. Is is a sweet western romcom? Is it a satire? Is it a serious comedy?

With all the success from Ted I'm guessing Seth had carte blanche with this one and probably needed someone to question him more.

Might be more fun if your stoned. Really really stoned. And/or maybe just see Blazing Saddles instead.

You have to have a certain sense of humor to get this movie. Seth McFarlaine has a kind of sense of humor that isn't universal. I actually understand why some don't get this movie. That's fine, but don't pontificate and say this movie sucks just because you're the type of person who is easily offended. Yes, it is offensive, but you should have known that going in. If not, it's not the movie's fault. So many fat assholes on IMDb who think they know what a good movie should be. I love classics, deep love stories, the better comedies, and also alternative newer movies. This is alternative. Either understand it or just leave it alone.

A Million Ways to Die in the West fmovies. This is one of those movies that's highly polarizing: you either love it or you hate it... and I loved this!

I was in tears laughing throughout. I mean, it's just such an awesome contemporary take on the Western and I feel like Seth MacFarlane was able to take what's great about Family Guy, dial it down a notch and very effectively create a very self-aware, self- parodying flick, that's also oddly thought-provoking and highly relevant to our times.

The character development could have been better as a lot of the supporting characters were just there for comic relief... which makes sense, because as Seth MacFarlane said, it's meant to be a comedy, but also a Western.

With that said, between Neil Patrick Harris's character and Seth MacFarlane's, it almost felt like an episode of How I Met Your Mother meets Family Guy so I'm definitely biased, because I loved both those shows.

I could go on and on about all I loved in this movie, but I don't want you to read my opinion - I want you to watch it and a definite standout was Neil Patrick Harris's

Even if you watch it and you're viscerally offended... you have to respect Seth MacFarlane for taking bold risks and fully putting his humor out there. It's easily the funniest comedy I've seen in a while

First of all, I like MacFarlane's work and I am big fan of 'Family Guy', 'American Dad' and his previous live-action feature 'Ted', but 'A Million Ways to Die in the West' was set for being panned from the moment the trailer was unveiled. This is a real shame because the film does have some good aspects to it, at times it is evident that MacFarlane was trying to pay homage to some of the original westerns but at other times he was trying too hard to modernise a genre that didn't need it, and as a result the film was littered with grotesque sex jokes and toilet humour. Now don't get me wrong, I did chuckle a few times, but very few times at that. Liam Neeson's casting as the villain was indeed a good choice and he pulls off the role very well, especially alongside the stunning Charlize Theron in all her glory. I did enjoy the subtle references to 'Back to the Future' and 'Django Unchained', but despite these certain affluences, the film just generally lacked elsewhere and was unfortunately heavily flawed; a disappointing project from MacFarlane.

After finding tremendous success with animated sitcoms Family Guy and American Dad, Seth MacFarlane ventured into the realm of live-action comedy with 2012's smash hit Ted, which featured Mark Wahlberg as a slacker whose best friend is a sex-and-drugs-obsessed teddy bear. While MacFarlane provided the voice and motion capture for the titular stuffed animal, he never actually appeared in the film, but takes center stage in his sophomore effort, A Million Ways to Die in the West.

Set in Arizona in 1882, the film stars MacFarlane as Albert Stark, a mild-mannered sheep farmer living a mundane existence in the rough and tumble town of Old Stump. Stark has just lost his girlfriend (Amanda Seyfried) to a wealthy local businessman (Neil Patrick Harris), and spends his days drinking away his sorrows with his best (and seemingly only) friend Edward (Giovanni Ribisi) and his prostitute fiancée, Ruth (Sarah Silverman).

Meanwhile, notorious outlaw Clinch Leatherwood (Liam Neeson) has dispatched his wife to Old Stump to await his arrival while he and the rest of the gang pull off another stagecoach robbery. After a chance encounter during a bar fight, Anna (Charlize Theron) takes an immediate liking to Stark, and agrees to help him win back the heart of his lost love, but omitting her true identity could have grave consequences when Clinch discovers who she's spending her days with.

While the plot sounds like it could have come from any number of Western films, everything that occurs on screen is through the filter of MacFarlane's unique sense of humor. Simultaneously poking fun at genre tropes while also paying homage to the classics, A Million Ways to Die in the West offers plenty to laugh at, including a hilarious song and dance number about men's facial hair, and an absurd variety of comedic death sequences.

Unfortunately, these moments are overshadowed by the fact that most of the film's humor is derived from the sort of R-rated content that MacFarlane can't get away with on television. There are only so many jokes about semen, diarrhea, and homosexuality that an audience can absorb before these topics stops being funny, but the film continues well past that mark, with Silverman coming across as particularly grating. After years of the exact same schtick, haven't people grown tired of hearing her talk about her vagina?

MacFarlane has proved time and again that he can write intelligent, thought-provoking comedy, but much like his previous film, he seems far too willing to cast that aside in favor of dick jokes and lame attempts to be offensive and shocking, just for the sake of being offensive and shocking. A Million Ways to Die in the West isn't a bad film - indeed, I think it's a vast improvement over Ted - but it's still not the MacFarlane film that I had hoped for. He's better than this, and hopefully we'll see that in his next flick.

-- Brent Hankins, www.nerdrep.com