Wonderland Poster

Wonderland (2003)

Crime | Mystery 
Rayting:   6.6/10 21.3K votes
Country: Canada | USA
Language: English
Release date: 24 October 2003

In the police investigation of a brutal crime scene, one man was at the center of it all: legendary porn star John Holmes.

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User Reviews

bob the moo 29 September 2004

John Holmes was the worlds' biggest porn star in all senses of the world, however after the fame came a basic life of drugs and crime to get by. One such job was a robbery and murders at Laurel Canyon in 1981. With the police investigating the violent aftermath of the robbery, they take in David Lind who tells them a story of how Holmes set up the whole job and how the planned robbery of 'The Arab' turned out to be a robbery of kingpin Eddie Nash, leading to Nash's revenge killing of the gang except Lind. However, bringing Holmes in for questioning they get told an entirely different story.

With an intriguing and stylish trailer, I was looking forward to the film and, despite it coming and going quickly in the cinema I managed to catch it on DVD. I'm not sure of the true John Holmes story and, after this film I'm none the wiser about the truth or even basic facts. The film plays with the truth in the same way as Rashomon (or for fanboys – Hero) does, having the same story told several different ways by different characters. In a way this does enough to keep the story moving and keeps it interesting enough to watch, with the brutal 'truth' being a very difficult scene to watch, however as a total story it is unsatisfying. Attempts to bring in issues around John's relationship with Sharon felt too rushed and didn't work, likewise his relationship with Dawn wasn't very well handled. With four writers on the job, it is easy to see some of this as compromise but this doesn't excuse it. With so many half-delivered characters and threads in the film it is forced to do about 7 or 8 text cards at the end to explain what happened to everyone – while this was interesting it does show the failure in the film that these things should have been better woven into the film; as it was it felt like it had left more than half the story until these cards.

However, side issues aside the main plot about the job really does work very well and the Rashomon approach does work well to keep the interest – a straight telling would have lost this element and also made for a less engaging film. If the characters had been better and the attempts at wider themes and subjects had actually worked better than they did then this would have been a much better film, but this is no Boogie Nights and the attempts at a bigger picture simply don't come together. This is not the fault of the cast though, as they all do pretty well even if some of them are given practically nothing to work with. Kilmer is good with what he has and, when allowed to, manages to bring really sorrow to Holmes in a convincing manner.

Bosworth isn't so good and I never bought her once – certainly her performance made the jump to Dawn's actions 6 months after this story ended seem impossible and I got the feeling that she had just played it all wrong.

Kudrow takes yet another step away from Friends and who would have thought that she would be the one to carve out a career outside of her character? She is given precious little time but she matches her makeup and comes across as hurt and weary. Nelson and Lucas are both good but I was more surprised by McDermott, who was good and almost unrecognisable. Fisher's involvement is a mystery to me and her early scene could have been removed without any loss. Bogosian fits his character perfectly and Garofalo is in there if you look hard, but again you have to wonder why she bothered. Paris Hilton turns up as a ditzy blonde bimbo trading on her looks – a ro

nixskits 23 November 2009

Fmovies: "Wonderland" is an ugly, hard to watch film that gives us so many bad people ruining their lives with drugs that you have to wonder why it's an important crime story. Probably because the acting is so intense, it's the cinematic equivalent of a crack pipe you can't put down, even though it's burning your hands and you can't get "high" anymore. Be thankful when this is over that you don't have a drug habit. And if you're using, get help now!

Val Kilmer is so in tune with the broken down wreck of a porn legend who can't do much more than destroy himself and cut his ties with the straight world that his portrayal is truly horrifying. He meets his criminal match for out of control indulgence in the gang of dealers and robbers that live in or visit the house on Wonderland Avenue. Josh Lucas, Dylan McDermott and Tim Blake Nelson are the brazen trio willing to rip off anyone for a fix and the great Eric Bogosian is the ultimate prince of darkness gangster they foolishly cross. What happens next is not good!

Detective characters based on Bob Souza and Tom Lange, the two men that had the dead end assignment of trying to solve this hell on earth of a case, try to separate the lies from the brutal facts. Ted Levine, playing the older partner, is especially intense, as in the words of director James Cox. "Look at that guy, man. That guy can make gum chewing interesting!" Yes, he does. If anyone plays a cop who's seen too much better than Levine does here, give them the award for best performance as an LAPD Robbery-Homicide veteran.

Much of the script is verbatim from Holmes' and David Lind's (McDermott) own words. It becomes a duel of two sociopaths each trying to establish their version of events as the on the record account of what "really" happened back in the summer of '81.

Holmes' one redeeming link to the truth is his soon to be ex-wife, Sharon, where Lisa Kudrow turns in her best work ever. She's a woman in a predicament. The man she still loves emotionally needs her to save him from his cocaine based purgatory and finds she won't end her life in normal society to enter the witness protection program with him and his girlfriend, Kate Bosworth. (Before Tina Fey became forever linked with Sarah Palin, I thought the role of Sharon would have suited her! She has a resemblance to the photos of the former Mrs. Holmes shown in the documentary "Wadd".)

Why did Holmes live when so many others didn't? He didn't really escape, as AIDS related illnesses and his continuing drug abuse finished off the remaining years (he died at age 43 in 1988). An amusing urban legend about Holmes actually being "Leave It To Beaver" actor Ken Osmond was debunked many years ago by Osmond himself, who ironically became a cop after his acting days ended. But if Holmes ever had a "legit" acting career, "Eddie Haskell" is exactly the kind of role he would have naturally fallen into, the congenital liar who knew how to pacify authority figures with a gleam in his eye and dishonesty in his heart.

jpileggi-1 28 August 2004

One of the most disturbing and tragic periods in American history began. The members of the Summer of Love culture, at the end of the seventies and onset of the 80's, were eventually too old for love beads and all night parties and evolved back into mainstream life, whatever that meant. For those who could not out grow their youthful and sometimes irrational exuberance, their's was the culture of Wonderland. A love for drugs and a sense of entitlement coupled with a distaste for authority, values and "the establishment".

The sixties were a time of revolution and violent change that tore the American "house" apart. Once the battles were over, we all had to deal with the aftermath of the carnage. The characters in the Wonderland house are icons of the misfits of the Seventies; part biker, part hippie, part crook, all outcast. No ideology to express, just a sense of dissatisfaction with everything and allegiance to nothing. Ron, Billy and David fancy themselves as some sort of Robin Hoods with dope. They talk of love and behave violently; they take from the rich and sell to the misbegotten; they steal from everyone.

Holmes and company are the end result of a strange collision of anti-matter like sex, and drugs and rock & roll, when the lab technicians get bored and move on.

The film is skillfully directed and paced and captures the frenetic world of the drug fiends in their element. The fact that Holmes is a porn star is almost irrelevant. That story was told in "Boogie Nights". This is a story of a transitional and forgettable era.

Chrysanthepop 17 February 2008

Wonderland fmovies. Cox's 'Wonderland' is about the gruesome Wonderland murders (obviously!) that took place in the early 80s. The murder case itself was never solved and remained a mystery. Sadly, the movie does not do much to to cast light on it but there are hints indicated what most likely has happened. It is more of an interesting account rather than an actual story where one event is told from the perspective of different characters: Ex-porn king turned junkie John Holmes (Val Kilmer), his girlfriend Dawn Shiller (Kate Bosworth), his estranged wife Sharon (Lisa Kudrow) and David Lind (Dylan McDermott).

'Wonderland' is quite well shot, with the chaotic camera-work and slick editing, use of music and visuals and effective sound. It is very graphic and includes real photographs from the crime scene. It does manage to create the feel of the early 80s that ended the craziness of the 70s. Val Kilmer seems to be an odd choice to play John Holmes. There is no physical resemblance. As a stand alone he acts well but does not have any nuances of Holmes. His portrayal of Holmes is inaccurate to say the least. Kate Bosworth is quite alright. I didn't find the love story between the two that engaging. Dylan McDermott does not seem to be completely in character. In spite of having a small role, Lisa Kudrow delivers the best performance. It was very nuanced and natural. Josh Lucas does alright but at times he seems a little too loud. There are several more familiar faces.

Before watching the film, I had very limited knowledge of the notorious murders but after seeing the movie, I did more research and understood how gruesome and horrifying it was. 'Wonderland' tries to portray the event in an accurate way but those who are looking for a closed ending will be disappointed. As I stated earlier, it does give a hint as to what most likely happened.

thetrixter_1999 9 May 2004

I once read an article by Jonathon Ross about John Holmes, and in it he described a pathetic figure whose celebrity status in the arena of porn deteriorated into a life of drug abuse, betrayal, gang involvement and murder...oh, and his eventual death due to Aids. What a great premise for a film!

I enjoyed Wonderland and was gripped all the way though.It was Holmes' dependence on drugs that meant he was eventually dropped from the porn industry, he could no longer perform or 'get it up'. From there his life spiralled and this is where Wonderland starts.

The story is not only presented in a very factual way, ( nearly every police statement and event occurred as shown ), but the pace in unrelenting and the acting convincing. Kilmer does a good job on Holmes - a bit like his Jim Morrison, he gets the druggie, spaced out feel just right.

The re-telling of events through different perspectives is also impressive, if not original and although there is no real tension in the film this is not a criticism. This is not supposed to be a suspense film or a thriller, it is much better than that. It is a true account of lives which interest us and which most of us have difficulty comprehending - apologies to drug dealers, murderers and porn stars.

When the actual murders occur they are brutal and dramatic, interspersing real footage of the murder scene into the action. Gory and fascinating, and i'm sure most of you do the pause or slow-mo run after.

I'm a sucker for information being handed out at the end of films and Wonderland doesn't disappoint. We find out about all the main protagonists and of course we all know what happened to John. Full credit to the director, I was waiting for this film to be made since 1988 and am not disappointed!

cecil_idi 17 March 2004

Val Kilmer... Love or loath him, sometimes he gets under the skin of a character and pulls out a performance that makes you go 'Hey! This guy is a GREAT actor!' He did in the leather pants of Jim in The Doors and he's done it again in the leather underpants of John.

Revolving around the fall and fall of uber porn king John Holmes, Kilmer strutts to his knees as we unravel one of the biggest murder mysteries hollywood has never solved for over twenty years, with Holmes the key suspect to a brutal Manson-style slaughter.

What Kilmer does so effortlessly is exhude the low-life of the celebrity, the do anything to anyone craving that overwhelms anyone who had it and then lost it. Go see him, you'll know what I mean.

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