Undead (2003)

UNDEAD (2005) 0 * Arguably one of the worst films I've ever seen – nonsensical hodgepodge about a meteorite shower causing an Australian fishing village to become zombies with it's so-sure-of-itself-smugness incorporating (ok --- Stealing! Robert Rodriguez camera angles, "Matrix" type pacings and Peter Jackson's seminal "DeadAlive" to name three counts of plagiarism) far too many hybrids and quite frankly a real mess overall. I realize low-budget independent movies should be given some slack but the bargain basement bloodiness (while plentiful) is the least of this film's problems. There is no rhyme or reason to the film as it progresses and by the end it doesn't explain anything that has just transpired (or even attempts too!) I'm not even going to include the lame cast and simply say the directors : Michael & Peter Spierig should just give it all up and stop while they're behind. Atrocious!

Fmovies: What a piece of crap. It is D- level camp. I felt ripped off. The trailer makes it look like a decent zombie movie like the recent zombie flicks like 28 Days, Dawn of the Dead, and Land of the Dead. Instead you get this campy piece of garbage that is too stupid to even laugh at. If you like ridiculous films, by all means go see, if you don't, stay away at all costs. Bad acting can be handled as can bad writing but when you combine them it is exponentially horrible. This kind of zombie movie will set the genre back instead of moving it forward. Lion's Gate Films should be ashamed of themselves for trying to take advantage of the resurgence of zombie movie popularity by dusting off some three year old straight to video turd they have lying around. I was wondering why it wasn't in wide release, now I know.

Rene (Felicity Mason), the town beauty queen of Berkley, Austrailia, wants desperately to get out. But as her and her boyfriend are driving out of town, meteorites fall from the sky turning various town-folk into rampaging zombies. When Rene's boyfriend gets changed, she watches as a mysterious stranger (whom we later learn is the town 'crazy') dispatches the now zombiefied BF. She decides to hole up in the isolated farmhouse of said 'kook'. It's soon up to her, the guy, a husband, his pregnant wife, and two cops to survive long enough to figure what the hell is going on.

This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.

My Grade: B-

Undead fmovies. Something is seriously wrong in the quiet Queensland hamlet of Berkeley: rocks are falling from the sky, carrying a virus that turns local residents into flesh-crazed fiends. And that's just the start of the powerhouse slam-bang debut from Brisbane twin filmmakers Peter and Michael Spierig, an audacious triumph of invention and imagination over budget and genre constraints. Even more remarkable is the fact that two local Brisbane boys have achieved the impossible and created an original Aussie zombie epic that is set to lay waste to the international horror community.

Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.

If Aussie horror is a dead duck, Undead blows it out of the water.

Berkley, small town in the backwoods of Australia. One sunny day turns suddenly for worse, when a meteor storm raids over the village, turning everyone in to a brain munching zombies.

But soon it comes evident, that it's the aliens who are behind all this.

Well, the heroes of the film are our regular ragged bunch of men and women, some of them cool, some of them nervous as bleep. Two cops, pregnant woman, woman with problems, a pilot and a village idiot. And only the village idiot seems to know whats going on. Or does he?

Undead is your typical small budget, gore infested zombie flick, with a one difference: it has actually pretty neat special effects and some of the photography is pretty good looking.

But, then it comes to the plot: some jokes work, some don't. Behaviour of people stranded in Berkley doesn't have any sense at all, mostly they are just running around.

But thanks to good directing this movie rises above the most poorest excuses of the genre.

It certainly is watchable.

The Spierig Brothers' (Peter and Michael) "Undead" would seem even more like a cheap '50s drive-in "B"-movie if the film just billed itself as a cheap '50s drive-in "B"-movie outright instead of masquerading as a zombie-splatter flick spoof. In "Undead," we get zombies, aliens (aliens?), laughs and gory head shots that are delivered to us in such a fashion, the film plays out like a head-on collision between each genre.

I guess I shouldn't be surprised. I've seen enough zombie flicks over the last two years to know. I've seen enough over the last two years to realize that alongside comics and video games, zombie movies represent one of the remaining avenues left for truly innovative (if not completely original) film-making. After the success of the "Dawn of the Dead" remake, "Resident Evil: Apocalypse" and "Shaun of the Dead" last year, WE should not be surprised.

"Undead," unlike these films, did not receive a major distribution in the United States (it certainly didn't come to theaters anywhere where I live here in Virginia), and it's set in the Land Down Under. It's an exotic place, Australia, with beautiful seaside communities, friendly people, and nut-job backwoodsmen. The film takes place on the continent's fishing mecca Berkeley and as it opens, ominous meteorites have been raining down on the countryside, shooting through unsuspecting townspeople (leaving holes in them so big you can New Zealand), and turning them into flesh-hungry zombies.

Meanwhile, poor Rene (the strangely attractive, doe-eyed Felicity Mason), a recent "Catch of the Day" beauty queen, is on her way out of Berkeley when the occurrences begin. The bank has just foreclosed on her family's farm because of her deceased parents' skyrocketing debt and wants to say good-bye to this place once and for all. Well, one thing leads to another and she soon finds herself locked in the farmhouse of the town nut and survivalist Marion (Mungo McKay), who manages to save the frightened young woman from the legions of living dead lurching in the countryside. Along for the ride are Wayne (Rob Jenkins), his girlfriend(?) and Rene's beauty queen rival Sallyanne (Lisa Cunningham), and constables Harrison (Dirk Hunter) and Molly (Emma Randall).

"Undead" is boldly original in its own twisted, off-beat way. Some might say it's in bad taste. The strange thing is, they're correct. It's in "bad taste" the way the early zombie flicks of Peter Jackson were, or the "Evil Dead" films of Sam Raimi. Yet, in America, we hold those movies to some pretty high standards, though I doubt the same blessing will fall upon "Undead." The movie is indeed in bad taste and deliberately so, but unfortunately it seems to forget to also be watchable in ways to elevate itself above its bad-taste rating and into "B"-movie greatness, which it wants real bad.

Though you can't really hold that against it. There are some pretty good visual-effects zombie-kills, including a scene where young Rene takes a stick, attaches a saw blade to it, and swings away at approaching undead. Now that's creative thinking in exterminating zombies. It's also pretty funny in some spots with some wicked social commentary and jabs at American zombie movies, which suffices the plentiful gore. But unfortunately, creativity seems to go out the window with the somewhat unneeded alien