Torn Curtain (1966)

Alfred Hitchcock returns to one of his familiar themes;namely the spy thriller,though the results are disappointingly mechanical and rather lethargic,with many scenes and situations recalling earlier,more superior efforts.Hitchcock was apparently unhappy with the lead casting,and it shows in a surprisingly dull performance from Paul Newman and a miscast Julie Andrews(why didn't they use an American actress?).Having said that,there are some good scenes,notably a brutal and prolonged murder sequence involving Communist agent Gromek(Wolfgang Kieling).This was apparently German actor Kieling's first English Language role,and he shows a considerable assurance in the part both in his accent and characterisation;his is easily the best performance in the film,and comes across as the most rounded,if not most sympathetic character,which makes his killing all the more shocking;Newman himself comes across as a bit of a incompetent bumbler,hardly the sort to be a double agent! Wolfgang Kieling's fine performance ensured other English-speaking roles in several other US and UK films.His role here though is still all too brief despite his modest excellence.

Later scenes are reworked from better Hitchcock films such as SABOTEUR, THE MAN WHO KNEW TOO MUCH and THE 39 STEPS which have some suspense and are quite well handled,but TORN CURTAIN arguably was the beginning of the winding down of Hitch's career;age and declining health ensured there would be only three more films after this:TOPAZ,FRENZY and FAMILY PLOT.One last point;how come there was panic in the theatre when Newman shouted "FIRE!!";it was in a German-speaking venue,not an English one! Enough people must have understood.

Fmovies: "Torn Curtain" is an exceptional Alfred Hitchcock film that is for the most part intriguing, suspenseful, and entertaining. But it's not a masterpiece. Paul Newman stars as an American scientist who appears to be defecting to Germany. Julie Andrews, coming off her Oscar-winning film debut in "Mary Poppins" and her Oscar-nominated role in "The Sound of Music", plays Newman's associate and girlfriend who tags along for the ride. Along the way they run into an assorted bunch of odd but colorful supporting characters. "Torn Curtain" isn't as good as "Psycho", "The Birds" and "North by Northwest", but that doesn't make this a bad movie. Even though the movie moves a little slow at times, it's still an interesting and sometimes funny movie, well acted by Newman and Andrews.

*** (out of four)

... have 'know' idea what they're talking about. It may not be Hitch's best movie, but 'watch at your own risk' is an utterly ridiculous appraisal of this movie. But yes, when discussing a Hitch movie, all the normal conventions of movie analysis fly straight out of the window; now it's time to take out the REALLY big magnifying glass. The nitpicking borders on the outrageous. The story is actually quite enjoyable, no more implausible than that of many of his other films, and contains the usual Hitchcockian set pieces and camera work. Whats not to love? Ya, Newman doesnt exactly carry around Jack Nicholson-like expressiveness; there may have been better actors up to the task, and the Old Woman scene feels strange and out of place not to mention over-acted, but even these cant bring the movie as a whole down. Seems like for years this film has the unlucky honor of being the scapegoat in the Hitchcock stable...unfortuanate, really. If you haven't already, see it for yourself, you wont be disappointed

Torn Curtain fmovies. This hardly ever appears in the lists of the master's best films, but it is a real gem - superbly acted, inventively filmed with great music, dialogue and plot. Julie Andrews and Paul Newman work really well together - a very sexy scene early in the film is a delight, filmed in extreme close-up. And Lila Kedrova's cameo is Oscar worthy. This is also a memorable look at the Cold War at its height, and although the pro-West propaganda is a little thick at times, there is still a sense of the absurdity of the situation. And there is a murder scene of unbelievable savagery that really left me shaken - excellent work here from Newman and Carolyn Conwell. The most memorable scene is the bus pursuit sequence, and the theatre audience turning into an hysterical mob when Newman yells "fire" is a great Hitchcock moment. One of his best cameo appearances too. I think this film deserves re-examination.

The first time I watched "Torn Curtain," I grew bored and turned it off before it was over. I've watched it in its entirety more than once since then. It's difficult not to conclude that the master director's age was beginning to take its toll by 1966. It could have been a great film except for some major flaws.

First, the main characters. Newman and Andrews look distinctly ill-at-ease and their acting is wooden. There is very nearly no chemistry between them, and viewers are not really drawn into their somewhat implausible situation. Both actors are compelling in other films, but for some reason not in this one.

Second, Hitchcock would have done better to keep his villains' identity less specific. In "The Lady Vanishes", "The Thirty-nine Steps," and "North by Northwest," the identity of the foreign agents is left deliberately vague and thus little plausibility need be attached to their actions. Here they are East German communists, of which we know rather a lot.

Third, there are inconsistencies in the plot. At one point Newman and Andrews are forced to go out into an open space to avoid being overheard. But in another scene a pro-western spy communicates confidential information to Newman in a hospital room, seemingly oblivious to the possibility of wiretaps.

Finally, there's John Addison's score, which seems to have been written quite independently of the film's action. A suspenseful scene is inappropriately matched with cheerful, melodic music. Everyone knows, of course, that Hitch's longtime musical collaborator, Bernard Herrmann, wrote a mostly complete score for the film, but the two had a falling out on the set and Herrmann was dismissed. Another example of poor judgement on Hitchcock's part. Herrmann's score would have immeasurably improved a mediocre film. (Look at "Obsession" nearly a decade later.) With all the recent film restorations, I would love to see someone redo "Torn Curtain" and put in as much of Herrmann's score as the composer was able to finish. (But perhaps there would be copyright problems.) Had Herrmann's score been used, the murder sequence in the farmhouse might have become as famous as the shower scene in "Psycho."

As I was watching the protagonists flee through the East German landscape in their efforts to reach the west, I found myself thinking that, if they had only waited another twenty-three years, the wall would have come down anyway and they could simply have walked out! That's how much their plight gripped me.

Paul Newman nuclear physicist has volunteered for an unusual espionage mission. He's to fake a defection in order to get close to East German scientist Ludwig Donath and find out what advances he personally has given the Soviet bloc.

As he says to agent Mort Mills, he's one of the few people in the world who would know exactly what to look for. The trick is to make Donath write it down.

Nice plan, except for that fact that intrepid Julie Andrews, Newman's fiancé suspects something's up and follows him first to Copenhagen and then East Berlin. It would have run so much easier without her, but then again there would have been no film.

This was Alfred Hitchcock's last star vehicle. His last three films were done with second rank players. At the time this was made Julie Andrews was fresh from Mary Poppins and had all kinds of roles offered her. I suppose she couldn't turn down a chance to appear in a Hitchcock film, but she and Newman really have no chemistry at all. I suppose Newman also wanted to work with Hitchcock.

There are some good moments in Torn Curtain. The highlight easily has to be the killing of an East German security agent by Newman and Carolyn Conwell with the creative use of a gas stove. The agent is played by German actor Wolfgang Kieling and has the best role in the film. Funny how during World War II, Germans were sometimes shown as colossally stupid, Kieling is not. He's a very tough and shrewd adversary who catches on to Newman's scheme and has to be eliminated.

Hitchcock also stole from himself here. The ride and Newman and Andrews take on a bus from Leipzig to East Berlin that is stage managed by David Opatoshu is ripped off from Saboteur and the bus passengers are just like the circus people in Saboteur. Good, but done before.

Devoted fans of the stars and of Alfred Hitchcock will want to see Torn Curtain, others might want to for curiosity's sake.