Thirteen Days Poster

Thirteen Days (2000)

Drama | Thriller 
Rayting:   7.3/10 54.3K votes
Country: USA
Language: English | Russian
Release date: 12 April 2001

In October 1962, the Kennedy administration struggles to contain the Cuban Missile Crisis.

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User Reviews

rrathgeber 14 July 2007

Having lived through the Cuban missile crisis and seen my teachers being called back into service I found this movie to be extremely realistic. It's amazing the similarity of the actors to the real people, particularly Bobby Kennedy and McNamara. The underlying tension and the restrained acting reminded me of the movie Seven Days in May. The Portrayal of John F. Kennedy was remarkable in so far as one doesn't even notice that his physical appearance is off. His mannerisms and acting portrayed John F. Kennedy so well that he blends into the character perfectly. The tension exhibited by the actors in this movie reflects accurately the tension the nation felt during those awful days when we had to practice atomic bomb drills in school. Kevin Costner's portrayal of Kenny O'Donnell seemed right on the mark, as did the actor who portrayed Adli Stevenson. Those scenes which took place the United Nations were particularly moving sadly, they have not been repeated in present times. If only Colin Powell could have made such an impact with the UN perhaps the war in Iraq would have been unnecessary.

WCS02 18 January 2001

Fmovies: This is The Godfather of political thrillers. Magnificent! Until the final frames - when JFK addresses the White House staff - I expected another critical problem to emerge. These `wrinkles' kept me perched on the edge of my seat. I was naïve and 11 at the time. This is a movie not to be missed.

The President's Special Assistant (Kenny O'Donnell aka Kevin Costner) tells the story. He connects you intimately to the Kennedy White House, the early 60s military machinery Â… balanced against faith and family. Every emotion kicks into gear over the course of the film. At the end of the day, you're thankful the man in the oval office was a smart fellow. We need smart people in that office.

There's a thing called `heart' sprinkled liberally throughout. Performances are thoroughly believable, as though this is unfolding here and now. Greenwood and Culp are plausible Kennedy brothers after all their predecessors, a tough job given the liberal supply of Kennedy film. Your heart pours out for the insiders who knew how close the world came to the brink. Then please, join me in becoming a little cynical about the government's `world safety' report veracity going forward. Thirteen Days shows you why the government, the press, and the people need to be in constant check and balance to be effective.

A football metaphor weaves effectively through the film, though the teams are cliquish at best. Ex-Harvard quarterback Kenny O'Donnell now serves as a linebacker for the Kennedy team. He's an insider; close … a (near-family) friend. In a crisis, loyalty and teamwork to America's quarterback (JFK) is the prescription for sanity. War zealots surround and abound. Someone needs the cooler head – to be the wiser man – in a world where warfare is being redefined with weapons of annihilation.

Minutia: There's always something for a fanatic like me. I spotted a bowl of Post's fruity Pebbles cereal at the O'Donnell breakfast table in the closing minutes. I don't think these had been invented yet. The thing is: If I have to dig `that deep' to find flaws with the film's presentation quality, it's a pretty darned good. I am sure there are historical flaws, but this is close enough for government work.

I'm still naïve, but no longer 11 years old. Movies have to be well made / well told to satisfy. An entertainment adventure you will enjoy no matter your age, gender, race, religion or political persuasions. It rates 9 out of 10 possible points. But unlike its Godfather intensity, I hope there's never a sequel to this one.

A_Roode 30 May 2006

Poor Kevin Costner. I get the feeling that he just can't win no matter what he does. He gets slammed for being in films and not using an appropriate accent. Need we look any further than 'Robin Hood: Prince of Thieves'? When he does use an accurate accent, as he does in 'Thirteen Days,' he gets slammed for trying to elevate his game to a playing field dominated by more well liked method actors. I've heard an argument before that he should just stick to making westerns since, allegedly, they're the only films that he does well. Many would immediately argue that 'Wyatt Earp' cancels out 'Dances With Wolves.' I argue instead that people are just too hard on Kevin Costner and 'Thirteen Days' is a very good example of why he deserves a bit of a break.

'Thirteen Days' was the fastest two and a half hours that I've sat through in a long time. The film was absolutely engrossing and very tense. Everyone knows what happens (or should be able to infer it since we'd all be dead right now if things hadn't worked out so well) but the writing and direction deserve great credit. They were able to transfer the tension from the historical situation and bring it to the screen with electricity. I think it works brilliantly well for two main reasons: 1. The viewer may know what is going to happen, but the characters don't. They are stressed, terrified and at the breaking point. One wrong move and the whole world is obliterated. If that isn't good drama, I don't know what is. 2. The film makers very wisely resisted the impulse to try and show things from the Soviet point of view. The strength of the film is the peril of the situation and the terror of not knowing what the other guy is trying to do. By filming from solely an American perspective and keeping both the characters and audience in the dark, this character driven movie excels.

A second brilliant strategy employed by the film makers was in the casting. With the exception of Costner, there are no real stars. Instead there are more reliable, hard-working and chameleon-like character actors. Len Cariou, Dylan Baker, Stephen Culp, and Bruce Greenwood are just a small sampling. Greenwood plays JFK and excellently plays a man desperate for peace but surrounded by calls for swift military action. He sees the bigger picture where others don't, but may not be able to navigate the smaller picture without help. Dylan Baker is a doppelganger and his performance as McNamara is spot on.

Highly recommended.

The Garthster 20 January 2001

Thirteen Days fmovies. "Thirteen Days" is a powerful and gripping movie. Actually, I'm not sure if 'powerful' is a strong enough word to describe it. I was immediately sucked in and, in fact, the only time reality came back to me during the entire movie was when my friend, who'd fallen asleep, suddenly jumped up wide awake at the roar of the jets... When the movie let out, everyone was yawning and stretching and in some way or another, complaining.

Not me, I was pumped up and ready to go talk about it to someone, I didn't care who, for hours and hours. Who cares if it was 'thirteen days long' or if Kevin Costner's accent was a little annoying? Admit it, the movie was about as good as movie's get. The acting was perfect (I believe Bruce Greenwood should at least get a Best Actor nomination, possibly Culp, too, for Supporting Actor), and the script... man, did somebody put some time into that script! Not only was it historically accurate (to the best of my knowledge anyway) but it was heart-warming and witty and was full of those "great lines" that people will memorize and repeat over and over for many years to come. My favorite part, however, is just a shot of Kevin Costner coming home. He gets out of his car, and instead of going inside his house, he turns and looks at his street, his neighborhood, his world... I hate saying more than I should, but if you've seen the movie you know what I'm talking about. The emotion that is shown in that scene... it gives me chills just thinking about it.

This film is intelligent, and beautiful, and 'powerful.' Believe me, if you see this movie, you'll not soon forget it...

Boba_Fett1138 24 January 2006

Basically this movie is a great history lesson. If you want to know more about the cold war and the Cuba missile crisis in particular this is a perfect medium for you to start with. The movie is quite detailed and accurate even though of course some moments and characters have been 'over-dramatized' for the good of the movie and its flow and emotions.

Even though you already know from start till finish how this movie is going to end, it still is a tense movie to watch. The story is build up well and makes the movie really interesting and compelling to follow. It perfectly captures the tension of the whole crisis and really makes you realize how close the world actually came to a WW III. It makes us aware of the fact that those 13 days in history should always be remembered and used as a lesson for the entire world now and forever. It's too bad that the movie becomes a bit too moralistic at times, especially toward the ending.

Bruce Greenwood doesn't really look like JFK but he's a good actor, so he becomes believable enough in his role trough his acting skills. Steven Culp really does look like Robert Kennedy and on top of that he also is a great actor. I wasn't always happy with Kevin Costner performance but overall he did an acceptable job. There are some weaker moments which involves his character but I more blame those moments to the at times too moralistic written script.

A bit of a disappointing aspect of the whole movie is its style. Roger Donaldson at times tries to be over-artistic and mixes the movie with black & white and color images. Perhaps he tried to copy Oliver Stone's style? Who knows. The cinematography was also disappointingly standard but thankfully the good editing saved this a little. Also the musical score by Trevor Jones is surprisingly solid.

Overall it's a very good political movie that has some great tense and important moments in it and also works great as a history lesson.

8/10

http://bobafett1138.blogspot.com/

Ajtlawyer 8 April 2002

This is an outstanding re-telling of the Cuban Missile Crisis. The weakest part of the movie of course is Kevin Costner who wisely cast himself in the part of presidential assistant Kenny O'Donnell rather than take on the JFK role. In order to give Costner a lot to do they make Kenny O'Donnell out to be a sort of behind-the-scenes king-maker rather than the office gofer that he probably really was. But it was a clever device to get the audience into the inner workings of the Kennedy White House without making JFK or RFK the lead character. The scenes that work best are when O'Donnell is the fly-on-the-wall sitting in at Cabinet meetings and meetings with the Joint Chiefs and letting the real decision-makers and advisers talk.

Much of the real JFK Cabinet discussions were recorded or transcribed for history and so I'm sure that much of the dialog for those scenes is what the principals really said. The movie is a tremendous look at crisis management and decision-making under extreme pressure.

The military leaders are made out to be the semi-villains in this movie, pushing JFK to attack Cuba and launch WWIII and at some points seeming to even disobey or skirt his orders. When watching the movie I kept remembering that JFK was the youngest man ever elected president and that he was only 45 yrs old when this happened. Most of his Cabinet and all of the Joint Chiefs were much older than him and that tension comes across as the older men seem to barely be able to hold back their condescending attitudes towards the young president.

With the exception of Costner, the acting in this movie is first rate and Bruce Greenwood as JFK was certainly deserving of Oscar consideration. It is always hard for an actor to play a historical figure like JFK who is more legend now than man. Greenwood wisely does not try to mimic JFK's accent but he does get inside the character and you can see JFK thinking his way through the crisis with nothing less than future of the entire human race riding on his decisions. Steven Culp was outstanding as well as RFK, perfectly mimicking RFK's mannerisms and way of speaking but again, getting inside the character so we can really see the man rather than just an impersonation. The success of the entire movie depending on Greenwood and Culp nailing their parts and they did so terrifically.

Viewers might be interested in finding a copy of "Missiles of October" which was a TV-movie in the 1970s and done much like a stage play. William Devane played JFK and Martin Sheen RFK. The movie also gave much screen time to the Kruschev character.

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