The Taking of Deborah Logan (2014)

Can honestly say it's a good new horror movie; compared to what I've seen lately. It has tons of suspense, maybe too much in some cases, it lacks of logic sometimes and a bit repetitive but I get that they couldn't extend the plot any other way. Some good jumpscares. Truly enjoyable for those who appreciate indie movies.

Fmovies: I like the way the movie started. I liked the premise and the "horror" movie take on something as real as someone slowly suffering from Alzheimer's.

But they lost me once all the supernatural stuff started.

And I could have tolerated the supernatural stuff if that's the way they wanted to go with this, but I couldn't because of that stupid shaky cam and that girl doing the documentary (I forgot her name, May?) screaming all the time.

Sucks because I started watching this with very high expectations (since I heard it was a pretty good movie) but it didn't deliver. And that sucks, because based on the first 20-30 minutes, it had potential.

This little gem scores big on the creep factor and for the overall suspense throughout the film. Kudos goes out to director Adam Robitel...I'll be keeping you under my proverbial radar for your future endeavors. Jill Larson's portrayal of Deborah is top notch, she's an "Thespian Extraordinaire". The rest of the cast also did an excellent job of supporting the main character. After viewing,(late night and no lights), I resorted to switching on ESPN Sportscenter for some much needed detox and a cup of tea before retiring for the night, even then, it was a restless night's sleep. Do yourself a big favor and watch this movie with knowing very little about it...best not to read any further reviews, especially ones that critique the storyline.

The Taking of Deborah Logan fmovies. One of the best horror movies from the last few years. The "horror" genre tag was missing from the IMDb page when I first looked it up (right before I saw it) so I really didn't know what I was getting into - although it was pretty obvious that it would be a horror flick due to the cover picture, but you never know.

The story was well written. It was very clever how they incorporated Alzheimer's disease into the story - well, they didn't "incorporate" it - the disease is the main story, but it was very clever how they made it into a horror movie - the disease is very scary in and of itself.

I have to admit that the acting was a bit iffy, but it became negligible toward the middle of the movie due to the intensity of the story. And Jill Larson gave a stellar performance.

We've had just so many found-footage horrors every year, it's just too much. But not all of them are not worth it. This isn't great or anything, but i was able to achieve some nice scares and develops its central mystery and the development of the characters works. It reminds me a lot of The Last Exorcism (although that was still a lot better). The acting here is pretty strong, and the atmosphere builds well. I'm sure many will love the explosive climax and finale, and although there aren't too many inconsistencies in the story, there are still flaws here and there. But while it doesn't achieve so much greatness, definitely recommended.

The Taking of Deborah Morgan, as you must have gathered by now, is a faux-documentary that begins as a sort of record of deterioration. I can think of no better word than "deterioration", since Deborah Morgan falls apart both mentally and physically over the course of the film. You'll find yourself unnerved and saddened by Deborah's confused states and struggles as she loses her memories to what appears to be Alzheimer's Disease. Of course, things take a sinister turn as the crew cataloging the disease's progression begin to see and hear unexplainable phenomena.

The first half of the film is genuinely terrifying, and had me in suspense.It is the film's second half, which I will not divulge here, that was a bit of a letdown. I really wanted to give the film a higher score, but I couldn't come up with more than a 6. All I will say is this: A horror film with a unique premise and a lot of promise gradually works its way back into the clichés of jump-scare Hollywood.

However, I would be remiss if I did not commend the film for its portrayal of three major female characters (who really carry the film)--a Ph. D. student, a troubled daughter, and Deborah herself-- each one fairly layered and driven by palpable human motivations. The whole "freaked-out, over-sexed bimbo" schtick gets old.